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Showing posts with label J-Music. Show all posts
Showing posts with label J-Music. Show all posts

Saturday, May 17, 2014

In Praise of Shiina Ringo's Music Videos


Last month, after getting hold of her two albums UKINA 浮き名 and MITSUGETSU-SHO 蜜月抄 (both albums were released to commemorate her 15th anniversary in the music industry), I became addicted to the songs of Shiina Ringo 椎名林檎 again.

Saturday, July 16, 2011

Japanese director Masahiro Kobayashi's live gig at Manda-la 2

Yesterday evening, I headed to Manda=la 2 at Kichijoji to catch Japanese director Masahiro Kobayashi's live gig.

Director Masahiro Kobayashi performs


Saturday, September 18, 2010

KINGYO cinematographer Josha shot the new SPEED music video, Yubiwa

Now, finally, something not about the screenings of my film.

A few years ago I mentioned my teenage love for the Japanese pop group SPEED.


Speed


They started in 1996, then disbanded in 2000. I was crushed. In 2008, they came back again, I was skeptical. Yet the intensity of my love for SPEED, especially lead vocalist Hiroko Shimabukuro (the tall one), was so intense that I composed silly haiku for her.

Sunday, August 31, 2008

Saturday, August 23, 2008

Oh wow, SPEED is getting back together!

UPDATED: CLICK HERE TO WATCH THE VIDEOS AND PHOTOS FROM SPEED's REUNION SEGMENT ON NIPPON TELEVISION'S 24-HOUR TV DURING THE 31ST OF AUGUST, 2008.

SPEED


Got this from Tokyograph.

Friday, August 08, 2008

Watching Kahimi Karie (and Rei Harakami) live at Liquidroom

[Unrelated note: I found out that KURUS was on TV again yesterday. Ming Jin is currently in Australia for the Brisbane International Film Festival, where KURUS ('Days of the Turquoise Sky' to the foreigners) is screening. Interested to know what the Aussies think about the film.]

Kahimi Karie
Kahimi Karie


I went to the Liquidroom at Ebisu for one of their 4th year anniversary events on Wednesday night, a live performance by Kahimi Karie and the electronic musician Rei Harakami. I first read about this from Japan Times two weeks ago, and immediately decided to go even though ticket price is a little steep.

Monday, August 20, 2007

Sifow - Love Spell



Sifow.

Second album.

Love Spell.

It was released about a week ago; I just went to Shibuya and bought it.

I know I said I'd given up reviewing music, but what the hell.

Wednesday, May 30, 2007

R. I. P. Izumi Sakai (Zard)


Updated (September 2, 2012): Zard is a pop group. And Izumi Sakai was its lead vocalist and leader. I always referred to her as Zard because to me, she WAS Zard. But I decide to revise this blog post so that I can try to separate the Sakai the person, from the group.

I was pretty shocked when I read about singer-songwriter Izumi Sakai's death on today's newspapers.

Wednesday, May 23, 2007

Rum of Heartsdales. Hot!

Rum of Heartsdales

"I ride boys like a motorcycle."
-Rum

There's an interview about her and her sister here.


Saturday, May 19, 2007

I LOVE Asobi Seksu!



One album I've been listening to a lot in the past week is Asobi Seksu's CITRUS. Asobi Seksu's a shoegazing rock band based in New York, their lead vocalist is Yuki Chikudate, who said in an interview with Pitchfork that one of the creepiest fan experiences for her was when she was surrounded by a bunch of hardcore otaku who called her Asobi and talked to her about anime. The band name, Asobi Seksu meant 'play sex' 'fun sex' 'playful sex' or something like that in Japanese.

What a coincidence that both Justin and I have been getting pretty into female Japanese singers named Yuki these days, just that his Yuki is in Japan while mine's in US.

Wednesday, January 17, 2007

Crystal Kay - Call Me Miss

Crystal Kay

One of the advantages of getting heavily into J-Pop is that, almost unconsciously, I've started to appreciate and enjoy musical genres I once scorned. When I was a teenager, anything remotely pop or commercial was anathema to me, and R&B was the worst of the worst. R&B was irritating screaming melismatic female voices, moronic beats, grating lyrics. R&B was something listened to by people I held in contempt. If you said your favorite music was R&B, I probably wouldn't like much else about you, either, and if you had of given me Crystal Kay's 2006 second albumCall Me Miss as recently as five years ago, I probably would have spat in your face.

Wednesday, January 10, 2007

Koda Kumi - Black Cherry


I have my problems with Koda Kumi. Apart from her lacking a certain...how to put this tactfully, star quality (i.e. if she wasn't famous already...) and relying on an obvious gimmick (feigned sluttiness), I've come around to much of her music, even if it struck me as undistinguished at first. The production is often good, befitting an Avex artist; and KK is talented, even if the hooks sometimes take a while to sink in. She tried out for Morning Musume and was rejected, yet that actually reflects well on her: no one in H!P can really sing like her; their voices need to be massed together to achieve any real resonance or tone. But KK is more than capable of carrying a track, and her voice is distinctive.

Sunday, January 07, 2007

Judy and Mary



Listened to their entire discography over the course of like six hours. Think I just found my new favorite band. Can't be bothered to write an in-depth entry. Just...wow. As much 'ink jizz' as a site like Pitchfork expends over a band like Deerhoof, you wonder what they'd make of JAM or (the previously discussed on this site) Ego Wrappin'. I mean, 'Judy is a Tank Girl'? Just brilliant...
Get Warp or The Power Source if you want to hear Japanese music completely overstepping national bounds and stacking up against anything on a world stage.

Thursday, December 21, 2006

Ayumi Hamasaki - Secret



For me, the height of Ayumi Hamasaki's career was the 2002/2003 Rainbow / I Am... era. On those two albums, Ayu and Max Matsuura forged an original and intensely modern sound, one that combined the futuristic gloss and production of electronic dance music with the grind and guitar base of hard rock, all leavened with strong pop flourishes that somehow sounded more ambitious than any of Ayu's previous material (which had been good, to be honest, if a bit sugary and conventional). Appellations like 'dancy metal-pop' or 'club-core with solos' sound ridiculous, but accurately describe the albums' innovative fusions. And they were albums, too, with transitions and spaced-out interludes to bridge the more disparate songs. Because of the unified production, a straight up club track like 'Connected' could segue easily into the driving rock of 'Evolution', and the whole thing felt seamless. For a while, Ayumi Hamasaki really did feel like the most modern pop star in the world, one who could get mentioned in grasping Time magazine supplements and still make you want to put her singles on your playlist.

Thursday, December 07, 2006

Sifow's Blog and Me

UPDATED (April 27, 2014): It's been 8 years since this blog post was written by Justin. Since then, Sifow had announced her indefinite hiatus in 2008. I'm not sure whether she still sings, but as of April 2014, after her hiatus, she moved to this new(er) blog, where she still updates quite often.



Sifow is hot
I've written about my future girlfriend's music before, now to take a look at something equally influential, equally interesting, something everyone reading this should be well-familiar with: blogging.

Sunday, November 05, 2006

Onyanko Club





I'll be honest: most everything I know about Japanese music has come as a result of the tireless efforts of Taka. If it wasn't for his more-euphony-than-James-Joyce command of the English language and his unquenchable passion for "80' electorical dance sounds", I'd probably still be listening exclusively to mid-90's NYC metallic hardcore (Orange 9MM, Helmet, Quicksand, etc.).

Sunday, October 22, 2006

EGO-WRAPPIN'

Ego-Wrappin


Sometime during 2002 (or was it 2003?), disillusioned with annoyingly underaged pop groups and still dealing with the heartbreaking disband of his much beloved SPEED, the Great Swifty, who suffered from Erotomania, lost faith in mainstream Japanese pop, and experimented with the non-mainstream, into what is generally referred to as Contemporary Japanese Groove Music (their jazz stuff).

Sunday, October 15, 2006

ZONE

J-pop band Zone


The appeal of ZONE isn't difficult to explain: girls with guitars. This simple, retardedly awesome premise lies behind much of the popularity of Shonen Knife, the 5 6 7 8's, and uh...in a different genre, Sleater-Kinney and L7. But the one thing uniting those fairly disparate bands is that they're all - to a greater or lesser extent - PUNK.*