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Going to start shooting FORCED LABOUR soon!

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Swifty's Filmmaking Progress

Had my very first meeting with the cast last night. Shooting for 'Forced Labour', my next short flick, will begin next week. Yippee!

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Alternative Ending To Sepet

Well, not really MY alternative ending, it's really my friend's, who told me this when we were in a bus few days ago. But I couldn't help but share it with you all here.

In Defense of Fanfiction: Guestblogger Justin Goes Robin Hobbnobbing

If you had of asked me on a given day whether I'd one day end up passionately defending fanfiction, I would have given you a strange look. I don't read any of the stuff anymore, and my own endeavors in the field ceased long ago. And yet, I found myself reading Robin Hobb's rant (Swifty: The rant was taken down sometime after this entry was posted) with growing outrage, not just because I disagreed with Hobb's sentiments, but because I COULDN'T BELIEVE that a published author of some repute could hold opinions so closed-minded, reactionary, and ridiculous. The outrage, though, stemmed not so much from this as from the idea that Hobb's opinions, through her position as an eminent fantasy author, could actually discourage young writers from practicing fanfiction, and thus, exercising their creativity. Therefore, SOMETHING MUST BE DONE. THIS SHIT CANNOT STAND.

The Short Fiction of Yukio Mishima

Mishima is a writer associated with scale and grand gestures. Apart from his colorful life and the obviously theatrical nature of his public suicide, his novels are full of, to put it bluntly, action - in a 'literary fiction' genre often filled with tepid introspection and obsessive minimalism, that Mishima's books are full of swordfighting, arson, suicide, and desperate tragedy is definitely part of his appeal. Although his writing is capable of great subtlety, restraint, and delicate beauty, these qualities usually form one half of a chiaroscuric contrast, shadowing the dense psychological monologues and eruptions of violence.

Cinema Paradiso. Original vs New Version

**Mild spoiler warning for both versions of Cinema Paradiso**

Was watching the director's cut version of Cinema Paradiso (called the 'New Version') on DVD with my dad a few nights ago. Now already regarded as a classic, I've definitely heard of this 1988 Italian film (made in 1988, released internationally in 1990... I think) for a really long time, but never really had the opportunity to find either the chance, or the mood to watch it even though my dad has the DVD of the original for years.

Dad managed to borrow the Cinema Paradiso: New Version DVD from his friend, which he hadn't seen, so we watched it together. Father and son watching a nice coming-of-age story of a boy and his friendship with a father figure, awesome.

To the uninitiated, film's about a famous film director who returns home to a Sicilian village for the first time after almost 30 years to attend a funeral of Alfredo, an old friend. He reminisces about his childhood at the Cinema Paradiso wh…

SEPET by Yasmin Ahmad, an important film in the Malaysian New Wave

One of the movies I heard most of when I returned to Malaysia had, strangely, been a local film, which is something unheard of considering that at this time of the year, summer Hollywood blockbusters are the ones that rule the box-office. This local film is Yasmin Ahmad's 'Sepet' which had been making waves at some foreign film festivals, and became quite a subject of discussion among Malaysians, not just the Malays, but also many of the Chinese I know. Finally got to watch it during my flight from Malaysia to Perth.

'Sepet' depicts an interracial romance between a Chinese guy and a Malay gal. And being an interracial romance, it obviously shows the complications involved in interracial romance, like the clashing of cultures, the condemnation of narrow-minded friends, the inability of acceptance by parents. Can true love transcend all these barriers?

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Edmund Yeo