Umberto Eco - The Mysterious Flame of Queen Loana

Compared to previous years, I don't think I've been able to read as much as before, some books took me months to finish (Neal Stephenson's CRYPTONOMICON, which I admired, but didn't think was as good as SNOW CRASH), while some took me only two or three days (David Mitchell's GHOSTWRITTEN, awesome book) or mere hours (Haruki Murakami's AFTER DARK, which I mentioned here).

So I felt some sense of accomplishment after actually completing Hemingway's SUN ALSO RISES and Umberto Eco's THE MYSTERIOUS FLAME OF QUEEN LOANA in consecutive days last week. (I was reading the latter first, but felt that it was too dense, so borrowed the lighter SUN ALSO RISES from Ming Jin to read instead)

(Note that this is not really a review, but more of me chronicling some thoughts while reading the book.)



THE MYSTERIOUS FLAME OF QUEEN LOANA is said to be Umberto Eco's last novel, and was the second novel I read from the Italian writer (THE NAME OF THE ROSE was my first).

A moment frozen forever in time.

The 'comic strip' above comes from a scene in my short film, GIRL DISCONNECTED. The lines of dialogue between the two characters, Wiler (played by Justin, yes, guestblogger Justin) and Maya (played by Sarah Corbyn) never actually ended up in the final version of the film even though we shot the scene with the actors saying them. Thus the scene was more open-ended.

Tags: webcomic, girl disconnected, short film, filmmaking

Jet Li is really good in Peter Chan's THE WARLORDS 投名状

Peter Chan Ho-Sun is one of the Hong Kong directors I rather admire. Many of his works in the 90s are considered classics today, namely COMRADES: ALMOST A LOVE STORY and HE'S A WOMAN, SHE'S A MAN and his 1993 time-travelling film that starred two Tony Leungs, HE AIN'T HEAVY, HE'S MY FATHER. Being one of the co-founders of the UNITED FILMMAKERS ORGANIZATION (UFO), he's also responsible for many of the finest commercially and critically successful Hong Kong films in the 90s as producer.

H2 ~ Kimi to itahibi 君といた日々(J-Dorama)

I'm still addicted to Japanese TV dorama. The latest marathon I had was 2005's H2~KIMI TO ITAHIBI, a baseball-themed romance adapted from the classic manga by Mitsuru Adachi.

CHICKEN RICE MYSTERY! My first screenplay in 18 months.

After completing my new short film screenplay, CHICKEN RICE MYSTERY yesterday, I realized in quiet horror that it is actually my first screenplay in 18 MONTHS. It's unbelievable that the last time I've ever completed a script (that's GIRL DISCONNECTED) was that long ago!

My writer's block had lasted fairly long. What caused this drought? Did I run out of ideas? Or was I merely demotivated? To take THAT LONG to actually write a script for a short film is a little sad.

THE GOLDEN COMPASS film adaptation

Earlier this year, THE GOLDEN COMPASS was one of my most anticipated movies, I've in fact waited for it ever since the film was first announced years ago. I read the book when I was 12, and the rest of the trilogy when I was 20. I can say that Philip Pullman's HIS DARK MATERIALS trilogy is one of my favourite fantasy trilogies of all-time.

But as the film's release date got nearer, it started getting horrible reviews, averaging a measly 43% at Rotten Tomatoes, and then Sebastian told me last night that it sucked. Maybe because of them, I ended up entering the cinemas this morning with zero expectations, fantasy films of the past two years hadn't been that good anyway. ERAGON and STARDUST were stinkers.

I don't remember the GOLDEN COMPASS book (I bought mine in UK, so it was called NORTHERN LIGHTS instead. Just like 'HARRY POTTER AND THE SORCERER'S STONE' vs 'HARRY POTTER AND THE PHILOSOPHER'S STONE', UK and US have different titles for the book) since I read it eleven years ago, so I could only remember certain scenes vaguely.

Which is a good thing, since I can watch the film with fresh eyes, without the burden of subconsciously comparing it to its source material.

Chris Marker's La Jetée is awesome!

La Jetée is a short film from the French New Wave by Chris Marker. It's a sci-fi film told entirely via voiceover narration and consists only of still photos. I watched it on DVD earlier this evening with Ming Jin and was definitely mesmerized and inspired.

BEOWULF is okay, but I miss Robert Zemeckis' live-action films

BEOWULF is a marginally entertaining film. Not as mindblowingly awesome as I hoped, nor as mindnumbingly shitty as I feared. The well-timed Austinpowersism (the term comes from Roger Ebert, which means "putting things in the foreground to keep you from seeing the family jewels") is funny.

But I don't think my life will be any different whether I've seen the film or not.

Miki Nakatani's tour-de-force performance in Memories of Matsuko 嫌われ松子の一生

I just finished watching MEMORIES OF MATSUKO on DVD earlier this morning (was prompted to do it after reading Grady Hendrix's gripes about the film's lack of US distribution).

And all I can say is...

Attending the 25th Torino Film Festival!

Hi,
This is the filmmaker Woo Ming Jin, guest blogging for swifty. I just returned from the Torino Film Festival in Turin, Italy where my film 'THE ELEPHANT AND THE SEA' was in the competition lineup, or as the festival calls it the 'Torino 25', since this is the festival's 25th yr, but its first under the Italian director Nanni Moretti, a director whose films i'd watch when i was a film student and who won the Palme d'Or in Cannes some years back.

Mad Detective 神探

In MAD DETECTIVE, the second film I saw yesterday, my director hero, Johnnie To reunites with co-director Wai Ka Fai and Lau Ching Wan in a cop thriller that sort of revisits genre conventions and previous Johnnie To/ Milkyway Image films.

This film has some of the 'missing gun' plot we saw in PTU (2003), and a quirky misunderstood tragic hero who sees things that others cannot see like RUNNING ON KARMA (2003), insane shootouts in a room of mirrors like THE LONGEST NITE (1998), and some nihilism of the ELECTION films (2005 and 2006). But instead of feeling that the filmmakers were recycling their tricks ala John Woo, the original concept is executed so flawlessly that it's totally mindblowing and compelling to watch.

More visual wizardry from Julie Taymor in ACROSS THE UNIVERSE (the soundtrack's good too)

Seriously, this will not be a very in-depth film review. My lack of familiarity with all Beatles' songs meant that I can only enjoy and judge the film as any other musicals when watching ACROSS THE UNIVERSE. The emotional depth of which Beatles song being used in the film is mostly lost to me, I think.

KURUS Production Diary - Sleepless night of editing

29th of November. I have reached the fourth day of post-production for the film, KURUS. The past three days were spent on editing its rough cut, while today's spent on subtitling. I can only work on this until tomorrow afternoon, then I'll have to submit this film to the Rotterdam Film Festival.

ENCHANTED

Back in Sunday, I had a choice between ENCHANTED and HITMAN, and I chose the former instead. A normal angstful hot-blooded male would've gone for the latter, since ENCHANTED seems more like a Disney chick flick for little girls. But hey, while I don't usually let film critics sway my film choices, I still feel that watching the 93% ENCHANTED would be a much better bet than the 11% HITMAN, which seemed to have a long history of problems during its production.

Married For A Quarter Of A Century

28th of November, today's the 25th Wedding Anniversary of my parents. As usual, they will celebrate this in a low-key manner with relatively little fanfare tonight. This year, like every year, will be a nice little family dinner. Well darn, let's hope we'll throw something bigger during the 50th Anniversary.

Hooray, I have a cameo role in a NTV7 telemovie

KERAMAT, a telemovie directed by Kannan Thiagarajan that I was involved in back in April will be aired tonight on NTV7 at the ungodly hour of 10:45pm.

If you want to see me in my first screen acting role as the boss of a car repair center, please don't miss my cameo appearance during the first 15 minutes of the film and laugh at my god-awful Malay-speaking skills! (I'm dressed in a grey T-shirt)

Recent Pusan Film Festival award-winning filmmaker Liew Seng Tat and documentary filmmaker/ SURF Magazine writer Zan Azlee also have cameos in this film.

... I served as assistant director for the film too.

KURUS Production Diary - 'Carmen Soo Day 2'

By the time I was writing this post, I've already completed the shoot for KURUS (24th of November, one day ahead of schedule) and gone home. I'm going to start work on the editing rather soon.

Before I move on, here are more photos from 'Carmen Soo Day 1' (20th of Nov) that was taken with a digital SLR:

KURUS Production Diary - 'Carmen Soo Day 1'

(Sorry about the lack of updates in the past few days, am usually too tired to do anything with the blog when in the middle of a production shoot, tried to write this post two days ago but always ended up falling asleep halfway through it)

Carmen Soo didn't confirm her attachment to the KURUS film as Miss Carol until three days before the shoot. Miss Carol is an English teacher in protagonist Ali's class, and also the object of Ali's crush.

Due to her tight schedule, we can only have her for two days of the shoot. And when working out a shooting schedule for the film, we came to dub these 2 days the 'Carmen Soo days', meaning that we had to quickly push ourselves to finish her scenes. No easy feat, considering her scenes were rather complex to shoot.

Just a few photos of the first Carmen Soo day (20/11/07):

17th of November. Mom's Birthday. A Memorable Day!

17th of November is my mother's birthday. I haven't celebrated birthday with her for three years since my days in Perth. As the KURUS shoot had begun on the 16th, and I'm now living at Ming Jin's place (it makes traveling to Semenyih easier), I'd expected this year to be no different, and that the streak would extend to four years.

I received a SMS from my sister asking me to drop by for a surprise party on the night of my mom's birthday cos' she had bought mom a cake.

So I did, taking the long 45-min train ride home from Bangi, dropping a line saying that I want to have dinner to celebrate mom's birthday. The train ride was made bearable thanks to the company of Mislina (yes, the actress Mislina Mustapha, she has a major role in KURUS. plays Mukhsin's aunt in MUKHSIN, and plays Ayu's mom in FLOWER IN THE POCKET. Awesome actress!)

My little sister completely engineered and masterminded this surprise party for mom, she went off to buy the birthday cake with dad a day earlier, and then ensured that everyone who were to visit my mom would not bring any birthday cakes.

I don't think I've done anything similar all these years. For me, I remembered giving presents, flowers, dinner, but not doing something as simple as buying a birthday cake in secret and then take it out for my mom, singing loudly 'HAPPY BIRTHDAY'.

Maybe all these years during my absence, my sister had been doing all these. Or maybe this was the first time she had done it. I didn't ask. There was no need to.

First time, fourth time, it doesn't really matter. It was a wonderful night.

Because we had 'guests'.

Annoyed By Ex-High Schoolmates Who Work In The Same Industry (Part 2)

This is the continuation of what I chronicled in my last post where an ex-schoolmate who works in a website owned by a mega media corporation had earned my ire.

I am now 3 hours away from the shooting of KURUS (English title: DAYS OF THE TURQUOISE SKY), we have employed the services of a wonderful actress whose name I shall not divulge (for now) but she was nice enough to agree to appear in the film just a day after finishing a rather exhausting musical. Being the vindictive bastard I was, I called my ex-schoolmate shortly after the confirmation of her participation yesterday (yes, she confirmed her participation 3 days before the shoot begins!) because I initially requested for people of his team to cover the KURUS shoot if possible (to do a 'making of' project), and he asked me to call him only if she is truly attached to the project.

Conversation below (I don't think there's any need to point out who is who) It's originally in Mandarin, and happened in rapid pace: