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Friday, August 26, 2005

The brilliance of Yasunari Kawabata


At first glance, Yasunari Kawabata wouldn't seem to fit the conventions of a Nobel-prize winning author. He doesn't overreach for big themes, he doesn't make grand pronouncements about the human condition or the inevitability of war and discrimination; and his prose style (at least in English translation - I've tried reading the original Japanese and it ain't easy) is lucid and free of fancy diction. None of his books are intimidating, plus-sized tomes crammed with psyche-penetrating monologues and dissections of the spirit - far from it, in fact: you could read most of them in a day, or a couple of hours if you're fast. There are few large, decisive gestures: Kawabata's characters don't embrace life so much as stand outside of it looking vaguely perplexed and distant.

Thursday, August 25, 2005

T.M. Umar's "avant-garde" tale of revisiting Malaysian Independence through time-traveling

On Thursday, August 25th, 2005, Edmund Yeo sent me T.M. Umar's script-story "The 50's Project" with the intention that I would edit and/or critique it. I set to the task with aplomb, only to find that the text consisted of nothing but implausible dialogue in the service of some kind of time-travel plot to discover the origins of Malaysia. There was nothing of narrative or grammatical interest. Faced with my assignment yet unable to continue reading, the only thing I could do was apply William S. Burroughs' cut-up technique to the text, interspersed with any random observations that Umar's subliterate nonsense prompted in me. The results are as follows. T.M. Umar's text is represented in regular font. My comments are represented in bold. The original text is presented mostly in excerpts, as to inflict its full length on readers would be an unpardonable offense.

Monday, August 22, 2005

Amusing incident while watching Pang Ho Cheung's AV

AV stands for adult video, which is pornography. AV is also the name of a HK film this year by Edmond Pang, who is part of the HK New Wave responsible for such wonderful black comedies like 'You Shoot I Shoot' (about professional killers trying to film their tasks for the entertainment of their clients) and 'Men Suddenly In Black' (adulterous husbands trying to cheat on their wives, filmed like a slick suspense triad/cop thriller, with the husbands being the gangsters and the wives being the cops).

Creative works that made me want to LIVE

It has come to my attention, mostly through the previous post, that Eliar Swiftfire has been suffering from the ever-traumatic post-creative depression. Being familiar with this myself, I have decided to alleviate the condition by posting a list of all the creative works that have ever made me want to LIVE. Seeing as I'm a pretty negative guy, it's taken a while to get this much. If any of disagree with any of this you probably have bad taste (kidding), but prove me wrong by posting your own shit in reply.

A wave of melancholy...

The wave of melancholy that assaulted me since I've finished my short film, 'Forced Labour', continues.

Saturday, August 20, 2005

After Sending My Short Film To Tokyo, I Suffer From Painful Post-Creativity Depression.

Post-creativity depression is a painful feeling. You feel empty and depressed because you've finally completed something you've been working on for ages. I had this feeling when I finished the first version of Forced Labour almost four months ago. And that lasted for almost a week.

Thursday, August 18, 2005

What Nationality is my film?

Okay, I've pretty much finished editing my short film, 'Forced Labour', the only thing giving me fits now is the end credits. Having some problems as I realized that most of the characters (in fact, all but one) are nameless, so how the hell are audiences going to know if I put the names of the characters (yeah, they have names in the script) next to the names of my cast members?

Or perhaps I'll just stick with a simple 'Featuring', and then followed by names of my cast members? Decisions, decisions.

Have to get this done as soon as possible so that I can send it to this Internet film festival in Japan, followed by numerous other film festivals I can think of. However, there has been something that's been bothering me for quite a while.

Which country is my short film representing?

Is it a Malaysian film? Or is it an Australian film?

Tuesday, August 16, 2005

My Very First Acting Audition

It was a quarter past two, Swifty wandered down the empty corridors of the Education and Humanities building in his university, searching for 'TELEVISION Studio B', the place where the audition was going to be held. He was not nervous, even though this was the very first audition he had been to.

Sunday, August 14, 2005

WEDDING CRASHERS

It has been two weeks since I last saw a movie at the cinemas, two long weeks devoid of movies, leaving my soul hungry and empty. My soul craves for movies, and without movies, it withers.