It's difficult to see the sunset in Tokyo, so I decided to go to Odaiba (an artificial island in Tokyo Bay) today to do that instead after a few recommendations from friends.
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Friday, June 27, 2008
Wednesday, June 25, 2008
Errol Morris' Standard Operating Procedure
Managed to catch another film at the Refugee Film Fest last night, this one's a documentary about the Abu Ghraib torture and prisoner abuse called STANDARD OPERATING PROCEDURE, by Errol Morris, director of the seminal documentary THE THIN BLUE LINE. I watched the latter two years ago when I sneaked into the lecture sessions of the documentary class while studying in Perth.
Being the only other film by Morris I've watched, I still notice that he retained his style for STANDARD OPERATING PROCEDURE, which is driven entirely by the interviews of his subjects and some reenacted scenes. With a budget of 5 million USD, and a score by Danny Elfman, this is a documentary that features 'production values' of what you normally see in its Hollywood fictional counterparts, shots of playing cards showing Saddam and his sons faces falling slow-mo onto the ground etc. Along with some really beautiful filmmaking flourishes that you don't see often in a documentary, like the scene which shows the assembling of a forensic timeline using hundreds of Abu Ghraib photos taken by three different cameras.
Sunday, June 22, 2008
[Tokyo Refugee Film Festival] PRAYER OF PEACE: RELIEF AND RESISTANCE IN BURMA'S WAR ZONES / JUN-AI
Right, so I said I was going to take a brief hiatus to force myself to write for my new short film. I might have underestimated my own writing skills since it took me only one night to finish what I need to write.
I went to the 3rd Annual Refugee Film Festival in the past two days (Friday and Saturday) and attended the screenings held at NHK Fureai Hall. The Tokyo Refugee Film Festival is organized by the United Nations High Commissioner for Refugees (UNHCR) and it screens films that draws attention to the human side of refugees (theme of the World Refugee Day's this year)
Friday, June 20, 2008
Brief Hiatus
Taking a break from blogging.
Anyway, production of my upcoming Japanese short film, Yuki, will be temporarily postponed.
Negotiations with my lead actress Kazue Fukiishi had gotten a little complicated. (kidding)
Kazue Fukiishi
There's supposed to be a June 30th deadline for me to beat, so I intend to whip together another short film instead. I won't say much about it, but it'll be something along the vein of Chris Marker's Sans Soleil. A video essay, an attempt on visual poetry, using unused video footages I've shot in the past, including my India travel videos.
Need to shut myself out to concentrate in writing. Normally a blog entry takes away so much from me that once I've updated it, I'm too drained to actually write something else. When it comes to creative endeavours, I'm no multi-tasker*. :(
* I mean, I'm normally a multi-hyphenate (director - writer - producer - editor), I don't mind juggling multiple tasks for one project, but to juggle a few projects at once lessens my focus.
Anyway, production of my upcoming Japanese short film, Yuki, will be temporarily postponed.
Negotiations with my lead actress Kazue Fukiishi had gotten a little complicated. (kidding)
Kazue Fukiishi
There's supposed to be a June 30th deadline for me to beat, so I intend to whip together another short film instead. I won't say much about it, but it'll be something along the vein of Chris Marker's Sans Soleil. A video essay, an attempt on visual poetry, using unused video footages I've shot in the past, including my India travel videos.
Need to shut myself out to concentrate in writing. Normally a blog entry takes away so much from me that once I've updated it, I'm too drained to actually write something else. When it comes to creative endeavours, I'm no multi-tasker*. :(
* I mean, I'm normally a multi-hyphenate (director - writer - producer - editor), I don't mind juggling multiple tasks for one project, but to juggle a few projects at once lessens my focus.
Thursday, June 19, 2008
CHICKEN RICE MYSTERY and KURUS screening at KLue Urbanscapes 2008 (28th of June)!
I first received a phone call from a lady from KLue sometime in late February (just a few days before I started shooting CHICKEN RICE MYSTERY). She told me that it was filmmaker and friend Tony Pietra who had given her my number, and the conversation was like that:
Wednesday, June 18, 2008
[VIDEOS] 3rd Auntie's singing comeback at a fundraising concert for the Sichuan Earthquake.
I've mentioned before that my mom was once a singer. In fact, my parents were married mostly due to these circumstances (Mom was a recording artiste for a label that my dad was in, the tale of their courtship was in Sin Chew newspapers two years ago)
Mom's younger sister, my 3rd auntie, was a singer too. But she had gone on hiatus for nearly 15 years (or was it 20?), since opting the idyllic life of a housewife:
Mom's younger sister, my 3rd auntie, was a singer too. But she had gone on hiatus for nearly 15 years (or was it 20?), since opting the idyllic life of a housewife:
Tuesday, June 17, 2008
Indiana Jones and the Kingdom of the Crystal Skull gave me mixed feelings
Saw this on Sunday immediately when it premiered in Tokyo. Here's a confession, unlike most, my best film memories in childhood weren't really the Indiana Jones films. Because, quite frankly, I can't remembe them much at all. I saw THE LAST CRUSADE when it first came out in theaters and I was only 6. Then I watched RAIDERS OF THE LOST ARK a year later when it was screened in primary school for Children's Day, I remembered how the projectionist was being an ass by putting his hand over to projector during the kissing scenes to 'protect' the children's eyes.
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