Wallace And Gromit: Curse Of The Were-Rabbit

I had spent the last 20 minutes writing a rather lengthy review of 'Wallace and Gromit: Curse of the Were-Rabbit', but Blogger fucked up again, and I lost everything.

So I shall summarize what I wrote in that review.

Going To Make An English-Language Film Instead Of A Malay One. (Unless Someone Can Help With Translation)

"Are you ready to die?" - Tun Perak

"Always." - Hang Tuah

Sky High

Sky High is a story about Will Stronghold, the son of the two greatest superheroes in the world, going to an elite school responsibile for molding the superpowers of gifted teenagers... unfortunately, he doesn't have any superpowers at all. The whole angle of whether he will ever get his powers or not would have been very interesting and suspenseful if it weren't for that stupid theatrical trailer that revealed too much. Besides, Sky High, being a Disney film, is too fluffy and harmless, when it could have been a much edgier and grittier (read: MUCH COOLER!) film.

Planning A Sci-Fi Version Of The Hang Tuah/Hang Jebat Story

Didn't exactly want to reveal too much about the plot of my latest short film, but anyone who had seen my musings couple of days before Merdeka about the Hang Tuah vs Hang Jebat story, and my hinting that my upcoming film will be a sci-fi retelling of a 'Malay folklore' obviously has figured out that I am reworking the Hang Tuah vs Hang Jebat story, but with the spotlight more upon the antihero Hang Jebat than Hang Tuah himself.

Due to budget constraints, I attempt to make this more like a sci-fi film from the 1960s (thus it is black and white), than the current special effects heavy (I have neither the resources nor the manpower to do this) sci-fi blockbuster. It will also be very noirish, like a Humphrey Bogart movie. After all, to have a movie like this, and being completely in Malay, would make it rather unique.

The screenshots featured in yesterday's entry are actually of Hang Jebat's. And once again, due to lack of resources and others, instead of utilizing special effects, I will be using the most old-school methods of filmmaking. So yeah, I'm using miniatures. Who knows? The final product may end up like something made by Ed Wood.

There will be lots of twists and surprises in my short film that I do not intend to reveal here. But if I can pull this off, I think it will be one of the most unique projects ever. Hah!

Almost Got ARRESTED While Filming!

Shooting for my untitled Malay-language 1960s-style old school sci-fi project has begun. Justin and I, along with our main actor Johan, made our way to Perth city to film a simple scene which involves Johan's character waiting for a train at the train station, and then standing alone by himself while being in the train.

It was, of course, filmed at the central train station, which, in my opinion, is one of the most beautiful places in the city.

Unfortunately, while filming, we were interrupted by a middle-aged security guard.

Final Fantasy 7: Advent Children (better than Final Fantasy: The Spirits Within)

I have just finished watching FF7:AC seconds ago, and I feel compelled to write a review IMMEDIATELY. Because, quite seriously, I've been BLOWN AWAY.

Ayumi Hamasaki Poetry

So I've been getting into this poetry shit more and more lately. Started when I decided to write a poem for my girlfriend on our anniversary and, upon looking at the result, decided it was formally a little better than it had to be, not just the unstructured sentimental crap I was expecting I'd put out. I'd been intimidated into not even trying for too long by the disastrous rubbish I put out in my teens, not to mention the intimidation produced by by genuine poets who had a better grasp of meter, villanelle forms, etc. That, and Dan Schneider's fierce but accurate criticisms of anyone and everyone.
But I realized that if I didn't worry about whether what came out was going to be crap or not, things got a lot easier. This approach is what eventually led to the Xiaxue poem. I saw Xiaxue towering in my mind as a colossal figure, so in order to assess the impact of this, I decided I needed to go for the most overblown classical metaphors and phrasings possible. Even the abca rhyme scheme allowed for the delayed release of the buildup of long lines. It was self-consciously ridiculous excess, and while the resultant poem wasn't what I'd call great, I will say that motivating its production was probably the most important thing Xiaxue will accomplish in her life.

Pitching my Hang Jebat/ Hang Tuah sci-fi film to an actress

More of my filmmaking activities will be chronicled now. Especially the making of my upcoming short film.

Bridget Jones' Diary Is Serious Literature.

Wrote this for my Popular Literature class.

Learning To Direct Actors

In order to prepare for my next short film, I've secretly sneaked into my university's Screen Production 2 Lectures to spy on the arts of filmmaking which I can steal for future endeavours. Wasn't much last week, just some stuff about the rise of Interactive Entertainment. Which is something I MIGHT play with. (creating an interactive vides for my short film?) But today's seminar was totally freaking useful beyond belief.

While making Forced Labour, I realized that my biggest flaw may have been my inability to direct dialogue, or even to direct actors properly, since I don't have formal training in directing people, and my many attempts to direct a play back then was repeatedly foiled by my high school. In fact, here's how I direct my actors in Forced Labour.

West Side Story: Homosexual Space Opera at its Finest

Some of the best speculative fiction has achieved its impact by creating a world identical to our own except for a single noticeable difference, be it absence or presence. What courses might society have taken if, for example, we could read minds? Or had lost the Second World War? Or had just recently intersected with an alien civilization?

West Side Story falls into this tradition: it posits a dystopian America in which menacing street gangs control New York, and violence (both physical and emotional) and repressed homosexual attraction are sublimated into spontaneous, flamboyant eruptions of singing and dancing.

Utada Hikaru vs Mishima Yukio: Haru No Yuki ONEGAI

So the other day I was looking for videos to download when I came upon this new Hikaru Utada single "Be My Last." Needless to say I downloaded it without thinking. Upon first playing it, well...Acoustic Utada is something I never would have expected. Putting on this single fresh from the download, I was expecting either pulsing urban dance beats or a gentle ballad tinged with Japanese percussion and spacy echoes. Instead, over a quiet guitar backdrop, Hikaru poured forth a strange, wavering ululation that eventually segued into a melancholy chorus. "Be My Last" is a strange choice for a single, not particularly catchy and somewhat downbeat - the melismatic portions are also overdone ("whooahahaaaahwhooooaahaaaaaaah" my girlfriend mimiced, not at all impressed). All in all, it seemed like one of the weaker songs she's yet done. Looking for more info, I found the following notice:

"Be My Last (Movie "Haru no Yuki" Main Theme) [CD+DVD]/ Hikaru Utada"

Wait. A fucking. Minute.