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River of Exploding Durians - Trailer 【榴梿忘返】 预告片

《榴槤忘返》主要讲述一群中六生面对即将袭来的稀土厂一阵慌乱,人生产生了变化之余,在反对稀土厂的过程中,这群学生产生革命情感和一些单纯的爱慕情怀。A coastal town is turned upside down by the construction of a radioactive rare earth plant. An idealistic teacher and a group of high school students find themselves battling for the soul of their hometown. Based on real-life events, River of Exploding Durians is a sweeping tale of Malaysian history and its youth, where people are enveloped by politics and sadness while searching for love. #riverofexplodingduriansStarring: Zhu Zhi-Ying 朱芷瑩, Koe Shern 高圣, Daphne Low, Joey 梁祖仪Written, directed and edited by Edmund YeoProduced by Woo Ming Jin and Edmund Yeo Executive producer: Eric YeoDirector of Photography: Kong PahurakProduction designer: Edward Yu Chee BoonMake-up and wardrobe: Kay WongSound: Minimal Yossy PrapapanMusic: Woan Foong Wong

Posted by River of Exploding Durians 榴莲忘返 on Saturday, October 18, 2014

Saturday, August 13, 2011

VCinema interviews Kiki Sugino. She thinks I should be an actor. (for my looks, I guess)

VCinema had just posted up Marc Saint-Cyr's interview with Kiki Sugino (actress and producer of my short film Exhalation) regarding both our collaboration and also HOSPITALITE by Koji Fukada, which she also produced and acted.

Kiki Sugino at the Jeonju International Film Festival booth

I loved the part where she called me a genius. Even though it was solely in my imagination and not really in the interview.

Anyway, here are some notable quotes of hers regarding our first meeting with her, and how EXHALATION came into being:

"I met Edmund through Woo Ming Jin at the Pusan International Film Festival in 2009; I met Woo Ming Jin in 2008 at the Tokyo International Film Festival. Edmund’s a really funny guy – I really love his character, and I really, truly believe that he wouldn’t be out of place as an actor. We met in October in 2009, and by December we had already created a short film. We chatted, exchanged e-mails and were asking each other what we wanted to do and what kind of story we wanted, and all of a sudden it just became a reality. Maybe the reason why we got so friendly is because our birthdays are five days apart – we were born in the same year. Plus, I’m a Korean living in Japan, and he’s a Chinese-Malaysian in Japan as well, so we had that search for identity in common with each other, and I felt that we had very close values. I think it would be great if we could make more films with an international perspective."

Regarding my directorial style:

"Edmund is the type where he’s basically worrying all the way up to when the shooting starts, then he makes a split-second decision right before everything happens. He has a very strong overall vision, but he does worry about specific things like visuals, the little details – those are the things he worries about. He loves Tarkovsky, and you can probably see that in his images."

Yes, I actually do have a very improvisational and hands-on approach to directing. That's the school of Malaysian independent filmmaking, haha.

Most of the time I would edit, add, or remove scenes on the spot, changing dialogues etc. For me filmmaking is quite an organic thing, but at the same time, collaborative too. When I realize that the actor's interpretation of my character is different from my initial imagination, and seems to actually have a chance to enhance what I originally had, I would immediately make quite adjustments that weren't in the script. Sometimes, when actors come out with a line during ad-libbing, that particular line might actually end up being a crucial, recurring line in my film.

These happy accidents makes things a lot more fun.

(Aside from KINGYO, I never really did storyboards, mostly composing and setting up shots on the spot too.)

"Give me a Tarkovskian shot!" is a line from me most cinematographers of mine had to endure.

So yup, read the full interview here.
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