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Monday, May 19, 2008

Addicted to UN HOMME ET UNE FEMME Theme Music



I've heard this music a couple of times, I've even had A MAN AND A WOMAN in one of my Lisa Ono French CDs, but I found myself in the past few days getting rather addicted to the really well-known theme music from Claude Lelouche's UN HOMME ET UNE FEMME (A MAN AND A WOMAN, it won the Grand Prix at 1966's Cannes Film Fest and Oscar for Best Foreign Film, you can read about it in this entry at the 100 Films blog), composed by Francis Lai.

Especially after watching this beautifully shot scene.

Sunday, May 18, 2008

Kawabata Gave New Ideas For Next Short Film Project



2 hours from now, I'll be heading off to a brainstorming session with a fellow film student, Maiko. I seek Maiko's help because she has really refined tastes in film and literature and had also done Japanese literature for her degree.

Thursday, May 15, 2008

CHICKEN RICE MYSTERY Receives Two Awards at BMW SHORTIES!

Just got the news from my dad after he came back from the BMW Shorties Gala Premiere. CHICKEN RICE MYSTERY had received two awards! A Best Acting award for Kimmy as The Mom Who Sucks At Cooking, and an Honourable Mention from the jury as well!

Happy for you, Kimmy!

Wednesday, May 14, 2008

Ted Mahsun Writes About CHICKEN RICE MYSTERY

Shooting at a coffeeshop


Noted book reviewer and Swiftybuddy Ted Mahsun had posted about CHICKEN RICE MYSTERY.

Combining elements of noir and several bits of comedy, which to me is very reminiscent of Chow Sing Chi's work in the Nineties, Chicken Rice Mystery is about a boy whose mother used to make really good chicken rice, a dish that everyone in the family remembers with great fondness.

Hitoshi Yazaki's sublime 'Strawberry Shortcakes ストロベリーショートケイクス'

Strawberry Shortcakes ストロベリーショートケイクス


Watching Strawberry Shortcakes two weeks ago, I was reminded of some independent films from the current Malaysian New Wave, albeit not shot on MiniDV, has (slightly) higher production values, and with actual sex scenes. The visited themes (loneliness, emotional paralysis, ennui etc), the stylistic choices (sparingly-used music, use of meticulously-composed wide shots, languid pacing, multiple plots and central characters), the gritty realism and atmosphere.

Tokyo was portrayed in a manner I've seldom seen in J-doramas and studio films, still beautiful, but lonelier and harsher. After going through a series of Japanese films where its characters are portrayed in a much more exaggerated manner, behaving like live-action version of anime characters (I watched this right after I finished last year's megahit HERO, starring Takuya Kimura), Strawberry Shortcakes felt like a breath of a fresh air.

Saturday, May 10, 2008

The Welcome Party For New Film Students

Two days ago (well, three, since it's already past midnight) I screened CHICKEN RICE MYSTERY to fellow film students of Waseda University. It was an all-day private screening for all film students doing their Masters to display their works.