There is less than 24 hours left in the year 2012 for me. I wish to end the year the way I wanted to start the next. Just to keep on doing what I love to do, working on my craft, seeing more things.
This is a video that I shot in September 13th, 2012 (my sister's birthday!) when Dad and I took a train to the town of Otaru in Hokkaido. At that time, we were in Hokkaido for the Sapporo Short Film Festival where my short film LAST FRAGMENTS OF WINTER was screening. (I would later pick up an award from the festival)
The footages I shot were left in my hard disk for quite a few months, I decided to finally cut them together.
Since I do not have the luxury of being on a plane flying back from Estonia like last Christmas, yesterday, I decided to just go to my familiar stomping grounds at Shinjuku for dinner and also to check out its illumination.
Today (December 11th) is the 104th birthday of Portuguese director Manoel de Oliveira. This blows my mind.
He is currently the oldest active director in the world (unless the Spanish director Miguel Morayta, who is year older than Oliveira and retired since 1978, suddenly chooses to come back to make another film) and has remained prolific since he made his first film in 1927. (he became exceptionally prolific since 1990, when he would make at least one film every year until now)
Again, it blows my mind when I realized that Oliveira is actually older than the likes of Orson Welles, all of the French New Wave directors, Akira Kurosawa, Frederico Fellini, Michelangelo Antonioni, Ingmar Bergman... When GONE WITH THE WIND came out, Oliveira was already 30. When Orson Welles made CITIZEN KANE, Oliveira was already in his mid-30s. Oliveira was 50 when a group of French guys made films that spark what we now call the French New Wave.
I can go on and on with this, but I will share with you an Oliveira tale.
Izumi Takahashi's (高橋泉) I AM NOT THE WORLD YOU WANT TO CHANGE あたしは世界なんかじゃないから is one of the two Japanese films in competition at the Tokyo Filmex this year. (The other is Odayaka, which I, being the editor of its trailer, have seen much too many times)