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Thursday, January 02, 2014

How I started 2014... a production meeting for my debut feature, RIVER OF EXPLODING DURIANS

January 1, 2014. Woke up, and headed straight to the mamak stall near my house for a production meeting.

It was for my film, RIVER OF EXPLODING DURIANS.

Tuesday, December 31, 2013

My 20 Biggest Moments in 2013. Based on Facebook

Facebook had listed out my 20 biggest moments of 2013. I'm glad I have a social media site to do this for me based on the amount of likes I got on my Facebook status updates.

Monday, December 30, 2013

My 10 favourite Anita Mui film roles


The Cantopop superstar Anita Mui passed away from cancer exactly ten years ago.

I remember what I did ten years ago when I heard of the news. It was morning, my family and I were heading off to Singapore for vacation. Her death cast a pall upon my heart, that day, on the road to Singapore, the songs of Anita Mui constantly played on radio.

While I grew up listening to her songs (Bad Girl, with the memorable "Why, why, tell me why" lyrics, was a childhood favourite) and had even attended one of her concerts in Singapore, I knew Anita Mui more as an actress who starred in many great Hong Kong film classics.

It's been a decade since her passing. I will sift through my own memories and list out ten of my favourite Anita Mui films (or film roles), from earliest to latest.

Tuesday, December 24, 2013

My Hou Hsiao-Hsien marathon

With Hou Hsiao-Hsien, Taipei (January 2012)

I'm ashamed to admit that prior to the beginning of this month, I have only seen two Hou Hsiao-Hsien films, and both are his latter day works: MILLENNIUM MAMBO (2001) and CAFE LUMIERE (2003).

Every time I watch MILLENNIUM MAMBO's opening, my heart flutters.


In order to rectify my lack of knowledge regarding Hou Hsiao-Hsien's body of work (and also for filmmaking reasons), I decided to go on a Hou Hsiao-Hsien marathon of sorts. I have heard that his best works are the ones from the 80s to 90s, those were times when he was more interested in making films related to Taiwan's history.

Monday, December 02, 2013

An essay I wrote at the age of 10 made me seem like a closet psychopath

A friend back in primary school managed to dig out a book of collected student essays. Turned out that my autobiographical piece was in it.

Thursday, November 21, 2013

Lav Diaz's 6-hour film, CENTURY OF BIRTHING (2011)

Lav Diaz

For the past few years, I have always wanted to catch a film by the Filipino director Lav Diaz. Most of his films are longer than four hours (his longest being close to 10 hours), yet he is prolific to make at least a film a year. How is that even possible???

Finished the principal photography on Woo Ming Jin's SECOND LIFE OF THIEVES

After 14 gruelling days, we're finally done with Ming Jin's SECOND LIFE OF THIEVES shoot. For me, the strange about film shoots is that they always seem longer than they really are. It's not because they are miserable so time seems to flow very slowly, it's just that so many things happen in one day that when everything is over, you realize you've gone through a range of emotions that you usually would go through in a longer span of time.

Thursday, November 14, 2013

More misadventures on the set of Woo Ming Jin's new film SECOND LIFE OF THIEVES

Here's a photo by our Art Director Gabby, which showed actress Emily practising her slapping moves on Ming Jin and I. Epic. That was the 7th of November.





Saturday, November 09, 2013

Woo Ming Jin's SECOND LIFE OF THIEVES begins principal photography

SECOND LIFE OF THIEVES is Woo Ming Jin's latest feature film that I'm producing, co-writing and (probably) editing. We have been shooting the film since Nov 4.

This marks Ming Jin's first independently-financed project since 2010's THE TIGER FACTORY (between this period of time, he also did commercial fares like the found-footage horror SERU, this year's hit zombie film KL ZOMBI and the upcoming MAMAK CUPCAKE)

An epic film that spans more than 30 years, SECOND LIFE OF THIEVES is about a village head trying to investigate a series of mysterious deaths in his village while dealing with his catatonic daughter, and remnants of feelings from a passionate affair during his youth.

Sunday, November 03, 2013

WATCH: James Lee's 2000 debut feature film SNIPERS

Malaysian independent cinema pioneer James Lee has uploaded another one of his feature films onto Youtube.

Saturday, November 02, 2013

Thursday, October 24, 2013

Adventures in the Biennale College at Venice (Part 2)

It's been a week since I got back from the Biennale College in Venice.

Now I'm back in the airport, preparing to fly off to Xi'An, China.

But before that, I want to remember my last two days in Venice.

Tuesday, October 15, 2013

Adventures in the Biennale College at Venice

Arrived at Venice

The Biennale College is a new initiative started last year by the Venice Film Festival to help support new directors around the world who are trying to do their first or second feature film.

This year, I was one of the twelve directors selected by the Biennale College to develop my feature film project.

Wednesday, September 18, 2013

We Have Lost Even This Twilight: Remembering my trip to Pablo Neruda's houses in 2007

Last night, a friend posted on Facebook a Chinese translation of Pablo Neruda's CLENCHED SOUL (which was retitled as "We have lost even this twilight", just like the original Spanish title).

我們甚至失去了黃昏
詩/聶魯達 譯/李宗榮

我們甚至失去了黃昏的顏色。
當藍色的夜墜落在世界時,
沒人看見我們手牽著手。

從我的窗戶中我已經看見
在遙遠的山頂上落日的祭典。

有時候一片太陽
在我的雙掌間如硬幣燃燒。

在你熟知的我的哀傷中
我憶及了你,靈魂肅斂。

彼時,你在哪裡呢?
那裡還有些什麼人?
說些什麼?
為什麼當我哀傷且感覺到你遠離時,
全部的愛會突如其然的來臨呢?

暮色中如常發生的,
書本掉落了下來,
我的披肩像受傷的小狗踡躺在腳邊。

總是如此,
朝暮色抹去雕像的方向
你總是藉黃昏隱沒。

Clenched Soul

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.

I have seen from my window
the fiesta of sunset in the distant mountain tops.

Sometimes a piece of sun
burned like a coin in my hand.

I remembered you with my soul clenched
in that sadness of mine that you know.

Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?

The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.

Always, always you recede through the evenings
toward the twilight erasing statues.

Seeing the poem, I cannot help but remember my pilgrimage to his three houses, La Chascona, La Sebastiana and Isla Negra, in Chile back in 2007. Has it been six years already? It felt like another life. I was in Chile for the Santiago Film Festival (SANFIC), it was the first ever film festival I attended either as a producer or a director. I went there for Ming Jin's THE ELEPHANT AND THE SEA, and stayed in Chile two days after the festival ended so that I could visit all of the houses.

Sunday, September 15, 2013

The idea of attending a friend's wedding had always been...

The idea of attending a friend's wedding had always been a scary one. They remind him of the passing of time, or his inability to find love.

Yet this was an invitation that he was unable to turn down.

Monday, September 09, 2013

Honen-in Temple and Junichiro Tanizaki


I'm at Kansai Airport while I'm writing this, waiting to fly away.

Yesterday, I visited the famed Ginkakuji Temple and took a stroll through the Philosopher's Path. I wasn't sure what to expect from this solitary journey, except to be alone with my thoughts as I absorb the sights, the sounds, the scent of this historic place.

There were some temples and shrines along the way, I decided to pick one randomly to visit.

A stroll through Ginkakuji Temple and the Philosopher's Path

By the time this is posted on the blog, I am a few hours away from flying back to Malaysia.

On Saturday, I got sidetracked by cheerleaders and cosplayers at Heian Temple, and then by a great art exhibition at the National Museum of Modern Art, Kyoto, when I was on my way to Ginkaku-ji 銀閣寺, the Temple of Silver Pavilion. By the time I reached Ginkaku-ji in the evening, I was already closed.

Therefore, Sunday, my final day in Kyoto, I decided to rectify this regret of mine by heading straight to Ginkaku-ji right after lunch.

To experience the place for myself.

So I entered Ginkakuji (which is officially known as Jisho-ji 慈照寺).

Sunday, September 08, 2013

GLORIA & LEON, a video installation by Miwa Yanagi

The original plan yesterday was to visit Ginkakuji and walk the Philosopher's Path, but my plans were foiled by a sudden afternoon rain.

So I took shelter at the National Museum of Modern Arts, Kyoto, and also bought a ticket to check out their "Reading Cinema, Finding Words: Art after Marcel Broodthaers" exhibition.

This is how the exhibition was described on the Museum website:

Cheerleaders and Cosplayers at Heian Shrine, Kyoto

Cosplayer girl at Heian Shrine

I've been in Kyoto the past few days because I was invited to screen my short films and give a talk at Kyoto University on the 6th of September.


The following day, I decided to explore Kyoto. (my last visit in Kyoto was December 31, 2008, and chronicled on this epic video, that's a lifetime ago) My first thought was to go to the Philosopher's Path and the legendary Ginkaku-ji for a leisurely stroll. My last visit there was in 1999-2000, my memories of that place were entirely hazy.

After lunch, I hopped onto a bus, heading towards my intended destination.

However, when I passed by Heian Shrine 平安神宮, a few things caught my eye:

Saturday, August 24, 2013

WATCH: Video of the 3 DOORS OF HORRORS world premiere

I mentioned that 3 DOORS OF HORRORS (which features my new short film FLOATING SUN) has been uploaded on Youtube last Saturday. But prior to that, we actually had two great physical screenings of the omnibus film.

WATCH: 3 DOORS OF HORRORS 鬼節:三重門, a 45-minute horror omnibus film (featuring my new short film FLOATING SUN)

The first poster of FLOATING SUN

3 DOORS OF HORRORS 鬼節:三重門, which my new short film FLOATING SUN is a part of, was uploaded on Youtube a week ago.

Tuesday, August 13, 2013

Directing 101 with Edmund Yeo

Another four more days and everyone will get to watch 3 DOORS OF HORRORS on Youtube, the omnibus film that my new short film FLOATING SUN is part of.

FLOATING SUN features a floating corpse, and it wasn't easy to tell my actress how to not just act as a floating corpse, but to become one.

Luckily, produce James Lee had managed to snap a few important shots of my efforts in directing these challenging scenes, and he had posted this on Facebook, which cracked me up.

Directing 101 with Edmund Yeo

Saturday, August 10, 2013

Introducing Ng Ken Kin and Leroy Low (the other two directors of the "3 Doors of Horrors" omnibus)

I first met Ng Ken Kin and Leroy Low, the other two directors of "3 DOORS OF HORRORS" in March, when James Lee gathered us all for a meeting about the omnibus project. Each of us has vastly different backgrounds, Ken Kin is a veteran in the film and TV industry who had done quite a lot of short films and TV programs. Leroy is a young music video director who had done a few music videos with some of the most popular Chinese pop stars in the country during the last two years.

"3 Doors of Horrors" (omnibus with my latest short film) on The Hollywood Reporter

August 17th, exactly a week from now, my new short film FLOATING SUN, which is part of the "3 DOORS OF HORRORS" omnibus horror will be launched online.

It's great to see this being covered by The Hollywood Reporter yesterday.

Sunday, August 04, 2013

Jia Zhangke's PLATFORM, Fatih Akin's EDGE OF HEAVEN... and Cucurrucucu Paloma

The preparation of a new screenplay is filled with challenges, and tiny little joys.

The past two days, in order to get into the right mood to write a new story, I was watching films that are relevant to what I intend to do.

Two days ago, I finally caught Jia Zhangke's monumental PLATFORM (2000). I was overwhelmed by its ambition and scope, its execution and style reminded me of the earlier works of Theo Angelopoulos (THE TRAVELLING PLAYERS and ALEXANDER THE GREAT came to mind, I think Angelopoulos shifted styles after VOYAGE OF CYTHERA as his stories became more intimate and more focused on one protagonist).

I realized I have never seen that many of Jia Zhangke's works. A few of his short films, and maybe just his later film, THE WORLD (2004). But I still keep this 2010 photo of myself with his muse (now his wife) Zhao Tao because of the Jia Zhangke photobomb.

With Zhao Tao and Jia Zhangke

Now that I look at it, the year 2000 was an amazing year for Chinese cinema. Wong Kar Wai's IN THE MOOD FOR LOVE, Edward Yang's YI YI, Jia Zhangke's PLATFORM, Ang Lee's CROUCHING TIGER HIDDEN DRAGON etc. Regardless of what you think of these films, they have all left a mark in history, influencing filmmakers and the film business in ways beyond description.

Pondering the Importance of Being Prolific

Now that I am utterly sure that no one reads this blog anymore, I think I can try to revert it back to what it was when I started this 9 years ago.

A journal for my own thoughts.

Thursday, August 01, 2013

Autumn Di Hatiku ended today.

Today marks the beginning of August, and also the end of the web series "Autumn Di Hatiku" (watch it here) which I co-produced, co-wrote and co-directed.

Reception had been more than I imagined. The media coverage was amazing. The stars of the Autumn Di Hatiku were almost ubiquitous, appearing in newspapers, magazines, TV shows etc.

When it comes to the film and TV business, creativity is one thing (and the fact that we were given full creative freedom by Tonton for this show was a rarity that fills me with gratitude), being backed by a team that trusted us entirely and did so much when it came to promoting the show, the whole experience was quite joyous.


To mark the final day of Autumn Di Hatiku, Tonton and Gua organized a "chat with the fans" session with Autumn Di Hatiku stars JS Kim (the titular Autumn) and Anas Ridzuan (the morally ambiguous Kai) this afternoon.

Wednesday, July 31, 2013

The full list of Golden Wau Awards nominations

Having a new set of awards to reward Malaysian Chinese cinematic achievements is a nice idea, especially considering the increase of Malaysian Chinese films in the country during the past few years.

So we now have the Golden Wau Awards, which is kinda like the Golden Horse Awards in Taiwan, or the Hong Kong Film Awards in Hong Kong, except, this one is in Malaysia.

Monday, July 29, 2013

WATCH THIS: Trailer of 3 DOORS OF HORROR (a horror omnibus that I'm part of!)

FLOATING SUN took only two days to shoot, and perhaps a few days to edit.

But the process of trying to perfect it had been rather exhausting. The colour grading, the audio mixing, the music, they were tricky, because I am working on a genre that I wasn't exactly familiar with.

The entire month of July has passed by without me noticing.

The film is finally done.

[FLOATING SUN] Fiona (Emily Lim 林佩琦) and the drowned corpse of Xiao Hui (Candy Lee 李佳洁)

In case you don't know, FLOATING SUN is part of a horror omnibus produced by James Lee called 3 DOORS OF HORROR. The other two directors participating in this are Ng Ken Kin and Leroy Low.

Yesterday, James finally posted the trailer of 3 DOORS OF HORROR, and it looks pretty great!

Wednesday, July 17, 2013

The Media Coverage of AUTUMN DI HATIKU

In my last post, I mentioned about the web series that I co-directed and wrote, AUTUMN DI HATIKU.


14 episodes had came out, so the series has already reached its halfway mark.

What truly amazed me in the past few weeks was the media coverage of this series.

Monday, July 15, 2013

Introducing "Autumn Di Hatiku", a web series I wrote and directed

This is the story of how I got this beautiful Autumn Di Hatiku pillow.

I received an Autumn Di Hatiku pillow


When cast members constantly live-tweets your film shoot...

On the 28 and 29th of June, I was shooting my new short film, FLOATING SUN, which is part of the HUNGRY GHOST FESTIVAL: 3 DOORS OF HORROR omnibus project produced by James Lee.

I like to see photos of myself working. This is me directing my new film FLOATING SUN #幻日

The other two directors, Ng Ken Kin and Leroy Low had long finished their segments, so it was up to me to ensure that I wouldn't screw up.

Once again, my cinematographer was Lesly Leon Lee, who shot my first two short films CHICKEN RICE MYSTERY (2008) and LOVE SUICIDES (2009), and later, my one-minute Prada short film "NOW". Because of this, I couldn't help but find myself comparing the current film shoot with those from 5 years ago.

One of the biggest differences nowadays is the advent of social media and smart phone technology. Cast and crew members can now easily live-tweet/ live-blog/ live-facebook/ live-whatever the entire process of the shoot. Of course, being generally open to such things, I agreed to let everyone post up videos or photos of the shoot as long as I look flattering, and as long as they don't spoil the story.

FLOATING SUN, which is loosely based on a Kanai Mieko story, stars Emily Lim 林佩琦, Daphne Low 刘倩妏, Candy Lee 李佳洁 (whom I last worked with in last year's short film DOUBLE which I produced), Steve Yap 叶良财, Candy Ice 林冰冰 and Azman Hassan (who had appeared in almost every single important Malaysian independent film out there).

It revolves around a drowned corpse.

Friday, June 21, 2013

Ranking the Pixar Movies

It's most likely that the next movie I'm catching is MONSTERS UNIVERSITY, the prequel to the wonderful MONSTERS INC.

Last night, after reading The Playlist's "From Worst To Best: Ranking The Pixar Movies", I decided to come up with my own list as well.

Saturday, June 15, 2013

More photos from my "Floating Sun" location scouting

I got myself a Blackmagic Cinema Camera recently for two TV shoots. (one of them is BUDDYZ Season 2, which is currently airing on Astro Ria every Wednesdays and Fridays at 8:55pm, each 5-minute episode is available on Youtube a few hours after it's on TV, here's episode 3)

One of the most convenient things about the camera is that I could just re-use my old camera lenses from my Canon 7D, even got myself a new Tokina 11-16mm 2.8 lens to help with wide shots. This morning, while doing some location scouting for my new short film Floating Sun, I managed to put the lens to good use.

Location scouting for my new short film "Floating Sun"

As I prepare to shoot my new short film "FLOATING SUN" at the end of June, I traveled early this morning for a round of location scouting with James Lee the producer, TK the production manager and Lesly the cinematographer.

Armed with my new phone, the Huawei Mate (technically, with its 6-inch screen, it's really a "phablet" and not a phone), I traversed into a place which was absolutely wonderful (and photogenic) for my film, taking some photos.

Sunday, June 09, 2013

Excerpt from my new short film, SPRINGTIME NOSTALGIA 残香

A new short film of mine, SPRINGTIME NOSTALGIA, is premiering at next week's Shanghai International Film Festival, followed by a screening at the Taipei International Film Festival in early July as part of an "in focus" program for actress/producer Kiki Sugino.

This Ikebana-themed short that was commissioned by Kao last year

The kind folks of Taipei International Film Festival posted a one-minute excerpt of the short film on Youtube which featured the three main cast members, Kiki Sugino (who did EXHALATION with me back in 2010), Qyoko Kudo (who did KINGYO with me back in 2009) and Eriko Ono (who was probably a baby when I collaborated with the aforementioned two actresses in my previous works).

Saturday, June 08, 2013

Mieko Kanai 金井美恵子

You might not have heard of the Japanese writer Mieko Kanai (金井美恵子), but she wrote the short story "The Moon" that inspired my short film "LAST FRAGMENTS OF WINTER".

I stumbled upon her works by accident. It was September 2010. My uncle (father's younger brother) passed away suddenly, my parents, who were in Tokyo with me for my graduation ceremony, had to fly back to Malaysia immediately.

I was left alone in the hotel that my parents were supposed to stay for a few more days. Overwhelmed by solitude, I went to my favourite Aoyama Book Center in Roppongi, hoping to distract my mind with literature.

Going through the shelf, "THE WORD BOOK" by Mieko Kanai, a collection of her short stories, caught my eye. Maybe it was the cover. THE WORD BOOK came out in the 70s, but it only just got translated into English that year.

THE WORD BOOK by Mieko Kanai

I flipped through the book, went through some stories, and found myself captivated by the imagery of her dream-like tales. I didn't buy the book immediately, but her words lingered. (I bought the book a few days later on Amazon)

This is the opening paragraph of "The Moon":

Monday, June 03, 2013

Q and A session for WOMAN ON FIRE LOOKS FOR WATER at CineMalaysia

On the 30th of May, the screening of Woo Ming Jin's WOMAN ON FIRE LOOKS FOR WATER was held right after the screening of my short films at CineMalaysia Film Festival (a film festival for Malaysian films held in Tokyo).

Q & A session for my short films screening at CineMalaysia Film Festival

Standing before the CineMalaysia posters

I have just spent three nights in Tokyo to attend the CineMalaysia Film Festival シネ・マレーシア, a great film festival organized in Tokyo to show Malaysian films. This was its inaugural edition. The film festival ran from the 24th to the 31st of May. I was around for the last two days.

Monday, May 27, 2013

James Lee uploaded his entire 2009 feature film, CALL IF YOU NEED ME 黑夜行路 on Youtube

These days, the Malaysian director and independent film pioneer James Lee had been uploading his works on his Youtube channel Doghouse73pictures. Both short films and feature films, from his earliest to his latest.

Last month, in April, he uploaded his 2005 breakthrough film THE BEAUTIFUL WASHING MACHINE (one of the seminal films of the Malaysian New Wave) in its entirety.

Today, in conjunction with its screening at the CineMalaysia in Tokyo (a new film festival that is showing only Malaysian films), James has uploaded his 2009 gangster film CALL IF YOU NEED ME 黑夜行路 online for us all to see.

Wednesday, May 08, 2013

Set photos from the Buddyz 2 TV shoot

surrounded by yellow umbrellas
(On the set of Buddyz 2, with the iconic kombi van and some yellow umbrellas. The guy in yellow and seated in the background is actor Shaheizy Sam, reading the script)

Last year, I made a passing mention that I was involved in a TV shoot for a series of 5-minute episodes called Buddyz. The series started airing last June.

Sunday, April 07, 2013

Discussing the short film medium

Back in January, I was on Kenneth Chaw's The Star article "Short Films starting to appeal to a bigger audience", discussing about my thoughts on short films. Filmmaker James Lee and Youtube sensation Jinnyboy were interviewed too.

Prior to that, Kenneth had actually done a very lengthy email interview with me in preparation for his article. While a number of my quotes were in the final article, I thought I would like to share our entire discussion with everyone. I'm doing it now, with Kenneth's permission. (In truth, I have wanted to do this since January, but, ah, I never had the time.)

So, here we go.

Kenneth's questions are in bold.
My answers will just be... normal text.

Saturday, April 06, 2013

WATCH: James Lee's award-winning film, THE BEAUTIFUL WASHING MACHINE

The Malaysian director James Lee's Youtube channel, doghouse73pictures had become increasingly interesting recently. Not only is he uploading his short films online, both new and old, he's also uploading his full-length films online so that everyone can watch them.

Friday, April 05, 2013

RIP Roger Ebert


I woke up to sad news of Roger Ebert's passing.

Shibuya at dusk captivates me

I was in Shibuya yesterday evening before I headed off to Haneda Airport for my flight back to Malaysia.

Even though I have been in Tokyo for five years, I still find myself discovering something new all the time. And the joy and surprises of these tiny discoveries can sometimes accumulate into something wonderful.

For example, I don't think I've ever seen Shibuya at dusk looking like this.

Sunday, March 31, 2013

Spring Snow in Sapporo

After my joyous Graduation ceremony, my family and I headed off to Sapporo, Hokkaido.

The last time I went to Sapporo was 6 months ago, for the Sapporo International Short Film Festival. I was honoured to receive the Japan Tourism Agency Commissioner Award for my short film, LAST FRAGMENTS OF WINTER.

When I arrived at Sapporo, I was a little surprised that the place is still snowing. It's already the end of March, and in Tokyo, the cherry blossoms were already blooming.

Wednesday, March 27, 2013

My speech at GITS Commencement & Graduation Reception (26.3.2013)

I just went through my graduation ceremony yesterday at Waseda University. For some odd reason, I managed to get myself a doctorate.

I'm sure my secondary school teachers would have been mortified.

Wednesday, February 27, 2013

Revisiting Cicerello's Fish & Chips restaurant (Fremantle)

After visiting Fremantle Market, I headed off to Cicerello's.

Revisiting Fremantle Markets

I was in Perth from 2004 to 2006. The last time I visited the place was 2007 (for my graduation ceremony).

That was the time before Facebook, Twitter, Instagram, Youtube. It was also the time before iPhone and Android phones. There were many things I experienced then that I could not instantly share, nor capture properly.

All I had was this blog. Which was created during my time there.

I used to carry a camcorder with me most of the time then, taking videos, editing them (yeah, my editing was self-taught), and carrying my laptop around to different houses hoping someone I know would watch the videos. Perth was probably the place where I picked up photography. Life was quite different back then.

Last Friday, my parents and I flew to Perth to visit my sister, who is currently studying there. We were supposed to celebrate Chap Goh Mei together (the 15th day of Chinese New Year).

On Saturday, I visited Fremantle. Some of my fondest memories of Perth were in Fremantle (technically, Fremantle is considered a different town in Western Australia). My solitary trips here had been to look for inspiration every time I felt crippled by loneliness. The Fremantle Market itself on Friday nights is a wonder, the CD shop, the live performances, the food. And the lights.

My final student film had a scene shot at Fremantle Beach. That was 2006.

Saturday, February 09, 2013

Rest in peace, Loh Yin San and Claudia Theophilus. This is their documentary TWELVE 11

In 2007, I caught a documentary short called Twelve 11 by Loh Yin San and Claudia Theophilus about the Highland Towers tragedy. Immediately after that, I wrote:

"I was truly enthralled by the events documented by TWELVE 11 (a rarity, frankly), and was actually hoping that Loh Yin San would post her works on Youtube or somewhere just so that it could gain a much wider audience beyond festival circuits as she has had some difficulties trying to get TV stations to broadcast the documentary. I personally would try to help her spread the film around."

At the 3:19 minute mark of this video that I shot during the screening, you can see me discussing with Loh Yin San about uploading her work on Youtube for the sake of helping more people gain awareness about the problems recorded in her documentary.

Sunday, January 27, 2013

James Lee, Jinnyboy and I talking about short films (The Star, 6th of January, 2013)

Back in December, I did an interview with The Star's Kenneth Chaw for an article about the rising popularity of short films in Malaysia. The article came out exactly three weeks ago while I was still in Kanazawa. (I found out about that, naturally, from friends on Facebook.)

The other interviewees were filmmakers James Lee and Jin Lim (more popularly known as JinnyBoy), well, excuse ME for not having a name that starts with J.

Kenneth and I had a really long email interview, which never really made it to the final article, but I will be posting that later. For now, you can just have a look at the full article:

Saturday, January 19, 2013

Solo adventures at Kanazawa (part 2)

Standing in front of Kanazawa Castle

I'll continue chronicling my Kanazawa trip from two weeks ago before it the tiny details slip out of my mind. Some of the anecdotes here were posted on Facebook, but I'll try to expand.

Monday, January 14, 2013

I've never seen a snowfall like this in Tokyo before

14th of January, 2013. When I woke up and looked out of my window, I was stunned to see this scenery.

Sunday, January 13, 2013

Solo adventures at Kanazawa (part 1)

This is how I would start my travelogue...

"The passing days and months are eternal travellers in time. The years that come and go are travellers too. Life itself is a journey; and as for those who spend their days upon the waters in ships and those who grow old leading horses, their very home is the open road. And some poets of old there were who died while travelling.
There came a day when the clouds drifting along with the wind aroused a wanderlust in me, and I set off on a journey to roam along the seashores. I returned to my hut on the riverbank last autumn, and by the time I had swept away the cobwebs, the year was over.
But when spring came with its misty skies, the god of temptation possessed me with a longing to pass the Barrier of Shirakawa, and road gods beckoned, and I could not set my mind to anything. So I mended my breeches, put new cords on my hat, and as I burned moxa on my knees to make them strong, I was already dreaming of the moon over Matsushima.
I sold my home and moved into Sampû’s guest house, but before I left my cottage I composed a verse and inscribed it on a poem strip which I hung upon a pillar:

This rude hermit cell
Will be different now, knowing Dolls’
Festival as well."

But alas, these words were already written, centuries earlier, by the poet Matsuo Basho, in his masterpiece "The Narrow Road in the Deep North".

Almost a week had gone by since I came back from Kanazawa. How would I chronicle such a trip then?

Friday, January 04, 2013

TINY PUPIL's 4-year-old actress wins best actress award at Yxine Film Festival

Chen Yu Ting in TINY PUPIL

This happened last month, Chen Yu Ting, the (very young) lead actress of Teng Fei's TINY PUPIL (which I produced) had won the Best Female Performance award at the Yxine Film Festival.

None of us were able to attend the award ceremony in Hanoi on the 15th of December, so Chen Yu Ting accepted her award on video. She was 4 when the film was shot, 5 this year.

She also showed that her talent extended beyond just acting.

Wednesday, January 02, 2013

Countdown to New Year 2013 at Senso-ji Temple

It it unbelievable that I was having my fifth New Year countdown in Japan already.

You can immediately watch the video here if you are too lazy to read what I have to say.

Monday, December 31, 2012

Mannequins of Ginza

This will be the last video I put together for 2012.

Of Mannequins in Ginza.

In truth, it's more like my impressions of Ginza.

[VIDEO] Train Ride to Otaru with Dad

The year is about to end.

There is less than 24 hours left in the year 2012 for me. I wish to end the year the way I wanted to start the next. Just to keep on doing what I love to do, working on my craft, seeing more things.

This is a video that I shot in September 13th, 2012 (my sister's birthday!) when Dad and I took a train to the town of Otaru in Hokkaido. At that time, we were in Hokkaido for the Sapporo Short Film Festival where my short film LAST FRAGMENTS OF WINTER was screening. (I would later pick up an award from the festival)

The footages I shot were left in my hard disk for quite a few months, I decided to finally cut them together.

Wednesday, December 26, 2012

Christmas lights in Shinjuku 2012

Since I do not have the luxury of being on a plane flying back from Estonia like last Christmas, yesterday, I decided to just go to my familiar stomping grounds at Shinjuku for dinner and also to check out its illumination.

If you are too lazy to read my heartfelt writing, you can just watch my video of Christmas Illumination in Shinjuku. Now.

Tuesday, December 11, 2012

Manoel de Oliveira turns 104 today.

Today (December 11th) is the 104th birthday of Portuguese director Manoel de Oliveira. This blows my mind.

He is currently the oldest active director in the world (unless the Spanish director Miguel Morayta, who is year older than Oliveira and retired since 1978, suddenly chooses to come back to make another film) and has remained prolific since he made his first film in 1927. (he became exceptionally prolific since 1990, when he would make at least one film every year until now)

Again, it blows my mind when I realized that Oliveira is actually older than the likes of Orson Welles, all of the French New Wave directors, Akira Kurosawa, Frederico Fellini, Michelangelo Antonioni, Ingmar Bergman... When GONE WITH THE WIND came out, Oliveira was already 30. When Orson Welles made CITIZEN KANE, Oliveira was already in his mid-30s. Oliveira was 50 when a group of French guys made films that spark what we now call the French New Wave.

I can go on and on with this, but I will share with you an Oliveira tale.

Saturday, December 08, 2012

I AM NOT THE WORLD YOU WANT TO CHANGE by Izumi Takahashi [Tokyo Filmex 2012]

I Am Not the World You Want to Change あたしは世界なんかじゃないから

Izumi Takahashi's (高橋泉) I AM NOT THE WORLD YOU WANT TO CHANGE あたしは世界なんかじゃないから is one of the two Japanese films in competition at the Tokyo Filmex this year. (The other is Odayaka, which I, being the editor of its trailer, have seen much too many times)

Friday, December 07, 2012

EPILOGUE by Amir Manor [Tokyo Filmex 2012]


Having attended the Tokyo Filmex three times, this year marks the very first time when I actually got to catch the Grand Prix winner in the festival.

Thursday, December 06, 2012

MEMORIES LOOK AT ME by Song Fang [Tokyo Filmex 2012]


The Tokyo Filmex ended a few days ago. I was surprised that I had managed to catch all three of the award-winning films. (well, except Kim Ki-Duk's PIETA, which won the Audience Award)

MEMORIES LOOK AT ME 记忆望着我 by Song Fang 宋方 is a Chinese docudrama that received the Special Jury Prize at Filmex. It was also the Best First Feature award winner at the Locarno Film Festival.

Saturday, December 01, 2012

Photos of Tokyo International Forum at night. And autumn.

While waiting for the "111 GIRLS" screening at Filmex last night, I decided to take a walk and kill some time.

People crossing the road in dramatic fashion.

Nearby was the Tokyo International Forum building, which I haven't stepped in for four years. I thought it would snap some photos of the place.

BAD FILM by Sono Sion [Tokyo Filmex 2012]

I have been attending some screenings at the Tokyo Filmex since it started last week on Nov 24th.

The Tokyo Filmex is one of the two major film festivals in Tokyo (the other being the Tokyo International Film Festival held a month earlier). Ever since I moved to Tokyo, I had attended screenings at the 2008 and 2009 editions of the festival, but was unable to do so in the last 2 years because I was either at the Torino Film Festival 2010 or the Golden Horse 2011.

So it's good to finally be back, indulge myself in some films.

Wednesday, November 28, 2012

Happy 30th Anniversary, Mom and Dad

All my life, I have never really remembered the actual date of my parents' wedding anniversary.

But today is their 30th anniversary, so there's no way I'm going to forget it. (it only happened because 2 years ago Mom was emailing me an e-card she made for Dad to celebrate today, and I had a glimpse of the actual date of their anniversary!!)

Sunday, November 18, 2012

Songs sung by my mom 我妈妈戚舜琴的歌

Yesterday (November 17th) was my mom's birthday.
昨天(11月17日)是我妈妈的生日。

In certain parts of the world, it IS still my mom's birthday.
在一些国家, 现在还是我妈的生日。

Over the years since I started this blog, I usually mention about her birthday.
每一年我都会在这部落上提起这一天。

I might have also mentioned before that she was a singer before she married Dad. And these are her albums.
你们也有可能知道我妈妈戚舜琴曾经是一名歌手。 跟老爸结了婚以后就退出歌坛。

Friday, November 16, 2012

Fascinated by THE THIEF AND THE COBBLER, an incomplete masterpiece 30 years in the making

I haven't updated this blog the past two weeks because I was busy with my doctorate dissertation. The week that led to the dissertation were spent mostly in my dimly-lit room or my lab in Waseda University. It was a repetitive cycle of writing, researching, drinking lots of black coffee. The topic was something I have been familiar with for the past four years (It's an expansion of my Masters' Thesis), so it's not as difficult as I have worried. But there were still a lot of things to write.

Exactly a week ago, on a Friday afternoon, I managed to turn in my dissertation. Whatever happens next is beyond my control. Having not slept for the past 48 hours, I was tired when it all ended.

Saturday was a day I chose to recharge my energies. There was nothing else I planned to do except staying on my bed.

While doing that, I read on The Playlist about a documentary called PERSISTENCE OF VISION, a documentary about animator Richard Williams' 30-year-long work on his passion project "The Thief And The Cobbler".

Monday, October 29, 2012

I talk about horror films, ghosts, and Woo Ming Jin's short film DOUBLE (The Star, 26th of October, 2012)

Last week, just before I returned to Tokyo, I did an email interview with Phyllis Ho of R.AGE (the weekly youth section of The Star) about Woo Ming Jin's DOUBLE (which I co-wrote, produced and edited), and also horror films in general. I assume it's for Halloween. The article came out a few days ago.

Candy Lee in DOUBLE

Here's my part:

Friday, October 19, 2012

Woo Ming Jin answers questions about his horror short, DOUBLE

Shooting the mouth rinsing scene in DOUBLE

In the past week since our horror short film DOUBLE was posted on YOMYOMF, the responses had been surprisingly positive. I liked reading the speculations from the viewers. (watch it if you haven't done so already)

Thursday, September 27, 2012

The 1st Tiny Pupil screening @ Nara International Film Festival 2012



Today, thanks to the Yxine Film Fest, TINY PUPIL by Teng Fei, which I produced, is available online for a brief period of time.

I find this the best time to share with you all the video of the post-screening Q and A session I did for TINY PUPIL at the Nara Film Festival on the 15th of September.

Saturday, September 22, 2012

楊毅恆 冬天、最后的碎片 北海道短片展獲獎 (中國報) Edmund Yeo's LAST FRAGMENTS OF WINTER wins award in Hokkaido (China Press, 22/9/2012)

Mom called me this morning as well, to tell me that Last Fragments of Winter's receiving of the award in Sapporo Film Fest is also on today's China Press.

冬天, 最后的碎片」在札幌国际短片影展获奖的事情也被登上中国报了。感恩。

楊毅恆執導短片‧日本獲獎 (星洲日報) Edmund Yeo's Short Film Wins Award in Japan (Sin Chew Daily, 21/9/2012)

Mom called me yesterday morning to tell me that news of LAST FRAGMENTS OF WINTER receiving the award in Sapporo Short Film Fest was on yesterday's Sin Chew Daily.

楊毅恆執導短片‧日本獲獎 (星洲日報) Edmund Yeo's short film wins award in Japan (Sin Chew Daily, 21/9/2012)

The entire article (in Chinese only) is here.

Now I switch to Chinese.

Wednesday, September 19, 2012

LAST FRAGMENTS OF WINTER receives Japan Tourism Agency Commissioner Award @ Sapporo Short Film Fest

16th of September was my second day at the Nara Film Fest. Aside from having the second screenings of Last Fragments of Winter (sadly, I accidentally deleted the video from the Q and A session) and Tiny Pupil (I might upload that one later), I also revisited some places in Nara that I went to 4 years ago, like the Todaiji Temple.

The 1st LAST FRAGMENTS OF WINTER screening @ Nara Film Fest 2012

On the night of Sept 15th, my short film LAST FRAGMENTS OF WINTER was screened at the Nara International Film Festival.

Nara International Film Festival 2012, I muse about Nara and "Yuanfen"

On the morning of the 15th September, I left Sapporo for Nara, taking the local Japanese budget airline, Peach Airlines, for the very first time.

Saturday, September 15, 2012

Short films about the March 11th earthquake and tsunami @ Sapporo Film Fest 2012

For my final night in Sapporo, I decided to attend the Sapporo Film Festival's "AFTER 3.11" Special Programme screening. And what a fine screening it was to end my wonderful Sapporo experience.

This program is a compilation of short films related to the Tohoku Earthquake and Tsunami that happened in March 11th, 2011. I will recap them one by one, along with my thoughts.

Friday, September 14, 2012

Exploring Otaru 小樽市

My Last Fragments of Winter screening at the Sapporo Film Fest on Sept 12th was actually attended by Yi Hua, a friend from primary and secondary school whom I haven't met for ten years. This had never happened before in all my few years as a filmmaker. She just happened to be in Sapporo.

After that, when we were having ramen, she mentioned a place that intrigued me. The port town of Otaru, just northwest of Sapporo, known for its beautiful canal, the sublime seafood and music boxes (there's a famed music box museum).

And then, hours later, when I attended the Hokkaido Selection program screening, and saw a short film set in the town (there was also a scene shot in the museum), I instantly decided to go there.

So, I went yesterday.

Thursday, September 13, 2012

Hokkaido Selection @ Sapporo Short Fest 2012

The beauty of a film festival is the opportunity to attend screenings of films that I might not be able to catch anywhere else in the world.

Over here in Sapporo Short Fest, I made sure I went to the "Hokkaido Selection" program screening, which featured short films that were either made by filmmakers from Hokkaido, or short films made in Hokkaido.

The 1st LAST FRAGMENTS OF WINTER screening @ Sapporo Film Fest 2012

An interesting thing about the Sapporo Short Film Fest catalog is that it includes photos of composers too. The only film festival I know which does such a thing, which is cool, film composers deserve a lot of love. So you can see the photo of my long-term collaborator and high school pal Wong Woan Foong in the Last Fragments of Winter entry.

Wednesday, September 12, 2012

Arriving at the Sapporo Short Film Fest 2012 opening ceremony

Yesterday morning, I made my way from Narita to Sapporo. My dad has joined the fun as well.

My eloquent tweets pretty much covered most of the trip.

Tuesday, September 11, 2012

Off to Hokkaido, a place I often fantasize and romanticize

While I am writing this, it is already 4am in the morning. At 11:30am, I will be flying off to Sapporo in Hokkaido for the Japanese premiere of LAST FRAGMENTS OF WINTER in Sapporo Short Fest.

Friday, September 07, 2012

This mysterious pile of CDs I have been going through...

Been writing the past few nights. I cannot stand the silence, therefore I always need to be accompanied by music.

I have a rather extensive playlist on my iPhone, but for the sake of not getting distracted, I usually chuck my phone aside whenever I go somewhere else for a writing session.

Which means that I was left with the music that I have in my computer. Sadly, they are not as extensive. After a few nights of listening to just the Cocteau Twins, I needed some alternatives.

Last night, I decided to go through the pile of CDs I have accumulated in the past four years since I came to Tokyo.

Tuesday, September 04, 2012

On Borges, Eco, Calvino, Marquez... and McDull

I never forgave my secondary school for banning us from bringing novels to school. That is why I constantly speak about it.

Back then, unable to accept such a rule, I occasionally brought a book to school for some reading pleasure. Alas, the school prefects deemed me, a guy who was just sitting at the corner, quietly reading a book, a threat to school safety, thus my books were sometimes confiscated.

I had to write eloquent letters to the prefects just so I could get them back.

That is why, in some of my angry rants over the years, I couldn't stop blaming the local education system for not emphasizing the importance of literature and culture to its students, that we lived merely to score well academically, that our education was more on learning how to deal with exams, instead of preparing us properly to contribute to society. That our country is full of highly-educated folks who don't give a crap about literature.

Many years ago, back in Perth, Justin (who used to contribute to this blog but had since became a published novelist himself) once said this:

"I cannot imagine anyone not picking up a novel in their entire life. What sort of existence is that?"

I shrugged. "A typical Malaysian."

Being in love with literature is just as lonely as being passionate about films. Or maybe a little more so. At least most Joe Blows do go to cinemas for films as some social exercise. Any attempt to have a meaningful or deep discussion about the film will be futile. People will look at me as if I had farted loudly in a funeral.

Because they rarely happen, being able to go into in-depth discussions about films, filmmakers, or literary works, authors, can be a very pleasurable experience. Perhaps that is why I am often on Facebook and Twitter. Or why I often surf film websites and go through the comments section. Just to find and read about discussions that I can never seem to have in real life.

(Perhaps if I were a banker, I wouldn't have to deal with such a dilemma, no?)

Yesterday, Maggie Lee, film critic of Variety, tweeted this link to a book review:

Friday, August 31, 2012

7 x 7. 49th day of my grandmother's passing. Remembering a dream.

I returned to Tokyo last night, on the eve of Malaysia's Independence Day.

55 years ago, my nation's fathers fought for liberation and attained it, through unity and faith. 31st of August, 1957.

I love my country. But I think, judging from the current political climate, there isn't much for me to celebrate.

Aside from being Malaysia's 55th Independence Day, 31st of August, 2012 is also the 49th day of my grandmother's passing, or the 7 x 7. For Buddhist customs, 1x7 (the first week), 3x7 (the third week), 5x7 and finally, 7x7, are marked by a short praying ceremony.

I was around for both the first week and the fifth week.

On the 5th week (5x7), a ritual was held to put her plaque on the walls of a temple.

Saturday, August 11, 2012

My homage to Chris Marker - FLEETING IMAGES (2008)

The great filmmaker Chris Marker passed away two weeks ago at the age of 91.

1-minute extract of my short, LAST FRAGMENTS OF WINTER

The folks at the Sapporo Short Film Fest have posted a 1-minute extract of my short film LAST FRAGMENTS OF WINTER on Youtube. The film is making its Japanese premiere at the festival next month, followed closely by screenings at the Nara International Film Festival a few days later. I'm pretty excited to have my film finally shown to the Japanese public.

Monday, July 23, 2012

Saturday, July 21, 2012

Grandmother's Funeral

(My dear grandmother had just passed away. Since then, I received many kind messages from friends around the world expressing their condolences, they have my utmost gratitude. The next few posts in this blog will be about my grandma. Because I needed to remember.)

A photo trip through memory lane with my Grandmother.

Letters to my Grandmother




A week has passed since Grandma died. I have shared with you my memories of her, and also the letters that we have written to her before her funeral, now I try to chronicle the funeral itself.

On the two nights before the funeral, she was placed to rest in the house that she had lived in for nearly 20 years, so that friends and family could come and pay their last respects.

Thursday, July 19, 2012

Letters to my Grandmother

(My dear grandmother had just passed away. Since then, I received many kind messages from friends around the world expressing their condolences, they have my utmost gratitude. The next few posts in this blog will be about my grandma. Because I needed to remember. Here's a photo trip through memory lane with my Grandmother.)



On the day before her funeral, my cousins and I decided to each write a letter to Grandmother and paste it on the wall next to her casket.

Wednesday, July 18, 2012

A photo trip through memory lane with my grandmother

(My dear grandmother had just passed away. Since then, I received many kind messages from friends around the world expressing their condolences, they have my utmost gratitude. The next few posts in this blog will be about my grandma. Because I needed to remember.)



On the night of 14th July, 2012, my Po Po, maternal grandmother, passed away peacefully in her house. She would have turned 80 this October. All 28 years of my life, she was the only grandparent I knew.

She is survived by nine children, twenty-two grandchildren, one great-grandchild (with one more on the way), two godchildren and six god-grandsons.

Friday, July 13, 2012

Letter from Byung-lock Min, outgoing festival director of Jeonju Film Fest

Less than a few hours after I received the email from Un-Seong Yoo mentioned in my previous post, I received an email too, from Byung-lock Min, the Jeonju Film Festival director who had resigned last week shortly after he was appointed to head the festival for another term.

I think it is necessary to hear his side of the story as well. But really, in the end, I cannot see who is right or wrong, who wins or loses, maybe for this, everyone loses.

Thursday, July 12, 2012

Yoo Un-Seong and the Jeonju International Film Festival

I received an email just now from Yoo Un-Seong, former programmer of the Jeonju International Film Festival in South Korea.

Sunday, July 08, 2012

Remembering Sam Raimi's original Spider-man trilogy

I saw THE AMAZING SPIDER-MAN two nights ago and enjoyed it.

Because of that, and also because of this video below, I am prompted to revisit the original Spider-man trilogy by Sam Raimi.

Tuesday, July 03, 2012

Observing the observation deck of Haneda Airport at night

This is the story of a man marked by an image from his childhood. The violent scene, whose meaning he would not grasp until much later, took place on the great jetty at Orly, a few years before the start of the Third World War.

On Sundays, parents bring their children to watch the planes... Of this Sunday, the child of this story would remember the frozen sun, the scene at the end of the jetty. Moments to remember are just like other moments. They are only made memorable by the scars they leave. The face he had seen was to be the only peacetime image to survive the war. Had he really seen it? Or had he invented the tender gesture to shield him from the madness to come? The sudden noise, the woman's gesture, the crumpling body, the cries of the crowd. Later, he knew he had seen a man die.

I have never been to the observation deck of Haneda Airport before. So last night, before heading to the gates, I decided to take a look.

Monday, July 02, 2012

A movie leading to a dream leading to an imagined movie...

Last night, he started to watch a film by one of his favourite Hong Kong directors, Johnnie To. It had nothing to do with the fact that it was Hong Kong's 15th anniversary handover, it just happened that he wanted to watch a familiar Hong Kong film with familiar Hong Kong actors. The film, ROMANCING IN THIN AIR, was a romantic drama with familiar trappings, part-NOTTING HILL, part-UPSIDE OF ANGER (he didn't know he could still remember this film), part-anything Nicholas Sparks.

Sunday, July 01, 2012

That's how the first half of 2012 ended. Lovely.

The second half of 2012 sort of sneaked up on me. As I was walking home this morning at 4am, I was struck by how pink the sky was. The first rays of the sun were lighting up the sky.