Got a crew, had a rehearsal. Thoughts on filmmaking as a collaborative effort.

After finding all our primary cast members, I wondered how to put together the production crew. Maiko The Producer said that she will recruit help from people of the Tokyo University of the Arts (the place where Kiyoshi Kurosawa and Beat Takeshi are teaching), she then rented a DVD to show me, an omnibus with four segments, each an adaptation of a Kawabata Yasunari short story. I was impressed by the technical skills and production values displayed throughout the film. I agreed, it would be quite wonderful to have such experienced people helping us out.

One day later, Maiko told me that she had recruited their help. Two directors of photography, a gaffer and a sound mixer. Aside from the sound mixer, they were not students, but alumni from the university, some are actually teaching there.

How I found the main cast for my Japanese film, kingyo

kingyo is the title of my upcoming Japanese project. I haven't been posting that much lately because I've gotten so busy preparing for the film. Constantly revising the script, drawing storyboards and deciding on the locations. Shoot begins next Monday.

Just to recap, kingyo is the split-screen project I mentioned about. For the script, I had gone off to even conduct a comically serious research with Akihabara maids.

I've actually been busy with kingyo even before I headed off to the Dubai International Film Fest, but then, things just started accelerating after I came back. Audition sessions were held for the three main roles: I needed a young woman in her late 20s, a middle-aged man past 45, a middle-aged woman around the same age as the middle-aged man. Audition went on for nearly a week, having not held an audition since January and February last year for CHICKEN RICE MYSTERY, I forgot how amusingly deflating they can be at times. Most who came were interested in the role of the young woman Chiri the Akihabara Maid, and I couldn't find myself satisfied with any. One was too young, one didn't look right as an Akihabara maid, one had trouble acting sad, one was too hot (I wanted a girl-next-door type, not a model!) Who could be my Chiri? Chiri is the main character in a film, someone who can carry the film is necessary!

Retiring my old camcorder (2005-2009)

During my New Year trip at the Kansai region, I became very sure that I have to retire my old camcorder. It's a Sony Handycam DCR HC32E which I've been using since my early days in Perth (sometime early 2005). I would say that this camcorder's existence had been crucial in my becoming a filmmaker.

Beautiful Sunset at Inokashira Pond

Today is a public holiday in Japan. It's called the Seijin No Hi, which is translated in English as the Coming Of Age Day. On this day, anyone turning 20 will be invited to attend a ceremony celebrating their adulthood. And then most of them will take this long-awaited opportunity to get drunk (it's also the minimum legal age to smoke and vote). I wasn't aware of this (I knew it was a holiday, but I didn't know why) until I received this tweet from Neil Duckett.

So when I went out, there were indeed some young women wearing kimono, and the guys were wearing suits, but because most males in Tokyo wear suits, I couldn't tell which ones were the ones celebrating Seijin No Hi.

Unfortunately, there will not be any photos of cute young women in kimono because I was resuming my location hunt today with my Maiko the Producer and Jo the Cinematographer after our failure to find a good park yesterday. I was excitedly leading everyone to Ueno Park after seeing how beautiful it was during the end of autumn. Unfortunately, winter had actually turned this place into a pale shadow of itself. So I decided to leave the location hunting to the other folks, since... well, they're Japanese and they probably know the place much better than I do. And so Maiko the Producer recommended the Inokashira Park.

[VIDEO] Catching the Kobe Sunrise

I slept at 8 something last night after location hunting for my film (more on that later), and woke up at 12 in the midnight. Haven't slept since then, was editing the second (and concluding) video of my new year trip at the Kansai Region. After I've uploaded part 1 (you MUST watch it!) a few days ago, I had some problems figuring out how to edit this video.

Watch LOVE SUICIDES at next Monday's MALAYSIAN SHORTS!

My newest short film, LOVE SUICIDES, will be one of the 10 shorts screening at the latest edition of Malaysian Shorts held next Monday. So if you want to catch my film on big screen, here's your chance! Even I myself haven't seen it on the big screen before!

Unfortunately, since I'm still in Tokyo until end of this month, I won't be around for the Q and A session. But Ming Jin (who is the producer of the film) will be representing me!

Some stills from the film:

[VIDEO] My New Year Trip at the Kansai Region Part 1

Phew. Been spending the past two days editing the video of my trip at the Kansai region during the new year period. Due to rustiness (the last time I actually edited something was for my short film, LOVE SUICIDES, and that was back in last October), I was slower than usual, and needed a bit more time to get into a groove again.

Anyway, I've decided to separate the videos into two parts because it's quite long, and I'm also doing this for, ah, narrative and dramatic purposes.

Passions for times ahead - Interview with the Malay Mail

After returning from my quick Kansai region trip to welcome the dawn of 2009 (no photos, but videos coming up), I was pleasantly surprised to learn from a Facebook friend that I was on this Malay Mail article, PASSION FOR TIMES AHEAD. To be on the papers during New Year, what better way is there for me to start 2009? Thank you for the honour!

In this article, Gabey Goh asked Noel Boyd of A Tattooed Blog, Michael Hartley of Dr Mike's Math Games for Kids, Ng Eng Kuan of Driving Malaysia, and I about 2008 web discoveries and hopes for 2009.

My original rambling answer is quite lengthy, so Gabey made the right choice by cutting it down to the final version, but for those who are curious, here's the unnecessarily long, stream-of-consciousness-esque original answer:

Happy New Year 2009! Some thoughts on 2008.

Happy new year, my dear readers! By the time you are reading this, I've already taken a train to Kyoto, and probably doing my New Year Countdown at Nara. This trip to the Kansai region came about just two nights ago. A sudden urge to go somewhere, see some sights, a brief break for myself since most of my Japanese friends had gone back to their hometowns.

Kimmy Kiew is Zoey, a Dawson's Creek character with ice powers

Kimmy Kiew in Chicken Rice Mystery
You know that the main actress of your short film had turned into a star when, aside from scooping up the Best Acting honours from BMW Shorties, she was chosen as the 'face' of the film by the Dubai Film Fest in their film catalogue. (I sent them two photos: a above photo of Kimmy, and a photo of the kid, Ming Wei, they ended up choosing Kimmy's photo... sorry Ming Wei)

I DO have a clearer photo of Brigitte Lin from Dubai Film Fest!

Looking for photos to use in an email interview, I sifted through some remaining photos of the Dubai Film Fest closing ceremony that I haven't uploaded in my earlier post.

And I found a photo with Taiwanese filmmaker Chang Rong-Ji, who made the short film '天黑 The End Of The Tunnel', also in the same category as I was. His film is a mixture of fact and documentary, focusing on a real-life blind pianist and his (fictional) relationship with a pretty schoolmate who is healing a broken heart. The short film was his first attempt at narrative fiction as his previous works were all documentaries (one won the Golden Horse two years ago)

Thomas Alfredson's 'Låt den rätte komma in (Let The Right One In) is hauntingly sweet

Not that many people I know (non-film buffs who don't keep track on foreign film news) have heard of this beautiful Swedish film directed by Thomas Alfredson, LET THE RIGHT ONE IN. When I was asked to explain the premise of the film, I was a little hard-pressed, the best I could come up with was...

Shimaka Sato's K-20: Legend of the Mask K-20 怪人二十面相・伝 starring Takeshi Kaneshiro and Takako Matsu

I didn't even know that this film is already playing in the cinemas until I saw the trailer on TV yesterday (or rather, early this morning, 4am), and I immediately decided to see it because, aside from the film festivals I attended, I haven't been to the cinemas in Tokyo for a long time.

K-20: LEGEND OF THE MASK (also known as K-20: THE FIEND WITH TWENTY FACES) is, in my opinion, Japan's attempt at the superhero genre, or to be more precise, the HOLLYWOOD superhero genre, because when I was seeing this film, I can't help but noticed many similarities between the film and the many superhero films that came out in Hollywood this year, especially with its admirably high production values.

Senso-ji (Asakusa Temple) does not celebrate Christmas

I don't celebrate Christmas, but I decided to do something for the day. The plan was simple. Meet up with my friend Sen-san (she's from China, her surname's Sen, and somehow 'Sen-san' is more catchy than her actual Chinese name, so that's what I always call her), have sushi at Ueno, and then go to cool places with Christmas decorations where I can snap some photos, and she can test her Nikon D70.

The many faces of Dubai

[Warning: this post has crapload of photos that might take some time to load]

More photos that I took from Dubai. By now, you might have some misconception that Dubai is this really huge extravagant city with new construction projects everyday, one colossal skyscraper threatening to outdo the other. I was curious about the place, I wanted to explore more. What is the real Dubai? Or rather, is there a different Dubai aside from the luxurious hotels, beautiful private beaches, huge malls I've seen during the first few days of the film festival?

Seeing Tsui Hark and Brigitte Lin during my last day at the Dubai International Film Fest 2008!

Heya, I've already returned to Tokyo for two nights, but still, I think, a little jet laggy. Even so, that didn't stop me from immediately conducting audition sessions for my new film yesterday morning, and later today! (I'm such a workaholic!)

I'll post the photos from my last day at the Dubai Film Fest. But I'll still be posting many Dubai-related stuff in the next few days, like the numerous films I've seen etc.

The CHICKEN RICE MYSTERY screenings at the Dubai International Film Fest

The screening for CHICKEN RICE MYSTERY was on the 13th and 14th. Evening on the first day, early afternoon on the second day. It's in competition under the AsiaAfrica Short Films category, and it was screened with 4 other short films of the same category.



Aside from CHICKEN RICE MYSTERY, the other short films screened in the same programme were:

1) Ambulance, by Richard Legaspi of Philippines
2) Young Blood, by Haolun Shu of China
3) Everything Is Okay, by Akjoltoy Bekbolotov of Kyrgyzstan
4) Bakhytzhamal, by Adilkhan Yerzhanov of Kazakhstan

All directors were there to introduce the films, and then come back for the Q and A session after screening. Unfortunately, I only have photos of the first screening, and not the second. The following photos are from the Q and A session. Far left is Philip Cheah, programming consultant and moderator of the sessions. The first on the right was Haolun Shu, and then there's Richard standing beside me.








A photo of us having dinner after the screening. My dad was there too, of course. Dressed in red is Adilkhan Yerzhanov of Kazakhstan, in black is Akjoltoy Bekbolotov of Kyrgyzstan. Adilkhan is a major film buff who likes Johnnie To, Alexander Payne and Paul Thomas Anderson too. We have similar film tastes :D




I had more questions to answer during my second day, where I was there to describe the creative process of the film, and also explain about the Malaysian Censorship in general to an audience member. I cheerily brought up the censorship issues faced by Flower In The Pocket, which I believe had been very helpful in encouraging the creativity of local filmmakers (in finding methods to avoid censors).

Overall, I have to say that this had been a fun experience. It's the first time I've ever seen my own directed film being screened in a multiplex, the sense of pride is a little different from, say, when I represented Ming Jin to present ELEPHANT AND THE SEA at its screening and Q and A session as producer during last year's Santiago Film Fest.

A few days later, dad and I had a conversation about Perth. It's only been two years since I've left the place, yet it felt so much longer. But then, maybe two years is a long time, it's just that two is such a small number, I should've just used '730 days' instead of '2 years' because it sounds longer. More than 730 days ago, my dad was also present during the screening of my student short film GIRL DISCONNECTED in my university. And now, more than 730 days later, I was given the privilege of having my short film screened at this Dubai Film Fest. It's almost as if we've gone full circle!

Photos from my first day at the Dubai International Film Festival 2008

Heya folks, been in Dubai since the 11th. Haven't had the time to go online until now. Saw lots of films, went through both screenings of CHICKEN RICE MYSTERY. So let me post some photos, I'll write more about my thoughts later.

Anyway, my dad came to Dubai too, and we're now staying at the Jumeirah Beach Hotel, which is one hell of a hotel.

The Curious Incident Of The Vanishing Sunglasses

It's not that I'm imitating Wong Kar Wai or Takashi Miike, but I REALLY like to wear my sunglasses. I only choose not to wear it when I can't wear it, like during classes, or when the sky's too dark, or when I need women to see my soulful eyes... but that's it.

The golden leaves of Yoyogi Park

For four consecutive days, my intended trip to Yoyogi Park (decided to go there after snapping photos of Ueno Park) was canceled by some unexpected event. Like stumbling into a role as an extra during a film shoot on Wednesday, and yesterday, I was suddenly issuing orders to kick start the pre-production of my new short film project.

When I woke up today, I saw lots of red leaves flying past my window, and the ground outside was covered completely with leaves. Winter had started five days ago, and I assumed that the red leaves of autumn will not last long on the trees. I was unaware of the transition until then. The sky was pale and gray, a gloominess that reflected my own melancholy. Melancholy? Or was it just the lingering effects of the flu pills I've taken?

The weather forecast on my Firefox said that it would rain later in the afternoon. Circumstances were forcing me into another race against time. Grabbing hold of my camera and my tripod, I decided to make my way to Yoyogi Park. I've been there a few times, mostly when I was walking to the NHK station at night for the Refugee Film Festival earlier this year, and once during a Thai carnival where many food stalls and tents were erected, so I never had a good look of the park.