Edmund Yeo

You probably don't remember Ladybird's Tears, an experimental short film directed and narrated by Kong Pahurak (who was one of the two cinematographers of LAST FRAGMENTS OF WINTER, my last short). I've only mentioned it once , last year in April, before it made its world premiere at the Singapore Film Fest 2010. In January 2010, while editing EXHALATION (... argh, I thought I wouldn't be talking about it again), i saw the footage of Kong's unfinished sci-fi short film starring my friend Zhu Dan (pictured above), and decided to salvage it by rewriting and editing the thing. I rearranged the narrative, Kong and I then had some major brainstorming sessions, together we wrote his voiceover narration (I wrote in English, he translated it to Thai), it became a somewhat meta-film about a filmmaker ruminating over an unfinished sci-fi short film. It felt like a jamming session that took us a few days to complete (or was it a week?). Two days ago, Kong received an ema

I mentioned in my previous post that the Thai-language short film that I wrote and produced, LADYBIRD'S TEARS, will be having its world premiere at the 23rd Singapore International Film Festival tomorrow (19th of April, 2010). Aside from that, both the shorts that I wrote and directed, LOVE SUICIDES and KINGYO will also be part of their Asian Shorts program. It's quite an honour to have 3 shorts that I was involved in being presented at the film festival.

Back in January, I mentioned that I was reworking somebody else's film . The film will end up being called 'LADYBIRD'S TEARS', directed by my Thai friend, Kong Pahurak, and starring Zhu Dan (who can be seen in my upcoming short THE WHITE FLOWER, which Kong acted in as well). In the previous post, I mentioned that LADYBIRD'S TEARS were assembled from footages of Kong's unfinished experimental short film STARDUST MEMORIES. I saw some potential in what he did, and decided that it would be a bit of a pity to leave the film in the can. The pictures you see here are actual screenshots of the film.

I completed the rough cut of EXHALATION last Saturday. The next step is to wait for Torigoe the Sound Guy to do the sound mixing for me, which means another trip to Toho Studios (that's where I did my post-production for KINGYO, I actually spent a night there , and even ran into Takuya Kimura ). But because Maiko the Producer had been busy writing her Masters' thesis (deadline 21st of Jan), she hasn't had time to book the studio and schedule the date for the rest of the post-production work. Left without anything to do, I was once again, stricken with post-creativity depression, or boredom, or whatever you people can think of. (it should be obvious to most long-time readers by now that I'm a bipolar workaholic) But then on Tuesday, my friend Kong, who also had to do his Masters thesis, made an off-hand remark about getting someone else to do the re-editing for his 'experimental' film, STARDUST MEMORIES, because he had been busy, and after his thesis he prob