Edmund Yeo

This will be the last video I put together for 2012. Of Mannequins in Ginza. In truth, it's more like my impressions of Ginza.

The year is about to end. There is less than 24 hours left in the year 2012 for me. I wish to end the year the way I wanted to start the next. Just to keep on doing what I love to do, working on my craft, seeing more things. This is a video that I shot in September 13th, 2012 (my sister's birthday!) when Dad and I took a train to the town of Otaru in Hokkaido. At that time, we were in Hokkaido for the Sapporo Short Film Festival where my short film LAST FRAGMENTS OF WINTER was screening. (I would later pick up an award from the festival ) The footages I shot were left in my hard disk for quite a few months, I decided to finally cut them together.

Since I do not have the luxury of being on a plane flying back from Estonia like last Christmas, yesterday, I decided to just go to my familiar stomping grounds at Shinjuku for dinner and also to check out its illumination. If you are too lazy to read my heartfelt writing, you can just watch my video of Christmas Illumination in Shinjuku . Now.

Today (December 11th) is the 104th birthday of Portuguese director Manoel de Oliveira. This blows my mind. He is currently the oldest active director in the world (unless the Spanish director Miguel Morayta, who is year older than Oliveira and retired since 1978, suddenly chooses to come back to make another film) and has remained prolific since he made his first film in 1927. (he became exceptionally prolific since 1990, when he would make at least one film every year until now) Again, it blows my mind when I realized that Oliveira is actually older than the likes of Orson Welles, all of the French New Wave directors, Akira Kurosawa, Frederico Fellini, Michelangelo Antonioni, Ingmar Bergman... When GONE WITH THE WIND came out, Oliveira was already 30. When Orson Welles made CITIZEN KANE, Oliveira was already in his mid-30s. Oliveira was 50 when a group of French guys made films that spark what we now call the French New Wave. I can go on and on with this, but I will share with

Izumi Takahashi's (高橋泉) I AM NOT THE WORLD YOU WANT TO CHANGE あたしは世界なんかじゃないから is one of the two Japanese films in competition at the Tokyo Filmex this year. (The other is Odayaka, which I, being the editor of its trailer , have seen much too many times)

Having attended the Tokyo Filmex three times, this year marks the very first time when I actually got to catch the Grand Prix winner in the festival.

The Tokyo Filmex ended a few days ago. I was surprised that I had managed to catch all three of the award-winning films. (well, except Kim Ki-Duk's PIETA, which won the Audience Award) MEMORIES LOOK AT ME 记忆望着我 by Song Fang 宋方 is a Chinese docudrama that received the Special Jury Prize at Filmex. It was also the Best First Feature award winner at the Locarno Film Festival.

While waiting for the "111 GIRLS" screening at Filmex last night, I decided to take a walk and kill some time. Nearby was the Tokyo International Forum building, which I haven't stepped in for four years. I thought it would snap some photos of the place.

I have been attending some screenings at the Tokyo Filmex since it started last week on Nov 24th. The Tokyo Filmex is one of the two major film festivals in Tokyo (the other being the Tokyo International Film Festival held a month earlier). Ever since I moved to Tokyo, I had attended screenings at the 2008 and 2009 editions of the festival, but was unable to do so in the last 2 years because I was either at the Torino Film Festival 2010 or the Golden Horse 2011 . So it's good to finally be back, indulge myself in some films.