Completed the shoot of my new short, 3PM, edited a rough cut too

Just got back from the editing lab moments ago. Managed to wrap up the shoot for my new Japanese short film, 3PM. It was a fun shoot, exhausting it was. It's been a while since I've actually made a comedy (though many argued that CHICKEN RICE MYSTERY is just some some film with some comedic moments, and not really a comedy), I needed to do once since I've been making three consecutive depressing films (four, if you count my little-seen experimental video, FLEETING IMAGES).

Like I said, 3PM is a zero-budget film much smaller in scale than KINGYO, and set mostly in one location. I only had a skeleton crew (Me, Kou-san the sound guy, Erika the director of photography, Yuiko the producer/assistant director) , but just as I've always believed, as long as everyone's passionate, things can run pretty smoothly. That was the case of the 3PM shoot.

Even though we had some cute Waseda University cheerleaders briefly interrupting the shoot with their practice session at our location, but that lasted barely more than half an hour, and although they did their best to distract me, I managed to valiantly relocate the shoot to somewhere nearby.

Spirits were still so high that I immediately started work on putting together a rough cut of the short film in the evening, and worked on it til just now. Things look quite promising, I managed to try some stuff I never tried in previous works, yet I'm a little surprised by its length. The whole thing is nearly 16 minutes. I thought it'll be 10 to 12 minutes. Whoa. I might have some snipping to do.

Here are some stills.

LOVE SUICIDES in competition at the Paris Cinema International Film Festival

Love Suicides

I have mentioned this briefly back in April, but I'll mention it again since I've gotten more details now that the official line-up of next month's Paris Cinema International Film Festival is out. So yup, LOVE SUICIDES, my first ever Yasunari Kawabata adaptation before I made KINGYO, is one of the 17 short films around the world selected for competition at the Paris Cinema International Film Fest.

Roppongi Hills at Night

After finishing dinner yesterday evening, I was gripped by a sudden urge to catch a film. I thought of seeing Ahn Hung Tran's I COME WITH THE RAIN, starring Josh Harnett, Lee Byung-hun, Takuya Kimura and Shawn Yue.

I rushed off to take the train to Roppongi, but despite my best efforts, the film had already started when I reached Roppongi Hills. Even though I told the lady that I didn't mind about missing the first 5 minutes of the film, she told me that only the first two rows of seats were available. I didn't want to subject myself to such exertion of effort when seeing a film, thus I decided not to bother in the end.

Left in Roppongi without anything to do, I decided to take some photos instead.

Street musicians of Shinjuku on Friday night

I went out to Shinjuku last Friday night because I thought it's depressing to stay at home on Friday nights. I had managed to shoot some inserts for my new short film, 3PM, and had an encouraging line-reading session with my new actress Yumiko (read more about the production here) Some self-celebration was a welcome.

So bringing my new and beloved camera, I ran off to Shinjuku to snap photos of its night scenery.

CHICKEN RICE MYSTERY airing on Astro Citra tonight

Was more than a little surprised when Nico of Fleishman-Hillard (organizer of BMW Shorties) told me yesterday that CHICKEN RICE MYSTERY will be airing on Astro Citra tonight at 8:30pm.

Abura Soba is a dangerous addiction

Hello. My name is Edmund Yeo and I think I'm addicted to Abura Soba.

Shooting another Japanese short film, "3PM"

No, it's unlikely that I'll pull off what Tan Chui Mui did last year by making 7 short films in 7 months, but I'm trying to shoot at least one short film every 2-3 months. January I shot KINGYO (which you should know by now, is a Japanese production), April I shot AFTERNOON RIVER (Malaysian), and now, in June, I shoot my newest short film called 3PM at Waseda University.

"Edmund Yeo: Hot young Malaysian filmmaker tackles classic Japanese literature" - Interview with Toronto J-Film Pow Wow

After returning from last Saturday's Fuyajo Cinema Festival in the morning, I had a quick nap before getting up for an interview with Chris Magee of Toronto J-Film Pow Wow.

You'll get to read about a childhood incident that might have started my filmmaking dream.

it was how his parents approached the films that set Yeo on the path he's on today. "There was a time when I went to watch "Tremors" with my parents in the cinema when I was really young," Yeo remembers, "I was freaking out. Mom thought the best way to calm me down was to totally deconstruct the illusion of films, like pointing out how some stuff was just props, how they were just acting, how the guy didn't really die, how the monster was just a construct. Perhaps that deconstruction led to the whole discussion about how films were made." Yeo's mother explained that the person in charge of the props, actors and the monster worms in "Tremors" was called a "director". The lightbulb went on for Yeo.

You can read the full article here.

Thanks, Chris.

(I assume the 'hot' in 'hot young Malaysian filmmaker' is a reference to my physical attractiveness, which had long been overlooked. Hah.)