I have my problems with Koda Kumi. Apart from her lacking a certain...how to put this tactfully, star quality (i.e. if she wasn't famous already...) and relying on an obvious gimmick (feigned sluttiness), I've come around to much of her music, even if it struck me as undistinguished at first. The production is often good, befitting an Avex artist; and KK is talented, even if the hooks sometimes take a while to sink in. She tried out for Morning Musume and was rejected, yet that actually reflects well on her: no one in H!P can really sing like her; their voices need to be massed together to achieve any real resonance or tone. But KK is more than capable of carrying a track, and her voice is distinctive.
Listened to their entire discography over the course of like six hours. Think I just found my new favorite band. Can't be bothered to write an in-depth entry. Just...wow. As much 'ink jizz' as a site like Pitchfork expends over a band like Deerhoof, you wonder what they'd make of JAM or (the previously discussed on this site) Ego Wrappin'. I mean, 'Judy is a Tank Girl'? Just brilliant...
Get Warp or The Power Source if you want to hear Japanese music completely overstepping national bounds and stacking up against anything on a world stage.
On my recommendation, Craig of Your Opinion Doesn't Count has just read and provided a three-part review of Tanizaki's Naomi, analogizing the novel to the idol world. His interpretation is highly original and provocative, and there's definitely some kind of graduate-paper potential in there somewhere about idol-continuity in Japanese culture over the course of the twentieth century. Was Tanizaki a proto-wota?
Filmmakers Anonymous, at Indiescene Cafe (29th of December 2006)
Since my return from Perth more than three weeks ago, I've been stuck in limbo, like a Wong Kar Wai character perpetually stuck in a stagnant state of existence whilst the rest of the world blurs by like the flitting of a hummingbird's wings. While taking my (absolutely needed) rest after months of working on my last short film, Girl Disconnected, my filmmaking endeavours were put on hold, just so I can figure out what the local filmmaking scene is like. In Perth, I got to know how things work, how to contact actors, composers, production houses, etc. Over here, I feel like a helpless foreigner.