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[Photo] During the rain, Hakata Station is drenched in colours

September 19, 2016

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During the rain, Hakata Station is drenched in colours

(Check out more photos from my Instagram account.)

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Popular Posts

In Defense of Fanfiction: Guestblogger Justin Goes Robin Hobbnobbing

If you had of asked me on a given day whether I'd one day end up passionately defending fanfiction, I would have given you a strange look. I don't read any of the stuff anymore, and my own endeavors in the field ceased long ago. And yet, I found myself reading Robin Hobb's rant (Swifty: The rant was taken down sometime after this entry was posted) with growing outrage, not just because I disagreed with Hobb's sentiments, but because I COULDN'T BELIEVE that a published author of some repute could hold opinions so closed-minded, reactionary, and ridiculous. The outrage, though, stemmed not so much from this as from the idea that Hobb's opinions, through her position as an eminent fantasy author, could actually discourage young writers from practicing fanfiction, and thus, exercising their creativity. Therefore, SOMETHING MUST BE DONE. THIS SHIT CANNOT STAND.

The Short Fiction of Yukio Mishima

Mishima is a writer associated with scale and grand gestures. Apart from his colorful life and the obviously theatrical nature of his public suicide, his novels are full of, to put it bluntly, action - in a 'literary fiction' genre often filled with tepid introspection and obsessive minimalism, that Mishima's books are full of swordfighting, arson, suicide, and desperate tragedy is definitely part of his appeal. Although his writing is capable of great subtlety, restraint, and delicate beauty, these qualities usually form one half of a chiaroscuric contrast, shadowing the dense psychological monologues and eruptions of violence.

Cinema Paradiso. Original vs New Version

**Mild spoiler warning for both versions of Cinema Paradiso**

Was watching the director's cut version of Cinema Paradiso (called the 'New Version') on DVD with my dad a few nights ago. Now already regarded as a classic, I've definitely heard of this 1988 Italian film (made in 1988, released internationally in 1990... I think) for a really long time, but never really had the opportunity to find either the chance, or the mood to watch it even though my dad has the DVD of the original for years.

Dad managed to borrow the Cinema Paradiso: New Version DVD from his friend, which he hadn't seen, so we watched it together. Father and son watching a nice coming-of-age story of a boy and his friendship with a father figure, awesome.

To the uninitiated, film's about a famous film director who returns home to a Sicilian village for the first time after almost 30 years to attend a funeral of Alfredo, an old friend. He reminisces about his childhood at the Cinema Paradiso wh…

Compiling my own memories from Jan to April 2018

Haven't updated in 4 months since 2018 started? Insane. So many things have happened!

A brief trip in Tokyo during the first week of 2008. (brief appearance on NHK too)

A trip to Europe in February for the Swiss premiere of AQERAT (it was my first time in Switzerland and the experience was awesome).

Also stopped by at Berlin Film Fest before Switzerland for the first time since 2009.

Started March with the Malaysia International Film Fest and the Malaysian premiere of AQERAT, met Ann Hui and Christopher Doyle at the closing ceremony!

A day after the ceremony, and a day or two before my own birthday, I received a "Most Outstanding Filmmaker" award from the Malaysian Chinese Film Association during their annual dinner. I was really just there for the food, and to meet up with film friends, didn't know they were giving out awards. -_-

Ended March with a film shoot in Hokkaido.

Last scene for the day. It’s been fun, shooting amidst the majestic scenery! A post shared …

A dream of a love story from my past, and the girl who went to Yokohama

I seem to dream a lot lately. Yesterday was strange. I woke up from a dream, and when I dozed off again later in the evening, I had another dream again.

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Edmund Yeo