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Showing posts with label Hirokazu Koreeda. Show all posts
Showing posts with label Hirokazu Koreeda. Show all posts

Friday, March 30, 2012

Sharing some episodes of ROAD TO AFA that I directed

This is very late, since the Asian Film Awards ended two weeks ago. So you probably already knew that the Oscar-winning A SEPARATION was the night's major winner. (full results here)

But I haven't been updating this blog much these days, so please bear with me.

You might remember that I mentioned directing a series of interviews with a few major Japanese film figures last month while suffering from a hideous food poisoning as part of the ROAD TO AFA (Asian Film Awards) program hosted by Janet Hsieh. A month earlier, in January, I was in Taipei for these interviews.

I didn't exactly blog about my Taipei escapades, so I'll post up some of my old tweets related to it.

Wednesday, November 12, 2008

Watching Hong Sang-Soo films, discovering Miwa Nishikawa. Researching for new short film.


My posting here had been erratic because I've spent the past few days trying to do some research for my writing. I intend to do another short film, and this isn't the ambitious one-taker that I've been talking about last month (I'm planning to do that in Malaysia instead). The ideas for this new film came during my time at the TIFFCOM, and I continued playing around with it in my mind when I was in Rome, and then Malaysia.

During conversations with coursemates, I've half-jokingly said that I would adapt SNOW COUNTRY by Yasunari Kawabata, but instead of having a man and a geisha, I'll update it so that it'll be about a middle-aged salaryman and an Akihabara maid (or a waitress in a maid cafe). I just had images of two lonely figures traversing down the empty streets of Akihabara (which, unlike Shinjuku and Shibuya, seems really empty and isolated at night) The reason why I thought of using an Akihabara maid is because they are often figures of ridicule by the non-Otaku crowd, and the sight of Akihabara maids trying to give out tissues and leaflets to disinterested people at the streets always feel a little poignant to me. So why not try to examine a person behind the cute costume? After all, the 'subservient maid' is just a role they play at their workplace.