I was on my way to the Takadanobaba station when I saw a large flock of birds flying around. So I took out my camera and snapped some photos.
![Birds flying over Takadanobaba](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tG84BFx3UUc2_igw3Y3UJ-sRN-HahvhiCFRuxg8zxphWxZ_VrZXyc8b0-nM_X9jniHHP72BejYkYA_JqIMOugi448xztsG52vWkrYkVS2qljG-Dcx_eBszjZqj2385mCY=s0-d)
![Birds flying over Takadanobaba 2](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vpIvEWPWw2HGrgOVmKx0LlBNKlGUq7ccBBZ101K1EWT3PezRxMsIwWUNk9jLkQsotOZCzLAR-G1f1SPCeg3iiieICnUQWwcivEnbzHCLOY7AHY5QX65y1WXaKZk2ZHTuk=s0-d)
I had my camera with me because I was originally going to Yoyogi Park, but I ended up not going and went to Shinjuku to watch BLINDNESS instead. I'll go to Yoyogi Park tomorrow if I can. I want to see the golden leaves of autumn. Preferably when the sun is setting so I can bask in melancholy.
An event of mind-blowing coincidence.
Yesterday, I read a news piece on Variety Asia Online about Hans Canosa, director of CONVERSATIONS WITH OTHER WOMEN (which I wrote extensively about in this post few days ago regarding its influence on my upcoming film), directing a film in Japan called LOST MEMORY, starring Kenichi Matsuyama ('L' in the Death Note films) and Maki Horikita.
Seeing Horikita's name, I was reminded of a conversation I had with Niklas, the supposed cinematographer of my new short film, a few nights earlier. Niklas had asked whether I've heard of Maki Horikita as he's currently doing an internship in a production that has her in it (which I vaguely knew had a foreign director, but I didn't ask much else). I knew who she was, of course, and I've jokingly asked whether Niklas could recruit her for my low-budget short film.
![Maki Horikita](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sJUUXH5brhqZyFSyUNuX87XeX3uXBqxuw9ffjLLgVgKdZAsJljl3qS6ImvtethpUfaq3_qTc2exFLmbSpI-sxb_quxjTrcS7Gv1ihgPFnDlRpz94Q-_9fuoOcOrVu9GqGt6iWb=s0-d)
![Maki Horikita](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vPMxFDje90F_eM0koXFtDJH41rajtTZ19sUlXarLbowTF02WKkJtYYZm5Sqn-Ts45qdunlU53Et7AZr_YUEV9WCrseLF_W6x9kWDpfvqvs854W3ymYWHgT2mKDUsj-CVmu72h-ifl8SBw=s0-d)
Maki Horikita
Then it occurred to me that Niklas may have been doing his internship for Hans Canosa's project. So I asked him again just now, and he confirmed it. The coincidence... the synchronicity!
Look at it this way, my supposed cinematographer for my CONVERSATIONS WITH OTHER WOMEN-influenced short film is now doing an internship for the actual director of CONVERSATIONS WITH OTHER WOMEN.
I had my camera with me because I was originally going to Yoyogi Park, but I ended up not going and went to Shinjuku to watch BLINDNESS instead. I'll go to Yoyogi Park tomorrow if I can. I want to see the golden leaves of autumn. Preferably when the sun is setting so I can bask in melancholy.
An event of mind-blowing coincidence.
Yesterday, I read a news piece on Variety Asia Online about Hans Canosa, director of CONVERSATIONS WITH OTHER WOMEN (which I wrote extensively about in this post few days ago regarding its influence on my upcoming film), directing a film in Japan called LOST MEMORY, starring Kenichi Matsuyama ('L' in the Death Note films) and Maki Horikita.
Seeing Horikita's name, I was reminded of a conversation I had with Niklas, the supposed cinematographer of my new short film, a few nights earlier. Niklas had asked whether I've heard of Maki Horikita as he's currently doing an internship in a production that has her in it (which I vaguely knew had a foreign director, but I didn't ask much else). I knew who she was, of course, and I've jokingly asked whether Niklas could recruit her for my low-budget short film.
Maki Horikita
Then it occurred to me that Niklas may have been doing his internship for Hans Canosa's project. So I asked him again just now, and he confirmed it. The coincidence... the synchronicity!
Look at it this way, my supposed cinematographer for my CONVERSATIONS WITH OTHER WOMEN-influenced short film is now doing an internship for the actual director of CONVERSATIONS WITH OTHER WOMEN.