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Thursday, April 30, 2009

Colonel Sanders dressed up as Neon Genesis Evangelion's Eva-01

Taken at the KFC restaurant near the Seijogakuen-Mae Station 成城学園前駅 when I was on the way to Toho Studios yesterday.

Colonel Sanders dressed up as Eva 01


Sunday, April 26, 2009

Odd dream from an afternoon nap

I always seem to get the weirdest dreams from afternoon naps, I think. Just like moments ago, when I unknowingly slip into a nap while watching something and dreamed of someone who had plagued my mind for the past few weeks.

Friday, April 24, 2009

Brief visit at Toho Studios, and foreshadowing Tsuyoshi Kusanagi's arrest

So yes, I've totally buried myself into the post-production of my film, KINGYO, in the past week, managing to find my stride again, rediscovering the excitement I had for the project through editing (hate to find that spark when you were separated from it for so long!), experimenting more with the possibilities of split screens.

Wednesday, April 15, 2009

Back in Tokyo, back to editing KINGYO

Kudou Amane as The Wife in Kingyo


I've returned to Tokyo since Sunday night. It's been a hectic few days. I actually had a film shoot in Klang on Saturday and had managed to do another quick short film with the help of Lesly and Han, that film was an experiment with the Nikon D90, which I saw Ming Jin and Lesly used for their short film, THAT DAY WE WOKE UP. To be able to complete another short film, what a joy!

Tuesday, April 07, 2009

LOVE SUICIDES goes to Paris (Paris Cinema International Film Festival)

[Love Suicides] The girl (Arika Lee) plays with the red balloon
Arika Lee in LOVE SUICIDES


Today was like an emotional roller coaster.

I woke up and saw a MSN message from Fei Ling, telling me that she couldn't do my short film, EXHALATION, due to the fact that she's swamped with work (girl has a day job). I've intended to shoot the short on Thursday, with Lesly's D90, and with Ming Jin producing, but of course, since the screenplay's tailor-made for her, once she can't do it, I can't really get a replacement. So I called it off, and was in some sort of melancholic funk, despite trying very valiantly to suppress such feelings.

Afternoon came, I remained busy editing WOMAN ON FIRE LOOKS FOR WATER, while my mind wandered. I was supposed to go to Klang with Lesly on Saturday (I'm returning to Tokyo on Sunday), check out the locations, shoot the places for an upcoming project in August. Then I thought... what happens if I try to immediately shoot a short film while we're looking at the locations! And voila, I felt better!

And then I received an email from the Paris Cinema International Film Festival telling me that my short film, LOVE SUICIDES, had been selected for presentation at the international competition this July. My jaw dropped open.

LOVE SUICIDES write-up on Twitch

[Love Suicides] The woman (Kimmy Kiew) is pensive


Being a long-time reader of Twitch, I, was more than surprised and delighted when Todd did a write-up on my Yasunari Kawabata-inspired short film, LOVE SUICIDES.

There's coverage from a Spanish site too!

Thanks, guys!

CHICKEN RICE MYSTERY goes to Greece (Naoussa International Film Festival)

Dad (Chye Chee Keong) playing PS2 with Pinky the Pink Elephant
Dad (Chye Yang) pesters the Boy (Lim Ming Wei) into playing the PS2 with him in Chicken Rice Mystery


I actually received this email a couple of days earlier, and had posted it on Twitter (and Facebook) as well, about my short film CHICKEN RICE MYSTERY getting invited for screening at the Naoussa International Short Film and Video Festival.

It's the first festival screening of the film since last December's Dubai Film Fest. Here's the trailer of my short, if you haven't seen it before.

Sunday, April 05, 2009

THAT DAY WE WOKE UP, a short film by Woo Ming Jin

I've actually put aside WOMAN ON FIRE LOOKS FOR WATER in the past two days to finish up my editing on an earlier short film by Ming Jin called THAT DAY WE WOKE UP.

Thursday, April 02, 2009

WOMAN ON FIRE LOOKS FOR WATER shoot has ended

Sunrise at river [WOMAN ON FIRE LOOKS FOR WATER]


Fei (Chong Shun Yuan) and Li Li (Foo Fei Ling) hanging out [WOMAN ON FIRE LOOKS FOR WATER]

The two pictures above are screencaps from the film's raw footage, haven't done any colour correcting or anything



Wow, it's been a while since I've updated this blog. Despite having Internet access at Kuala Selangor, it was hard to really write about anything during a film shoot. Somehow, I just didn't seem to have the mood for it since all my attention's placed upon the film itself.

The 12-day shoot took place mostly in Kuala Selangor (except the last day, when we went to the famed waterfalls at Ulu Yam instead) and was an emotional roller coaster, and an intense physical exercise. We went to the jungle, to the river, to the middle of the sea, to shoot, then we shot at a salted fish factory and also a cockle factory. I was constantly assaulted by mosquitos during mornings and evenings (insect repellants can only help that much), and was also sunburnt.

It's all worth it though.

Ming Jin had gone off to Tokyo last night to attend his sister-in-law's wedding, so it's now up to me to edit the film.

Hopefully this will be considered as a worthy follow-up to Ming Jin's previous film, the award-winning THE ELEPHANT AND THE SEA.

Monday, March 16, 2009

WOMAN ON FIRE LOOKS FOR WATER shoot begins, tentative Chinese title

Well, today's my dad's birthday, so happy birthday, dad. Too bad he's KO'd by a bad case of flu and had been sleeping the whole time in his room.

I'm heading off to Kuala Selangor in a few hours for the WOMAN ON FIRE LOOKING FOR WATER shoot. The shoot will begin tomorrow, and will last until the 30th. However, there will be 2-3 days of break, so I'm looking at a 10 to 11-day shoot instead of a non-stop 14-day one. I'm quite excited, but I feel a little regretful that I have to, once again, miss ANOTHER local screening of CHICKEN RICE MYSTERY (well, if they're still screening it despite my absence) I'm not THAT elusive, but it's just unfortunate that all these tend to happen while I'm not in Malaysia, or when I have something else to deal with, like this film.

I've posted on Twitter and Facebook asking for help with translating the film title, WOMAN ON FIRE LOOKING FOR WATER, into Chinese... because it is, after all, a Chinese-language film. Most friends translated it literally and I got some really amusing titles, like:

欲女止渴记 (sounds like a Hong Kong Category 3 film)
火烧女郎寻觅水 (totally literal translation, funny)
火女求水记 (also a cute and literal translation)
猛女灭火 (feels like another Hong Kong exploitative film, like Chicks in prison or something)

So, ah, noticing that most Chinese film titles aren't literal translation of the English titles, I eventually settled for something simpler and more relevant to the story. So the film's Chinese title, for now will be called 遗情.

Friday, March 13, 2009

The pain of replacing an actor

An excerpt from the journal I wrote in 2006 during the making of GIRL DISCONNECTED, my student short film.

Sunday, March 08, 2009

20th Century Boys: Chapter 2 - The Last Hope 20世紀少年<第2章> 最後の希望

20th Century Boys: Chapter 2 - The Last Hope film poster


I made sure I was able to catch a film in Tokyo when I went back, and I ended up seeing 20TH CENTURY BOYS: CHAPTER 2 - THE LAST HOPE, the second film of the planned trilogy directed by Yukihiko Tsutsumi. I saw the first film last September, which I rather enjoyed despite its flaws (read my review).

Set 15 years after the events in the first film, the protagonist of this film is the now-adult Kanna, played by Taira Airi, whose hairstyle in the film made me gape in awe.

Why did you bring your kid to the WATCHMEN film?

Watchmen movie poster


To the woman sitting behind me with her kid when I saw WATCHMEN two days ago:

Normally, I don't give a crap about the Malaysian rating system. Films that are rated 18 and above in Malaysia are mostly heavily-butchered, and tamer than most films that are rated PG in other countries. So I'm unsurprised that you overlooked the fact that this film is rated 18-PL (for overseas audience, this rating is reserved for films contain more than one element, either violence, sex or political/ religious content) and brought your kid along to see the film with you.