Japanese Films vs The Rest Of The World

I'm totally drained after going through a two-film marathon, both Japanese films (you can see I am trying hard to improve my Japanese language skills ;)), both two-hour long, the first was HERO, the second was STRAWBERRY SHORTCAKES (the 2006 movie, not the old 2001 dorama, STRAWBERRY ON SHORTCAKE), one's a commercial courtdoom drama, another an arthouse film on loneliness and adult relationships, former's entertaining, latter's haunting. I'm now drained, yet not drained enough to not rant.

(I'll be peppering this post with photos of the awesome NAKAMA YUKIE, whom I've liked a lot since I first watched the TRICK series, and also in honour of Gokusen 3 being the top-rated dorama in Tokyo now)

Last night (or two nights ago, since it's past midnight), I read an article on Japan Times called FILM FESTIVALS: HOW JAPAN IS VIEWED FROM AFAR by Alexander Jacoby, and I find myself agreeing with the opening paragraphs:

Buying A New Jacket In Shibuya

My old black leather jacket can't be worn anymore. For some weird reason, whitish-looking powdery stuff have been coming out of it. For the past few weeks, I've been wearing the same black jersey the whole time (the one you see on the black and white photo I used for the Twitter window at the right sidebar) because my other jackets are way too thick to wear during the Spring.

Besides, I needed to take a walk, and I haven't been to Shibuya all these while either.

Shibuya is a colourful place, and I see lots of costumed musicians performing, and promoting something. The ones in the photo below were standing outside a pachinko shop.

Daihachi Yoshida's wonderful Funuke, Show Some Love You Losers! 腑抜けども、悲しみの愛を見せろ

Been getting rather difficult for me to write any film reviews lately, but here you go:

Funuke, Show Some Love You Losers! is a film I knew nothing about when I started watching it, and I finished it feeling rather rewarded.

It's a film about a dysfunctional family, it's driven completely by the four primary characters and the relationship and interaction between them. The opening scene sets the tone for things to come, we see a gruesome traffic accident caused by a cat that's sickeningly funny.

The Star's BMW Shorties Article and Eyeris' 'non-review' of Chicken Rice Mystery

Lim Ming Wei in CHICKEN RICE MYSTERY

My dad just told me that today's The Star had an article about the BMW Shorties' 10 finalists. So I went to check out The Star Online.

KLue writes about BMW Shorties Finalists. Yeo Yee Haeng is Edmund Yeo

The Father and The Boy in CHICKEN RICE MYSTERY


Seems that KLUE had a short write-up on the BMW Shorties finalists.

RACE: Four Original Short Plays

I had the pleasure of meeting actress (and self-described theater practitioner) Soefira Jaafar in the middle of last year, and I was asked to help her produce a stage production that her company, RPT (RATHER PECULIAR THEATER) was preparing. Although I was around for some preliminary meetings with her and the writers, I, unfortunately, had to leave RACE due to other commitments (the telemovies CINTA TIGA SEGI and KURUS), and also because I was well aware back then that I was possibly coming to Tokyo to continue my studies, thus making it impossible to stay around for the actual performance in the end.

CHICKEN RICE MYSTERY is up on BMWShorties.com.my

The film is really a comedy...

As I've mentioned last week, my latest short film, CHICKEN RICE MYSTERY, had been shortlisted for the annual BMW SHORTIES as one of the top 10 finalists . After watching the other nine finalists, I have to say that I'm in the company of many really good films. Therefore, to be nominated is already a victory for me.

You can watch CHICKEN RICE MYSTERY at the official BMW SHORTIES website (mine's the tenth film). After that, you can vote if you enjoyed my film, if not, then you can vote for other, more worthy candidates.

On the other hand, Suanie really has an awards-worthy cameo on CHICKEN RICE MYSTERY.



P.S. Thanks to Esther and Shadowfox (Suanie screenshot is from him too) for, ah, plugging my film.