Edmund Yeo

Mitsushima Hikari as Yoko in Sono Sion's Love Exposure (As I was finishing this post, I found out that this film had won the AGNES B. award at the Tokyo Filmex, congrats!) After taking photos of Ueno Park yesterday, I rushed off to catch Sono Sion's LOVE EXPOSURE at Tokyo Filmex. Frankly, the main reason I wanted to catch the film was for the experience. It's not everyday that you see a 4-hour Japanese film around! There weren't anything else I knew about the film. Having not seen any of Sono Sion's films prior to this, and having just read a Bela Tarr interview a day before, I had assumed that this would be a slow and languid arthouse flick that requires tons of endurance and patience. So I packed myself some Black Thunder (awesome chocolate biscuits that you can only get in Japan) and most importantly, a can of coffee. During the (Tokyo Filmex Grand Prize-winning!) WALTZ WITH BASHIR screening at the same film fest a few days earlier, I was dozing off at

Just got back from STRIZH at the TOKYO FILMeX. The 2nd film I saw at the festival. I was watching this film in a perpetual state of annoyance and anger. It had nothing to do with the film itself but what happened to me during the screening.

I've only seen two Walter Salles films, 1998's CENTRAL STATION and 2004's THE MOTORCYCLE DIARIES, (I'm discounting the short films he did for PARIS JE'TAIME and CHACUN SON CINEMA , but I like his segment for the latter) I enjoyed the former, but I preferred the latter. Walter Salles also had a hand in producing one of my all-time favourite films, Fernando Mereilles' CITY OF GOD. This film, LINHA DE PASSE, the opening film of TOKYO FILMeX, is a collaboration between Salles and long-time collaborator Daniela Thomas (she was co-director for most of Salles' pre-CENTRAL STATIOn films). She was there to present the film and also for the Q and A session.

Originally, I've intended to write about both the TOKYO FILMeX opening ceremony, and then my thoughts on the opening film co-directed by Walter Salles and Daniela Thomas, LINHA DE PASSE (really good film). But I'll write my review in my next post. I headed to Yurakucho rather early today because it's the opening of the TOKYO FILMeX and I wanted to make sure I can get tickets for LINHA DE PASSE. I was pleasantly surprised to find out that there would be an opening ceremony before the screening of the film. Being one of the first to buy tickets at the door, I managed to secure two nice seats for myself and my friend, Mahmoud the Tunisian director. (Four rows from the screen) Then as I waited for Mahmoud to come, I saw that there was a photo exhibition being at the next hall, so I went and had a look. It was a photo exhibition of Megumi Yokota , a Japanese girl abducted by North Korea in 1977.