Edmund Yeo

This entry was originally written last Sunday. But as you know, I ended up being buried by the production of my new short film, FLEETING IMAGES. ( screenshots) , so I'm posting this up now instead. I first heard about the TOKYO REFUGEE FILM FESTIVAL because of Refusenik (also check out the official production blog ). It all happened 2-3 weeks ago when I was seeking, via Facebook, other filmmakers who reside in Tokyo, and I found Megumi Nishikura . After corresponding briefly on Facebook, she told me about the screening of Refusenik, a documentary she was involved in as assistant editor during her stay in Los Angeles.

Managed to catch another film at the Refugee Film Fest last night, this one's a documentary about the Abu Ghraib torture and prisoner abuse called STANDARD OPERATING PROCEDURE, by Errol Morris, director of the seminal documentary THE THIN BLUE LINE. I watched the latter two years ago when I sneaked into the lecture sessions of the documentary class while studying in Perth. Being the only other film by Morris I've watched, I still notice that he retained his style for STANDARD OPERATING PROCEDURE, which is driven entirely by the interviews of his subjects and some reenacted scenes. With a budget of 5 million USD, and a score by Danny Elfman, this is a documentary that features 'production values' of what you normally see in its Hollywood fictional counterparts, shots of playing cards showing Saddam and his sons faces falling slow-mo onto the ground etc. Along with some really beautiful filmmaking flourishes that you don't see often in a documentary, like the

Right, so I said I was going to take a brief hiatus to force myself to write for my new short film. I might have underestimated my own writing skills since it took me only one night to finish what I need to write. I went to the 3rd Annual Refugee Film Festival in the past two days (Friday and Saturday) and attended the screenings held at NHK Fureai Hall. The Tokyo Refugee Film Festival is organized by the United Nations High Commissioner for Refugees (UNHCR) and it screens films that draws attention to the human side of refugees (theme of the World Refugee Day's this year)