Edmund Yeo

I have been attending some screenings at the Tokyo Filmex since it started last week on Nov 24th. The Tokyo Filmex is one of the two major film festivals in Tokyo (the other being the Tokyo International Film Festival held a month earlier). Ever since I moved to Tokyo, I had attended screenings at the 2008 and 2009 editions of the festival, but was unable to do so in the last 2 years because I was either at the Torino Film Festival 2010 or the Golden Horse 2011 . So it's good to finally be back, indulge myself in some films.

This is very late, since the Asian Film Awards ended two weeks ago. So you probably already knew that the Oscar-winning A SEPARATION was the night's major winner. (full results here ) But I haven't been updating this blog much these days, so please bear with me. You might remember that I mentioned directing a series of interviews with a few major Japanese film figures last month while suffering from a hideous food poisoning as part of the ROAD TO AFA (Asian Film Awards) program hosted by Janet Hsieh. A month earlier, in January, I was in Taipei for these interviews. I didn't exactly blog about my Taipei escapades, so I'll post up some of my old tweets related to it.

On a Christmas Eve, I had some delicious food at a place called Hana Hana in Shibuya. The food was delicious. There's this egg dish.

More incidents of stunning coincidence. More insane synchronicity. On Monday, during a lab meeting (held every two weeks between film students in uni), my professor announced that two events will be happening in Waseda University on Wednesday (today):

Mitsushima Hikari as Yoko in Sono Sion's Love Exposure (As I was finishing this post, I found out that this film had won the AGNES B. award at the Tokyo Filmex, congrats!) After taking photos of Ueno Park yesterday, I rushed off to catch Sono Sion's LOVE EXPOSURE at Tokyo Filmex. Frankly, the main reason I wanted to catch the film was for the experience. It's not everyday that you see a 4-hour Japanese film around! There weren't anything else I knew about the film. Having not seen any of Sono Sion's films prior to this, and having just read a Bela Tarr interview a day before, I had assumed that this would be a slow and languid arthouse flick that requires tons of endurance and patience. So I packed myself some Black Thunder (awesome chocolate biscuits that you can only get in Japan) and most importantly, a can of coffee. During the (Tokyo Filmex Grand Prize-winning!) WALTZ WITH BASHIR screening at the same film fest a few days earlier, I was dozing off at