Edmund Yeo

A few weeks ago I was contacted by Huey Ching, also a Malaysian in Japan (and a composer), proposing a collaboration. An experimental festival for live performances and all sorts of music project's coming up soon in Tokyo, she intended to merge her own music performance with videos.

27th of July, two days ago, the first screening of KINGYO was held as part of the short film competition program in the Skip City International D-Cinema Festival 2010. I was surprised by the amount of audiences, being a Tuesday morning and all. Mine was the last one to play, so I got to watch the other three short films, which were all really diverse in tone and genres: A fantasy black comedy, a cyberpunk samurai actioner, and a coming-of-age tale. Left the hall when KINGYO started playing, so not entirely sure of its reception. The filmmakers and cast members were all invited onto the stage after the screening to introduce themselves and what they wanted to say about their films.

On Sunday (25th of July, just a day after the opening of the Skip City Film Fest mentioned in my previous post), I headed off to the Fuji TV headquarters in Odaiba for a screening of LOVE SUICIDES. It was part of the SF7 program . SF stands for 'Student Films', seven universities participated, hence the '7'.

Went to the opening ceremony of Skip City International D-Cinema Festival 2010 . My short film, KINGYO, is in competition . 10 shorts were in competition, it's supposed to be a domestic competition for Japanese shorts only, KINGYO was a Japanese short, but its director ain't a Japanese, so that makes me the token foreigner among the nominees, awesome! I was actually late, missed all of the opening speeches from the ceremony, but I arrived just in time to be introduced on-stage. When I walked into the place, the conversation between me and the staffer was like that:

Nine years ago, when I was just finishing high school, I went to Japan for a family trip. I remember being in a hotel that was known for the hot springs, but what I remember most then was the lobby, where a public service announcement poster of actress/ model Kazue Fukiishi from the fire department was pinned onto the wall. I vaguely recognized her name (few years earlier I had seen her debut feature in the TOKIMEKI MEMORIAL, a film adapted from a dating simulation... er, yeah), but I was mostly mesmerized by her beauty. That large luminous eyes peering deep into my soul, telling me to be careful not to play with fire, the slight playful smile on her face hinted that she knew secrets of me and would be a willing co-conspirator. Returning to my room, images of her lingered, and the question that haunted my mind then was... "what if I cannot see this poster again? What if, for the rest of my life, this poster would just be a fleeting image that would just fade off in my mind, a

3PM is an exercise from the cinematography class I was taking last year. I remember finishing it around the end of June. Then summer came, and I was mired into some sort of depression, which is what I am pretty much going through now. (Quite odd, it's as if I'm stuck in a time loop like the protagonist of the film.) I digress. Anyway, all my rushes (raw footages) of this film had been destroyed when my hard disk died last year (just a few weeks after the film was done), making this a 'lost work' of mine. And I wouldn't exactly classify this as part of my oeuvre since it's really just a class project of sorts. The film only existed in the form of some DVDs that I managed to burn for myself. There are some works that I've done which I would rather it doesn't see the light of the day, but I had a lot of fun shooting 3PM, with the help of a nice cast and crew. And I wouldn't want the film to disappear just like that, so I might as well upload

It was getting increasingly hard to sleep recently, especially in the past few weeks. I could never understand why.

My friend, author Quentin S Crisp, has an important announcement to make. Dear Readers, My name is Quentin, but please call me Quentin S. Crisp. I have had the privilege of being interviewed on this blog in the past, and now I would like to address you directly. For some time I have been in correspondence and creative collaboration with Justin Isis, guest writer on this blog. A significant overlap in our aesthetic concerns led us to found the dadaoist blogzine, Chômu . Catching the westering rays of that dying blog (which will perhaps rise again), and taking its name therefrom, a new celestial body has appeared in the publishing firmament: Chômu Press.

Yesterday, I noticed an increase of traffic for last year's blog post about the Mitama Matsuri (or Mitama Festival) at the Yasukuni Shrine . I checked the date and realized that it's exactly been a year (plus a day) since I went to the festival. Last year I went with two of my friends, Zifeng and Yang Yang, it was a fun experience. We went there in the evening, and left after sunset. It took me a while to decide whether I wanted to go again or not, with a newer camera, I could take much better photos than last year's. Too bad I would be going alone, but then, it's always been the case anyway. This time, I arrived at the shrine at around 7:30pm. It was already night.

My old laptop died last month and I ended up being forced to get a new one. Well, it was about time anyway, the laptop had been with me for more than 3 years, a usual life span for laptops? I just opened its hard disk and hooked it up to my new comp just now because I needed to extract some information needed for tomorrow's final Masters' Thesis presentation. Then I saw some of the photos from my last day in Cannes which I have yet to upload on Flickr, and also an earlier video, so here you go. This video was taken on May 18th, when Professor Ando was bringing us to this nice place for dinner.

25th of June. Everyone were leaving Brignogan. Before that they were waiting at the hotel lobby, it was the only place where the Wi-Fi signal was decent. By evening, almost everyone was gone. I made my way through the beach...

24th of June, last day of the workshop in Brignogan. After the session ended, I was interviewed by a local paper! (Orsi of Hungary, served as translator)

The script workshop sessions in Brignogan were usually held outdoors. How could it be otherwise? The scenery was great, we get to look at the clear blue sea. And here's my teammate Anita of Bratislava, Slovakia, enjoying herself.

Ah, it's good to be operating in full strength again. After my grievous bout of nosebleed , and the upset tummy that lasted for a couple of days. Every time when I was on the verge of recovering, I would eat something... unhealthy, prolonging the pain, so during the weekend I decided to cut down my meals. It was pretty horrible. Brignogan-Plages, or simply Brignogan, was where I had my scriptwriting workshops. After spending two days in Brest , a car picked me and a few others up at the train station and took us to Brignogan, a village 30 km away. It didn't take too long.