培才华小的杰出校友？ Notable alumni in Puay Chai primary school？

去年十月， 我母校培才华小欢庆建校90周年， 出版了纪念特刊。 很荣幸被列为培才杰出校友校友之一。 感恩。

以下是特刊给我的特写：

Finishing up SECOND LIFE OF THIEVES

Immediately after I returned from Tokyo, I headed off to do the reshoots for Woo Ming Jin's SECOND LIFE OF THIEVES (which I co-wrote, produced and edited).

A farewell to my second home in Tokyo, a revisiting of memories.

I have finally returned to Malaysia today after taking a 10-week sabbatical in Tokyo (needed to recuperate from the RIVER OF EXPLODING DURIANS shoot, while enjoying the cherry blossoms season).

During the last few weeks, I have been cleaning up my room in Tokyo, the same dorm room that I've been staying at since 2008. Even though I finished my doctorate last March, I had yet to officially check out from this room because I had so many things in it. This time, I was supposed to put an end to this chapter of my life.

In 2008 to 2010, my wall was covered with film flyers that I collected from cinemas and film festivals, and also photos of nice celebrities. Since I was going to live such a solitary life, I figured that having some happy-looking faces around me would lighten up the atmosphere.

My Thomas Cup Finals 2014 commentary

So, the Thomas Cup Finals had just ended. Malaysia made the finals after a 12-year-drought, but lost, which continues a 22-year-drought. No big deal, when more than two thirds of my life had been filled with disappointment, the pain just becomes a sort of numbness. Am I right? Right?

WATCH: James Lee's new short film ALL FOR LOVE 为了爱 starring Daphne Low

Oh goody, Malaysian independent film pioneer James Lee (and producer of my last short film FLOATING SUN) has just uploaded his new short film ALL FOR LOVE.

Here's the mysterious synopsis:

A girl sends her old SLR camera to a reclusive camera repair master. In the course of getting the camera fixed, the girl develops a special relationship with the master.

Of course, you have to watch the 12-minute short film yourself to know the nature of this special relationship.

The beautiful visuals of THE CRANES ARE FLYING and I AM CUBA

Last week, when the Cannes Film Festival was about to begin, many film sites that I've been following started publishing their lists of best Palme d'Or winners. I figured it would be a good time to catch up with some of them, especially the older ones.

In Praise of Shiina Ringo's Music Videos

Last month, after getting hold of her two albums UKINA 浮き名 and MITSUGETSU-SHO 蜜月抄 (both albums were released to commemorate her 15th anniversary in the music industry), I became addicted to the songs of Shiina Ringo 椎名林檎 again.

Edward Yang

(I posted this on Facebook in December 9, 2014. I'm going to expand upon it.)

Post by Edmund Yeo.

Last December, it started out as a Hou Hsiao-Hsien marathon. The original intention was to watch films directed by Hou Hsiao-Hsien, but I ended up watching the film which featured his one and only starring role. Edward Yang's TAIPEI STORY (Hou was also the producer).

And because of this, I finally completed every single Edward Yang film in his oeuvre. Unintentionally. Because I didn't want it to end so early.

One of my favourite directors ever. And, in my opinion, one of the greatest. His works had influenced me a lot. I wrote more about my own experiences with the works of Edward Yang in June 29, 2012, marking the 5th anniversary of his death. That was before I watched MAHJONG and the first two films of this career, THAT DAY ON THE BEACH and TAIPEI STORY (I watched both in 2013, on Youtube, because both films are notoriously difficult to find).

The first Edward Yang film I saw was YI YI, that was 2007, shortly after his death. I was mesmerized by his brilliance. YI YI would become my main influence when it came to editing Ming Jin's films telemovie DAYS OF THE TURQUOISE SKY (2007), because its ending, where the protagonist summarized his thoughts on CATCHER IN THE RYE, was a homage to YI YI's ending.