Edmund Yeo

Over the years I have taken quite a few photos of cherry blossoms in Tokyo . The beauty of the sakura season is that everything is so fleeting, we just have to make the best of it. I guess that's the difference between a place like Japan and Malaysia. Malaysia is a tropical country where everything remains in perpetuity, summer lasts for 365 days, 7 days a week, 24 hours a day, giving off an illusion of eternity, whilst Japan, with the cycle of seasons, and especially the short lovely sakura seasons, is constantly reminding me of impermanence, illustrating the passage of time.

Been busy with the post-production of my new film, and also dealing with a couple of deadlines. So I'll just entertain this very silent blog with more stunningly beautiful photos that I uploaded on Instagram during the past week. The photos I posted had one recurring theme, the end of the much-loved cherry blossom season in Japan. Usually it's signaled by some heavy rain.

A couple of days ago, I tweeted a sudden desire to quote the ending monologue of my short film INHALATION delivered by Mei (played by Susan Lee Fong Zhi), even though I generally don't quote stuff from my own works due to my own modesty. But then, I lamented the fact that I would miss the cherry blossoms this year. Ever a bittersweet sight for me, sweet due to its indescribable beauty, bitter because it signals the end of winter (my true love). Thus the quote:

The rain 2 days ago removed most of the cherry blossoms from sight. How fleeting they were, and how hard it is to not feel a tinge of melancholy to know that I won't see them for another year.

I'm going to elaborate upon the previous post .

Well, it's the time of the year again for the blossoming of cherry blossoms (sakura) in Tokyo. I've managed to retrieve my old Panasonic LX-3 after sending it off for repairs prior to my trip to Bratislava, so I managed to snap a couple of photos with it last night when I was at Toho Studios. Nowadays I actually carry two cameras around, my LX-3 (it's more inconspicuous) and my Canon 7D... which I use only when I want to take photos that can only be taken with a DSLR. So for now I'll just share the photos that I took with the Panasonic LX-3. The entire story of why I was in Toho Studios will come later.

Second night in Bratislava. It's currently 5:30 am. I've been awake since 3:30 am. Thinking about my script, it's a feature-length film, so it's nothing I've ever done before. Need a while to ponder. The first session of the workshop was fun. 3 people in a team, a tutor and a story editor trainee. We all discuss about our own screenplay, mine and another girl's, Anita from Slovakia, are in early treatment form, while another guy, Alexis from Greece, already has his script in its first draft. We take turns discussing and deconstructing each other's stories, it's not something you get to do everyday, so it's fun. I'll give more details later. Didn't take any photos that are worthwhile, so I'll just post up some photos I took near my dorm in Tokyo, just a day before I came to Bratislava.

As I was walking back from Waseda University this afternoon, I noticed that the river was filled up with more cherry blossom petals than yesterday.

I tried to compare the day I left for Perth in 2004 with the day I left for Japan and both days couldn't be any more different.