Edmund Yeo

Recently, there had been a couple of memes spreading around on Facebook where people challenge one another to name 15 films that will always stay with them, within 15 minutes. (other iterations of this meme include literature, video games etc. which I will post some other time) For now, I will elaborate upon the 15 films that I named off the top of my head.

The awesome Japan Cinema had posted a very in-depth interview I recently did with its editor-in-chief Marcello as part of their "Creative Spotlight" series.

A confession. When I was watching Ponyo On The Cliff By The Sea at the cinema yesterday, I was a little choked up during one scene. And yes, damn it, I teared up too. I was so awed by the exuberance and beauty of a scene that I couldn't help but find a single tear trickling down my face. I won't spoil that scene, but it involves the storm, and a girl running frantically ON the crashing waves. Yes, I went 'Wow' and teared up.

I'm totally drained after going through a two-film marathon, both Japanese films (you can see I am trying hard to improve my Japanese language skills ;)), both two-hour long, the first was HERO, the second was STRAWBERRY SHORTCAKES (the 2006 movie, not the old 2001 dorama, STRAWBERRY ON SHORTCAKE), one's a commercial courtdoom drama, another an arthouse film on loneliness and adult relationships, former's entertaining, latter's haunting. I'm now drained, yet not drained enough to not rant. (I'll be peppering this post with photos of the awesome NAKAMA YUKIE, whom I've liked a lot since I first watched the TRICK series, and also in honour of Gokusen 3 being the top-rated dorama in Tokyo now) Last night (or two nights ago, since it's past midnight), I read an article on Japan Times called FILM FESTIVALS: HOW JAPAN IS VIEWED FROM AFAR by Alexander Jacoby, and I find myself agreeing with the opening paragraphs:

Justin: I've pretty much given up on anime; the combination of no time to invest in long series combined with the loss of the initial luster at having seen all the really necessary stuff means it's hard for me to get excited by it anymore. Throw in the tendency for new series to be incredibly derivative and it's not surprising I haven't watched anything in months. The solution? Go back in time...

Continuing my MUCH OVERDUE (and probably underappreciated *sob*) contribution for the Miyazaki Fest . Go to Part 1 to read my evaluations of the female characters in Nausicaa and Laputa: Castle in the Sky .

Sometime in late April, Walter of Quiet Bubble announced his intention to call for a Hayao Miyazaki blog-a-thon, which I had initially wanted to participate, until I had to suddenly take over the production of my last short film Vertical Distance (originally just the screenwriter, I ended up directing the damned thing). As I had to work on my own film for weeks, I had to miss Quiet Bubble's actual Miyazaki Fest when film blogs around the world were writing articles dedicated to the legendary Japanese director. I first discovered Hayao Miyazaki back in 1992 when I was eight. Laputa: Castle In The Sky was the first film I've ever watched by him, and until this very day, it occupies a special place in my heart, it's unlikely that anything can supplant its position as my all-time favourite Miyazaki/Ghibli film. Laputa: Castle In The Sky definitely changed my life then, I spent four consecutive nights watching and rewatching it, too blown away by its flawlessness and greatn