David Cronenberg's A History of Violence

When I was in the cinema, many people snickered and giggled during the two much-talked about sex scenes of A HISTORY OF VIOLENCE, and some wincing and groaning during the second staircase one. I felt that the scenes were pretty over-the-top, but someone in IMDB justified the scenes like this in reply to someone who made a remark similar to mine (and that the sex scenes were entirely unnecessary and slowed down the pacing of the film):

Jeff Lau's A Chinese Tall Story 情癲大聖 is underrated

This film has received some rather mixed reviews, and it did only middling business in the box-office, but knowing that this Jeff Lau film is a quasi-sequel to Stephen Chow's Chinese Odyssey (which was also directed by Jeff Lau), I was looking forward to see this film, and was rather annoyed that I never had the chance to see it when it was showing at the cinemas, nor was I able to find anyone to watch it with me. It was already judged as a shitty film. Perhaps it had to do with the cast. Having guys from Boy'z as the Tang Monk's (Tripitaka) disciples doesn't really help matters. Nicholas Tse's once-promising acting career has been buried by one tabloid news after another, and Charlene Choi? Well, she's from Twinz. What more do I have to say? I can't even name a film which she doesn't annoy me... except, maybe that Andy Lau film last year. That's because SHE DIED IN THE BEGINNING OF THAT FILM.

My Sci-Fi Satirical Slapstick Becomes... An Emotional Love Story?

The Postgrad Diploma students are supposed to be working on two projects thus far. A self-reflexive (reflective?) documentary which involves all four filmmakers sitting before the camera talking about themselves. And also the toilet paper epic I mentioned few days ago.

My Graduation. Oh, and Annie Proulx's pissed that Brokeback Mountain didn't win the Oscars.

I spent the last few years doing my degree on Marketing Management, not entirely something I liked to do, but I did for practicality's sake. My minor was English Literature, to serve as a refresher to my course. Business units, for me, were always dry and boring, thus I needed something interesting from the literature units to challenge my mind, and constantly dove into my filmmaking and writing endeavours (like this site) for the sake of reducing the numbness I get when doing a business course.

But that ended last year. I've already finished my degree since then.

Stephen Gaghan's SYRIANA

Syriana is, well, not an easy film to follow. It's about the global oil industry, terrorism and Middle-East politics. So many characters, so many different locations, so many subplots were going on that despite my brilliant mind, I had trouble following the film, then the trouble started subsiding, then, it came back, then it subsided again, and then came back, and subsided, until I was shifting from full understanding of the plot to slight confusion within minutes. Yet in the end, I knew enough to know that the ending was a depressing one. The CIA were portrayed as bastards whilst the business world was shown as a cesspool of immoral, manipulative rich men.

Woody Allen's MATCH POINT

Match Point is Woody Allen's much-lauded latest flick. Much-lauded because it is entirely unWoody Allen, it's not a comedy, it doesn't have Woody Allen in it, it doesn't have Woody Allen getting it on with some young actresses, it doesn't have some guy like Will Ferrell trying to imitate Woody Allen, it doesn't take place in New York. Critics were excited to see Woody Allen doing something so different from his usual stuff, it's the equivalent of seeing John Woo tackle a romantic comedy (without pigeons in it), or George Lucas attempting an erotic thriller, or Uwe Boll doing a serious biopic about James Joyce, or Michael Bay doing an explosion-less family drama, or... well, you get the idea.

Doing A Short Film About... The Importance Of Toilet Papers?

Progress Report of Swifty's Untitled Sci-Fi Project

The problems with the previous version of my postapocalyptic satirical sci-fi epic are rather apparent. It's too complex and confusing to be put in a 10-15 minute SHORT FILM, combining satire (poking fun of people’s overreliance on the internet by showing those homeless bums) with sincerity (romance between Edward and Maya) is not a good choice, one has to be chosen over the other.

(Read the idea here. And read my pitch here.)

And to have so many themes in a short film is dangerous as well... the themes I had in consideration were:

• Technology becoming an extension of humankind.
• Humanity’s overdependence on technology (and the internet).
• Machine vs. humanity
• The line that separates humanity from machine is blurred.
• Human interaction ruined by technology
• Technology substituting human emotions