Daniel Day-Lewis' monumental performance in 'There Will Be Blood'

Yeah, I really haven't been reviewing much lately. Had a lot to do with the fact that I hadn't seen anything worth reviewing lately. What's the point of reviewing a film that merely gave me a 'meh' reaction when I probably have much more to write if I thought the film was really good, or really horrible.

Kung Fu Dunk 功夫灌籃 is a depressing film to watch on Valentine's Day

I don't really mind Jay Chou as an actor.

So far, to me, his films were either surprisingly entertaining (INITIAL D), unintentionally campy (CURSE OF THE GOLDEN FLOWER) or unexpectedly affecting (SECRET). But I had my doubts about his newest film KUNG FU DUNK. In fact, I was prepared for the worst.

CJ7 長江七號

By far the most anticipated Chinese film of the year, Stephen Chow's CJ7 had to deal with sky-high expectations since it happened to be his first film since 2004's KUNG FU HUSTLE.

Conversation on 'Sweeney Todd' With Lune

I saw Sweeney Todd two weeks ago, since I generally like most musicals, I rather enjoyed the film, though to me, it's a 'good but not great' film. Nonetheless, I have been looping the soundtrack on my computer a lot these days.

The following review is done with my friend, Lune (back in 2005, she and I collaborated in the Blogathon, in which we alternated between her drawing pictures, and me writing a novella based on her drawings, our collaboration was awesome, considering that we conjured all those up in 24 hours), who having seen the musical, ain't that impressed with the film adaptation.

THE DIVING BELL AND THE BUTTERFLY by Julian Schnabel

I saw this film in Singapore last week, but just before I entered the cinema, I went to buy Jean-Dominique Bauby's memoir, 'Le Scaphandre et le Papillon' that this film was based on. The book is thin, so it could actually be finished in one sitting (I read sporadically, so it took me two days)

The book was written after Bauby, a former 'Elle' magazine editor, suffered a massive stroke that left him paralyzed from head to toe, save for his left eye, and he wrote the book by communicating with the blinking of his eye. An amanuensis repeatedly recited a frequency-ordered alphabet (E, L, A, O, I, N, S, D ...), until Bauby blinked to choose the next letter. He died in 1997 just a few days after the book was published.

Jason Reitman's JUNO

Now that the Oscar nominations have announced, I've been trying my best to catch all films nominated in the Best Picture category via all means since not all are screened in Malaysia.

CLOVERFIELD by Matt Reeves

Here we go, the first potential Hollywood blockbuster hit of 2008.

Cloverfield, thanks to viral marketing, and also having its intriguing trailer placed before last year's Transformers in US theaters, had swiftly became a much-anticipated film for many (myself included).

Discussing the "Gone Baby Gone" Ending

GONE BABY GONE is Ben Affleck's directorial debut.

As an actor, his career decisions have left many shaking heads in disapproval. Until this very day, the mere mention of PEARL HARBOUR would make me grimace in disgust, and I still have frustrating high school memories of classmates and schoolmates telling me that 'the film wasn't so bad, hee hee hee', or Sebastian claiming that Pearl Harbor would have been nominated for Best Pic Oscar if it weren't for 9/11. I wanted to scream "AAAAAAAARGH! WHAT'S SO [EXPLETIVE CENSORED] GOOD ABOUT THE [EXPLETIVE CENSORED] FILM? ARE YOU [EXPLETIVE CENSORED] KIDDING THE [EXPLETIVE CENSORED] OUT OF ME?", but I was much mellower then, so I merely suffered from teenage angst, nothing more.

Joe Wright's ATONEMENT

I didn't know what to expect from ATONEMENT. The film had received mostly glowing reviews and is one of the favourites to get a Best Picture nomination in next year's Oscars, but I had been worried that it would be another one of those stuffy and boring period romances filled with sheer pretentiousness and self-importance that would leave me wondering what all the fuss was about.

Conversation on 'National Treasure: Book of Secrets' with Sebastian

The following review of NATIONAL TREASURE: BOOK OF SECRETS by Sebastian and I contains lots of spoilers.

Read it only if you have seen the film.

Or you can actually choose to read the review first and not wasting your time with the film.

I AM LEGEND starring Will Smith

I AM LEGEND is NOT a film you've never seen before. While watching it, I am reminded of 28 DAYS LATER and 28 WEEKS LATER, or the more recent 30 DAYS OF NIGHT, and a bit of CASTAWAY (Will Smith DID cite Tom Hanks' performance as an influence). After all, the film IS about the last man on Earth facing vampires who were actually humans infected by virus.

Jet Li is really good in Peter Chan's THE WARLORDS 投名状

Peter Chan Ho-Sun is one of the Hong Kong directors I rather admire. Many of his works in the 90s are considered classics today, namely COMRADES: ALMOST A LOVE STORY and HE'S A WOMAN, SHE'S A MAN and his 1993 time-travelling film that starred two Tony Leungs, HE AIN'T HEAVY, HE'S MY FATHER. Being one of the co-founders of the UNITED FILMMAKERS ORGANIZATION (UFO), he's also responsible for many of the finest commercially and critically successful Hong Kong films in the 90s as producer.

THE GOLDEN COMPASS film adaptation

Earlier this year, THE GOLDEN COMPASS was one of my most anticipated movies, I've in fact waited for it ever since the film was first announced years ago. I read the book when I was 12, and the rest of the trilogy when I was 20. I can say that Philip Pullman's HIS DARK MATERIALS trilogy is one of my favourite fantasy trilogies of all-time.

But as the film's release date got nearer, it started getting horrible reviews, averaging a measly 43% at Rotten Tomatoes, and then Sebastian told me last night that it sucked. Maybe because of them, I ended up entering the cinemas this morning with zero expectations, fantasy films of the past two years hadn't been that good anyway. ERAGON and STARDUST were stinkers.

I don't remember the GOLDEN COMPASS book (I bought mine in UK, so it was called NORTHERN LIGHTS instead. Just like 'HARRY POTTER AND THE SORCERER'S STONE' vs 'HARRY POTTER AND THE PHILOSOPHER'S STONE', UK and US have different titles for the book) since I read it eleven years ago, so I could only remember certain scenes vaguely.

Which is a good thing, since I can watch the film with fresh eyes, without the burden of subconsciously comparing it to its source material.

Chris Marker's La Jetée is awesome!

La Jetée is a short film from the French New Wave by Chris Marker. It's a sci-fi film told entirely via voiceover narration and consists only of still photos. I watched it on DVD earlier this evening with Ming Jin and was definitely mesmerized and inspired.

BEOWULF is okay, but I miss Robert Zemeckis' live-action films

BEOWULF is a marginally entertaining film. Not as mindblowingly awesome as I hoped, nor as mindnumbingly shitty as I feared. The well-timed Austinpowersism (the term comes from Roger Ebert, which means "putting things in the foreground to keep you from seeing the family jewels") is funny.

But I don't think my life will be any different whether I've seen the film or not.

Miki Nakatani's tour-de-force performance in Memories of Matsuko 嫌われ松子の一生

I just finished watching MEMORIES OF MATSUKO on DVD earlier this morning (was prompted to do it after reading Grady Hendrix's gripes about the film's lack of US distribution).

And all I can say is...

Mad Detective 神探

In MAD DETECTIVE, the second film I saw yesterday, my director hero, Johnnie To reunites with co-director Wai Ka Fai and Lau Ching Wan in a cop thriller that sort of revisits genre conventions and previous Johnnie To/ Milkyway Image films.

This film has some of the 'missing gun' plot we saw in PTU (2003), and a quirky misunderstood tragic hero who sees things that others cannot see like RUNNING ON KARMA (2003), insane shootouts in a room of mirrors like THE LONGEST NITE (1998), and some nihilism of the ELECTION films (2005 and 2006). But instead of feeling that the filmmakers were recycling their tricks ala John Woo, the original concept is executed so flawlessly that it's totally mindblowing and compelling to watch.

More visual wizardry from Julie Taymor in ACROSS THE UNIVERSE (the soundtrack's good too)

Seriously, this will not be a very in-depth film review. My lack of familiarity with all Beatles' songs meant that I can only enjoy and judge the film as any other musicals when watching ACROSS THE UNIVERSE. The emotional depth of which Beatles song being used in the film is mostly lost to me, I think.

ENCHANTED

Back in Sunday, I had a choice between ENCHANTED and HITMAN, and I chose the former instead. A normal angstful hot-blooded male would've gone for the latter, since ENCHANTED seems more like a Disney chick flick for little girls. But hey, while I don't usually let film critics sway my film choices, I still feel that watching the 93% ENCHANTED would be a much better bet than the 11% HITMAN, which seemed to have a long history of problems during its production.

Rainbow Song 虹の女神 by Naoto Kumazawa, written and produced by Shunji Iwai

There's only one reason why I immediately wanted to see this film when I saw its poster in Taiwan.