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Monday, November 24, 2014

3rd screening of RIVER OF EXPLODING DURIANS 破裂するドリアンの河の記憶 @ Tokyo International Film Festival


So, here I am, a weeks since I have returned from Copenhagen, and 5 days into a TV movie shoot.

It's been a month since the world premiere of RIVER OF EXPLODING DURIANS at the Tokyo International Film Festival. And three weeks since the third (last) screening of the film at the festival.

I have written about the first screening and the second screening of the film, so I figured I'll wrap things up. I'm writing all these mostly to help myself remember.

Sunday, November 23, 2014

THE 3 ROOMS OF MELANCHOLIA is devastatingly beautiful


Pirjo Honkasalo's THE 3 ROOMS OF MELANCHOLIA (2004) is one of the few films I caught in CPH:DOX at Copenhagen last week.


I walked into the cinema with high expectations, since the CPH:LAB booklet I was given had recommended us lab people to go to the film, calling it one of the greatest documentaries ever made.

Despite the expectations, I was indeed mesmerized by what I saw, with numerous images haunting me long after I left the theaters. The film reminded me that non-fiction cinema can indeed be made with sheer artistry and poetry. I was reminded of Tarkovskian films of yore, even assuming that it was a film made in that time period. I was surprised that it was done merely a decade ago. Perhaps it was shocking to me, to see such things happening so recently.

Monday, November 17, 2014

My photos of Copenhagen during the CPH:LAB and CPH:DOX

Nyhavn at Copenhagen.

The CPH:DOX international documentary film festival, held in Copenhagen, Denmark, is one of the most prestigious and well-known documentary festivals around.

Every year, as part of the festival, the CPH:LAB (formerly known as DOX:LAB) is held where 20 directors around the world are invited to attend workshops and classes. These 20 directors are paired up so that they can make an audiovisual project together, it can be a feature-length film, a short film, a documentary, a video installation etc.

This year, I was one of the 20 directors who was given the opportunity to participate in this. (and I'm paired up with the Croatian director Sonja Tarokic)

Monday, November 03, 2014

Sunday, November 02, 2014

RIVER OF EXPLODING DURIANS 破裂するドリアンの河の記憶 red carpet and world premiere @ Tokyo International Film Festival


I finally got back from Tokyo.

The Tokyo International Film Festival in the past 10 days had been absolutely emotional, and inspiring. I will now take the time to update the blog with Facebook posts (not just mine, but others too) of the wondrous journey RIVER OF EXPLODING DURIANS had taken during its world premiere in this grand, prestigious festival. It all felt like a dream.

Thursday, October 23, 2014

Monday, October 20, 2014

RIVER OF EXPLODING DURIANS media coverage


Ever since the announcement of its nomination in the Main Competition section of Tokyo International Film Festival late last month, the local media had been very generous with their coverage of RIVER OF EXPLODING DURIANS. For that, I am very grateful.

Wednesday, October 15, 2014

I was on TV to talk about RIVER OF EXPLODING DURIANS (Agenda Awani)


A week from now, I'll be flying off to Tokyo for the Tokyo Film Festival, where RIVER OF EXPLODING DURIANS will be making its world premiere.

Two weeks ago, before going off to Busan, I was on Agenda Awani to talk about my film. It was a great chat with host Kamarul Bahrin Haron. Thanks for having me there, Astro Awani.

Saturday, October 11, 2014

Breast Cancer Awareness video I made

Two weeks ago, I posted about shooting a Breast Cancer Awareness video for Pink October, it featured the interviews with breast cancer survivors like my friend Claire Khoo, and family or friends of those who were touched by breast cancer.

The video was uploaded a couple of days ago while I was in Busan. Please please share this around.

THE SECOND LIFE OF THIEVES at Busan International Film Festival 2014

Just got back from Busan.

Ming Jin's new film SECOND LIFE OF THIEVES, which I produced, co-wrote and edited, had its world premiere at the Busan Film Fest.

I was there from Oct 5 to Oct 10.