For the past 3 days, ever since CINEMA TODAY's article of my short, EXHALATION, actress Tomoe Shinohara had remained one of the 3 most talked-about artistes on MSN, along with Nicholas Cage and Ai Hashimoto.
Awesome.
MSC: How did you decide which sequences in the film would be in black-and-white or color?
EY: The black-and-white, was, in fact, a last-minute decision made during post-production. I remembered reading an interview with Andrei Tarkovsky where he pointed out that a black-and-white film immediately creates the impression that your attention is concentrated on what is most important. On the screen, color imposes itself on you.
In order to underline the melancholic undertone of the film, I decided to drain most scenes of their colors. I inserted colours in certain scenes when I needed to accentuate the emotional states of the protagonists. A feeling of brief warmth, or lingering sadness, or an abrupt break from monotony. In the end it was an experiment of sorts for storytelling.