Watching Strawberry Shortcakes two weeks ago, I was reminded of some independent films from the current Malaysian New Wave, albeit not shot on MiniDV, has (slightly) higher production values, and with actual sex scenes. The visited themes (loneliness, emotional paralysis, ennui etc), the stylistic choices (sparingly-used music, use of meticulously-composed wide shots, languid pacing, multiple plots and central characters), the gritty realism and atmosphere.
Tokyo was portrayed in a manner I've seldom seen in J-doramas and studio films, still beautiful, but lonelier and harsher. After going through a series of Japanese films where its characters are portrayed in a much more exaggerated manner, behaving like live-action version of anime characters (I watched this right after I finished last year's megahit HERO, starring Takuya Kimura), Strawberry Shortcakes felt like a breath of a fresh air.