Edmund Yeo

I wrote this on Facebook last month, after watching Iwai Shunji's Love Letter at the Tokyo International Film Festival. I have seen this film countless times in various forms, on VCD, on DVD, on digital file, either on TV or on computer, but never on the big screen, so that particular screening in Tokyo left me overwhelmed, and of course, nostalgic. Here's my love letter to the film Love Letter: I saw Iwai Shunji's Love Letter (2005) on the big screen today. Sometimes you see a film at the right time, at the right age, so you fall in love with it in ways you cannot imagine. It was 1998. I was 14 when I first saw Love Letter, I think this might be the film that made me fell in love with Japanese cinema, the emotional impact it left me was immense. The lyricism, the romanticism, the pain of unspoken love and the melancholy of memories, I was intoxicated by these vivid feelings through this film. I loved a little more, contemplated a little more, daydreamed a little mo

Yup, got back from Shanghai last night. The Asian New Talent Award Competition was established in 2004 by the Shanghai International Film Festival for Asian filmmakers making their first or second film, kinda like Pusan's NEW CURRENTS competition, or Rotterdam's Tiger Awards. The award ceremony was held on the 17th of June. (here are the results )

UPDATED (20th June, 2011): Added more of my thoughts about the film fest.

An early phone call from Malaysian filmmaker Tan Chui Mui woke me up this morning. It was 7 in the morning, her assistant passed me stuff before I came to Shanghai so I could pass it to her. So I met her 20 minutes later for breakfast. She told me she was going to have an interview of sorts for Japanese filmmaker Iwai Shunji's official website . Like many of my Japanese film lovers of my generation, I was captivated by his works like LOVE LETTER (still a personal all-time favourite) and ALL ABOUT LILY CHOU-CHOU during my youth. I fell in love with LOVE LETTER when I was 13, that was 14 years ago, and my love never wavered. It was through his influences that I make my films that some have considered visually poetic and sensitive. Thus I followed Mui along for their meeting.

Justin Isis lacks abdominal definition For me, literature should be as exciting and energising as pop music. I am now 37 years of age, and of a generation for whom pop music was both a personal journey of discovery and something that has always been there. I suppose that for those younger than me, at least the 'has always been there' part of this description must hold, if not all of it. It has been a source of puzzlement to me, therefore, that the sensibility of pop music – all that is best about it in spontaneity, daring and role-play – somehow has not managed to permeate the world of literature. I don't mean this in any superficial sense, that authors should all start wearing shades and writing in American hipster slang (by golly!). No, literature need not relinquish any intellectual depth by learning from pop music – it can even gain some. Because, for me, interests in literature and pop music were equivalent and intertwined, when I first started having work pub

I've returned to Tokyo since Sunday night. It's been a hectic few days. I actually had a film shoot in Klang on Saturday and had managed to do another quick short film with the help of Lesly and Han, that film was an experiment with the Nikon D90, which I saw Ming Jin and Lesly used for their short film, THAT DAY WE WOKE UP . To be able to complete another short film, what a joy!

Earlier this week, I sat down (in front of computer) for an (email) interview with Fikri of 'Thoughts On Films'. Things I spoke about include: filmmaking, videoblogging, my role in Greenlight Pictures and the company's previous productions, the theatrical distribution of local independent films in Malaysia.

I'm totally drained after going through a two-film marathon, both Japanese films (you can see I am trying hard to improve my Japanese language skills ;)), both two-hour long, the first was HERO, the second was STRAWBERRY SHORTCAKES (the 2006 movie, not the old 2001 dorama, STRAWBERRY ON SHORTCAKE), one's a commercial courtdoom drama, another an arthouse film on loneliness and adult relationships, former's entertaining, latter's haunting. I'm now drained, yet not drained enough to not rant. (I'll be peppering this post with photos of the awesome NAKAMA YUKIE, whom I've liked a lot since I first watched the TRICK series, and also in honour of Gokusen 3 being the top-rated dorama in Tokyo now) Last night (or two nights ago, since it's past midnight), I read an article on Japan Times called FILM FESTIVALS: HOW JAPAN IS VIEWED FROM AFAR by Alexander Jacoby, and I find myself agreeing with the opening paragraphs:

There's only one reason why I immediately wanted to see this film when I saw its poster in Taiwan.

Visited Taipei 101 , the tallest COMPLETED building in the world today.

While watching MING MING, which stars Zhou Xun and Daniel Wu, I was initially impressed by first-time director Susan Au's MTV-influenced style. The rapid-fire cuts, freeze frames and disjointed editing are delivered with flair, it reminded me of Wong Kar Wai works like CHUNGKING EXPRESS and FALLEN ANGELS, and also a bit of Japanese anime.

Thanks, Dawn.

Now, how many Aussies are going to the Sony Tropfest this Sunday? Seems like a lot, including this animator/illustrator chick whose work got nominated. I'm definitely going. It's a short film festival showing the finest short films of the year in Australia, beamed nationwide. This annual event is usually pretty damned popular, held at this pretty large field, where everyone could bring their own food and drinks + a rug so that they can have picnics while watching the films. (I wish there will be a day when such events can be held regularly in Malaysia with resounding success, I feel somewhat sad that this seminar about indie filmmaking held last week had pretty lukewarm reception... seven speakers and fifteen audience members is kinda bad, why can't people love movies more?) I didn't post about it last year, but I'll be doing it this year (and also keep an eye on others chronicling this event). Watching good short films motivates me to do better.