Edmund Yeo

The great filmmaker Chris Marker passed away two weeks ago at the age of 91.

I never imagined myself ever appearing on Style: Magazine. Ever. Not in my wildest dreams. Life is pretty insane. But here's Nicole Foo Bihzhu 's feature on me at Style: Magazine. I have to thank my old secondary school classmate Jesly Hieng once again, for scanning this. I was unable to find the magazine anywhere since I got back!

Switching to Mandarin... 嗨， 朋友们。 最近接受了中国的《好戏网》访问。 他们已经将采访专题发布在《好戏网》的首页推荐。 若有兴趣的话， 请通过以下链接查看。 呵呵。 我是个比较孤独的人-好戏网专访马来西亚新锐导演杨毅恒 问的问题很仔细，很深奥， 我喜欢。 但是也必须用一点时间思考了才能好好的回答他们。 跟你们分享该文章的摘录。

I was a little surprised when I was contacted by Emil Kloeden yesterday via Twitter for permission to use one of my FLEETING IMAGES screenshots for his review. It's not everyday that someone would bother to write a review of your short film. Thanks, man. Here's an excerpt:

Last month, the people of CON-CAN Movie Festival decided to hold an awards ceremony in Waseda University because, aside from me, another award winner Nishihara, was also a Waseda student.

I just got back from Shenzhen, China, two nights ago. Was there a couple of days for the China Mobile Film Fest, was mortified to be reminded again that Facebook, Youtube, Blogspot and even Twitter were blocked, hence the lack of updates. I picked up an award from the festival, but I'll get back to that later. Last Monday (14th of December, 2009), I headed off to Keio University for a screening of FLEETING IMAGES (watch entire film here ) organized by the CON-CAN Movie Festival. My film, along with 3 of the award-winning films of the festival, were screened. But that night, only me and Monica Gallab of Belgium (Special Jury Prize winner for NICE DAY FOR A PICNIC, film embedded at the bottom of the post) were present for the event. This is Yumi the Photographer, she studied French literature.

I received a phone call yesterday morning from the CON-CAN Movie Festival . They told me that my experimental short, FLEETING IMAGES, had won the Grand Prix.

I never really expected this to happen, but the experimental video I assembled last year, FLEETING IMAGES, is finally making its international premiere simultaneously at two film festivals on the 18th of September. One is the 5th Singapore Short Film Festival (where it's selected for competition ), the other is the Tokyo-based online film festival, CON-CAN Movie Festival .

My short film FLEETING IMAGES will be making a premiere of sorts at HELP UNIVERSITY's Theaterette tomorrow (that's Thursday, 19th of February). It's one of the ten shorts at the Asiapromote Power and Grace Competition Screenings. The screening begins at 8pm.

I normally don't cut trailers for short films. I think it's way too hard to do it, and I feel that I'm doing it at the risk of 1) giving away too much of the story or 2) making my films look worse than they really are. Normally, Hollywood trailers are 2 and a half minutes. 2 and a half minutes for a 90-100 minute long film is reasonable, but if a 10 minute short film has such a long trailer, I'm already showing a quarter of the film. That's as bad as doing a 25-minute long trailer. However, a certain film festival (name withheld so that I can save myself the embarrassment of not being selected) I've submitted both short films to have stated that trailers for submissions are optional. I felt a little conflicted, then I thought, 'why not?'. Might as well try it out. So I ended up editing a trailer for each of my film, CHICKEN RICE MYSTERY and my latest one, FLEETING IMAGES.

The lack of blogging recently had a lot to do with me trying to finish up my new short film, FLEETING IMAGES before the deadline of a certain Japanese short film competition. When you're sleeping only 2 hours, and spending most time of the day editing and shooting, writing a new blog entry is the last thing you have in mind. The idea for FLEETING IMAGES came to my around two weeks ago. My Japanese short film was temporarily put on hold, so I was a little bummed out that I couldn't submit anything for the aforementioned short film competition*. I'm a person who needs deadlines to motivate myself into finishing something, does that mean that since YUKI's (title of that short film) is in limbo, I'll have to just sit on my arse and wait? Not an appealing idea. So I started wondering what kind of short films can I conjure within two weeks. When I have a lack of cast and crew? Ideas started swimming around my head, and one was clearer and more doable than the other

It's difficult to see the sunset in Tokyo, so I decided to go to Odaiba (an artificial island in Tokyo Bay) today to do that instead after a few recommendations from friends.

Taking a break from blogging. Anyway, production of my upcoming Japanese short film , Yuki, will be temporarily postponed. Negotiations with my lead actress Kazue Fukiishi had gotten a little complicated. (kidding) Kazue Fukiishi There's supposed to be a June 30th deadline for me to beat, so I intend to whip together another short film instead. I won't say much about it, but it'll be something along the vein of Chris Marker's Sans Soleil . A video essay, an attempt on visual poetry, using unused video footages I've shot in the past, including my India travel videos. Need to shut myself out to concentrate in writing. Normally a blog entry takes away so much from me that once I've updated it, I'm too drained to actually write something else. When it comes to creative endeavours, I'm no multi-tasker*. :( * I mean, I'm normally a multi-hyphenate (director - writer - producer - editor), I don't mind juggling multiple tasks for one project, but to jugg