**Mild spoiler warning for both versions of Cinema Paradiso**
Was watching the director's cut version of Cinema Paradiso (called the 'New Version') on DVD with my dad a few nights ago. Now already regarded as a classic, I've definitely heard of this 1988 Italian film (made in 1988, released internationally in 1990... I think) for a really long time, but never really had the opportunity to find either the chance, or the mood to watch it even though my dad has the DVD of the original for years.
Dad managed to borrow the Cinema Paradiso: New Version DVD from his friend, which he hadn't seen, so we watched it together. Father and son watching a nice coming-of-age story of a boy and his friendship with a father figure, awesome.
To the uninitiated, film's about a famous film director who returns home to a Sicilian village for the first time after almost 30 years to attend a funeral of Alfredo, an old friend. He reminisces about his childhood at the Cinema Paradiso where Alfredo, the projectionist, first brought about his love of films. He is also reminded of his lost teenage love, Elena, whom he had to leave before he left for Rome.
I met Tsai Ming-Liang at the Sin Chew Daily headquarters last night. Born and raised in Kuching, Malaysia, he is one of the most celebrated 'Second New Wave' directors of Taiwanese cinema, his films are often compared with the works of Rainer Werner Fassbinder, Francois Truffaut, Robert Bresson and Michaelangelo Antonioni.
My interview with Sin Chew Daily, Malaysia's leading Chinese newspaper, just came out today. I was truly surprised, and amazed to see that I was on the cover of the Sin Chew Plus section, I'm truly amazed, and humbled, by this.
The interview focused mostly on my determination to chase my dreams, my filmmaking misadventures, and a bit about my short film, GIRL DISCONNECTED.
It's more like a punishment to most. Justin himself can tell you how many takes I would go for just to get a simple shot right. A production shoot with me can be really tedious and frustrating since I'm, er, a perfectionist.
But also, for the sake of reassuring everyone that I'm REALLY a filmmaker and not just some shallow lecherous hack who was only capitalizing on some opportunity to ogle at babes in an event which MIGHT enforce the objectification of women (initially, I was named as the judge without receiving a personal mail from the organizer) like some people do ;-), I shall share with you extended scenes from my last film, GIRL DISCONNECTED, just for a glimpse of, well, my filmmaking style. Enjoy.
On the 27th of April, I went to FILMMAKERS ANONYMOUS 3 with Chewxy, just hours after attending the James Lee press conference (check out my vlog entry of the press conference if you haven't already).
2 months have passed since the previous session of FILMMAKERS ANONYMOUS, in which my short, GIRL DISCONNECTED, had its Malaysian premiere, (check out my videoblog entry of FA2 if you haven't already as well) I was absolutely eager to check out the list of short films available this time.
The following were the list of short films screened on that night (taken from Filmmakers Anonymous's official site)
Like most people, this is my most-anticipated film of the year, so I was absolutely excited when it turned out that I've gotten tickets to Hitz.fm's sneak preview of Spider-Man 3 just a day before its nationwide release (Spidey 3 is premiering in Malaysia, Singapore, Japan and numerous other Asian countries on the 1st of May whilst people of USA can only catch the film on the 4th of May, YESSSSSS!!!).
I've long placed SPIDER-MAN 2 high up the pedestal as my favourite superhero movie of all time, because everything about it appealed to me, the humour, the action, the character drama, the romance, everything clicked so well that there was nothing I could complain about the film at all.
SPIDER-MAN 2 had pushed the bar so high that, since then, every single big-budget superhero movie that came out, with the exception of BATMAN BEGINS, seemed just like kiddie movies. Mindless popcorn entertainment that may satisfy only hardcore comic book fans. X-MEN 3 was entertaining for its major explosions (but nothing much), SUPERMAN RETURNS was so overwhelming in its sheer seriousness (and its attempt to make Supes suffer from girl problems like Spidey) that it left a bad taste in my mouth some time after I saw it, GHOST RIDER was rubbish, FANTASTIC FOUR was amusing sometimes (but only because I was in a good mood when watching it, and Jessica Alba convinced me that the film ain't that bad).
SPIDER-MAN 2 is near perfection, and represents, to me, commercial filmmaking at its best, when the artsy fartsy poser types start speaking haughtily about their disdain for Hollywood films, I point at SPIDER-MAN 2, I said that a film like that impresses me much more as some self-indulgent incoherent rubbish that packages itself as 'high art'.
And because of that, I never expected SPIDER-MAN 3 to surpass its predecessor, I'd be happy enough if the drop of standard isn't dramatic, and that it can still be nearly as good as SPIDER-MAN 2. Hearing that there would be three villains in the film had worried me initially, making me fear that the film would end up becoming something like BATMAN AND ROBIN, crushing under the weight of the numerous characters and subplots it needed to juggle.
Before We Fall In Love Again is the first film of Malaysian indie director James Lee's planned 'Love trilogy' (a series of three standalone films that share the same central theme and recurring cast members, something like Korean director Park Chan Wook's 'Revenge trilogy', but without the sex and violence, and with a much lower budget). The film is about two men and the woman they both love.
On the 26th and 27th of April, GSC Mid Valley held press screenings of two films by the Malaysian indie director James Lee, BEFORE WE FALL IN LOVE AGAIN and THINGS WE DO WHEN WE FALL IN LOVE, both part of his LOVE trilogy, followed by a press conference that featured him and three cast members of both films, Amy Len, Loh Bok Lai and Chye Chee Keong.
I was amazed by the popularity of this movie, judging from the fact that it's still showing in the cinemas after more than a month, and still having difficulties trying to get a ticket even though the movie's been in cinemas for that long. (Attempted to see it with family during opening weekend, but to no avail)
I can't call myself a Mr. Bean fan. To me, he can be both repulsive and funny, and I sometimes had problems trying to decide whether I liked him, or hated him. Despite thus, like most people here, I did grow up watching his TV show, so, naturally, watching this new film, Mr. Bean's Holiday, is like a reunion with someone from your past whom you don't really like and haven't met for quite a while (it's been exactly ten years since the first film, BEAN).
