[Photo] Viewing boats preparing for the 1300-year-old tradition Ukai (cormorant fishing)

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Viewing boats preparing for the 1300-year-old tradition Ukai (cormorant fishing)

(Check out more photos from my Instagram account.)

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(On the set of Buddyz 2, with the iconic kombi van and some yellow umbrellas. The guy in yellow and seated in the background is actor Shaheizy Sam, reading the script) Last year, I made a passing mention that I was involved in a TV shoot for a series of 5-minute episodes called Buddyz . The series started airing last June .
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**Mild spoiler warning for both versions of Cinema Paradiso** Was watching the director's cut version of Cinema Paradiso (called the 'New Version') on DVD with my dad a few nights ago. Now already regarded as a classic, I've definitely heard of this 1988 Italian film (made in 1988, released internationally in 1990... I think) for a really long time, but never really had the opportunity to find either the chance, or the mood to watch it even though my dad has the DVD of the original for years. Dad managed to borrow the Cinema Paradiso: New Version DVD from his friend, which he hadn't seen, so we watched it together. Father and son watching a nice coming-of-age story of a boy and his friendship with a father figure, awesome. To the uninitiated, film's about a famous film director who returns home to a Sicilian village for the first time after almost 30 years to attend a funeral of Alfredo, an old friend. He reminisces about his childhood at the Cinema Pa
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Mishima is a writer associated with scale and grand gestures. Apart from his colorful life and the obviously theatrical nature of his public suicide, his novels are full of, to put it bluntly, action - in a 'literary fiction' genre often filled with tepid introspection and obsessive minimalism, that Mishima's books are full of swordfighting, arson, suicide, and desperate tragedy is definitely part of his appeal. Although his writing is capable of great subtlety, restraint, and delicate beauty, these qualities usually form one half of a chiaroscuric contrast, shadowing the dense psychological monologues and eruptions of violence.
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