Edmund Yeo

Last July, my friend Lydia sent me an article about a US-based Malaysian author Yangsze Choo , whose debut novel THE GHOST BRIDE had just been released. The author was a family friend from Lydia's childhood. In the book, its protagonist Li Lan receives a proposal of marriage from the wealthy family of Lim Tian Ching, a young man who died of fever a few months earlier.

Over the past half a year since I was location scouting for my film RIVER OF EXPLODING DURIANS, or during its production, I had taken quite a lot of photos. Some were uploaded immediately, some I uploaded only recently.

A few days ago, filmmaker and pal James Lee won an award for Best Content at the DiGi WWWOW Awards with his brainchild, Doghouse 73 Pictures . This is quite a big deal because the WWWOW Awards is the Malaysian equivalent of the Webbies, and it is recognising James' efforts in the last year and a half to bring Malaysian independent cinema to the internet for everyone. Post by James Lee . James, as some of you might know, is one of the pioneers of local independent films, having made his own self-financed films in the early 2000s when digital filmmaking technology started becoming attainable for the public. What he did then would lead to the attention of international film festivals, and a movement that was then known as the "Malaysian New Wave" with other filmmakers like Tan Chui Mui, Liew Seng Tat, Yasmin Ahmad, Ho Yuhang and my regular collaborator Woo Ming Jin. Regardless of what people in the country would think, James' place in the history of Malay

#172940788 / gettyimages.com I go to the movies almost every week, and had dealt with my share of unruly moviegoers in the cinema. I had a particularly annoying experience yesterday when I went to THE ROVER (the Australian film by David Michod that stars Guy Pearce and Robert Pattinson), but more on that later. I decided to compile the tweets or FB statuses I have posted this year which I bitch about people lacked cinema manners.

Ever since I finished the principal photography for RIVER OF EXPLODING DURIANS in early March, I have been spending my time editing and then tinkering with it. It's actually a habit of mine, that I'm never satisfied with the editing of my works until it has finally premiered somewhere, and I know that I can't touch it anymore. I spent the whole first week of June doing the reshoots for Ming Jin's SECOND LIFE OF THIEVES , then I shot an extra sequence for RIVER OF EXPLODING DURIANS with almost the same skeletal crew. The new sequence involved the lead actress Daphne, and a child actress Zoe, who was supposed to play the child version of the protagonist.

去年十月， 我母校培才华小欢庆建校90周年， 出版了纪念特刊。 很荣幸被列为培才杰出校友校友之一。 感恩。 以下是特刊给我的特写：

Immediately after I returned from Tokyo, I headed off to do the reshoots for Woo Ming Jin's SECOND LIFE OF THIEVES (which I co-wrote, produced and edited).

I have finally returned to Malaysia today after taking a 10-week sabbatical in Tokyo (needed to recuperate from the RIVER OF EXPLODING DURIANS shoot, while enjoying the cherry blossoms season). During the last few weeks, I have been cleaning up my room in Tokyo, the same dorm room that I've been staying at since 2008. Even though I finished my doctorate last March, I had yet to officially check out from this room because I had so many things in it. This time, I was supposed to put an end to this chapter of my life. In 2008 to 2010, my wall was covered with film flyers that I collected from cinemas and film festivals, and also photos of nice celebrities. Since I was going to live such a solitary life, I figured that having some happy-looking faces around me would lighten up the atmosphere.