"Edmund Yeo: Hot young Malaysian filmmaker tackles classic Japanese literature" - Interview with Toronto J-Film Pow Wow

After returning from last Saturday's Fuyajo Cinema Festival in the morning, I had a quick nap before getting up for an interview with Chris Magee of Toronto J-Film Pow Wow.

You'll get to read about a childhood incident that might have started my filmmaking dream.

it was how his parents approached the films that set Yeo on the path he's on today. "There was a time when I went to watch "Tremors" with my parents in the cinema when I was really young," Yeo remembers, "I was freaking out. Mom thought the best way to calm me down was to totally deconstruct the illusion of films, like pointing out how some stuff was just props, how they were just acting, how the guy didn't really die, how the monster was just a construct. Perhaps that deconstruction led to the whole discussion about how films were made." Yeo's mother explained that the person in charge of the props, actors and the monster worms in "Tremors" was called a "director". The lightbulb went on for Yeo.

You can read the full article here.

Thanks, Chris.

(I assume the 'hot' in 'hot young Malaysian filmmaker' is a reference to my physical attractiveness, which had long been overlooked. Hah.)

The 4th Foreigner's Traditional Japanese Dance Exhibition

The 4th Annual Foreigner's Traditional Japanese Dance Exhibition (第四回外国人日本舞踊大会) was held in my university earlier this evening. I didn't know a thing about it until the night before when Niklas showed me a website.

I was curious, so I decided to tag along, immerse myself more into Japanese traditions! I will remain an ignorant foreigner no more!

Picnic in Yoyogi Park

After spending an entirely sleepless night at Shinjuku, I caught a few hours of sleep before Maiko's call woke me up. (read more about it on my previous blog post) After that I got ready and headed off to Yoyogi Park for a picnic with Niklas, Lia The Artist and her friends: Jennifer and Yuu The Installation Artist.

Not a fan of summer afternoons, as the weather had turned a little too hot for my liking. Yet being at Yoyogi Park, bathed in the glow of the glorious summer sunlight would have been great for me to test my new camera.

Happily I took out my new and very beloved Panasonic DMC-LX3 and wanted to see what sort of masterful photography I could conjure in such an environment.

... then I realized that I forgot to bring the batteries.

"Eeeeeyaaaaaaargh!" I eeyargh'd in shock.

I decided to go back to my roots and snap photos with my cellphone instead.

Testing my new camera on the second night of Fuyajo Cinema Festival

After having complained endlessly about my old camera, and also NOT having a camcorder for the past 6 months, I've decided to rectify all these issues by buying a new camera that could serve as both. So I went off to buy myself a Panasonic DMC-LX3. As I was buying it, I realized how outdated I've been, I was offered to buy a 16GB memory card, and all these while I've been stuck with a 1GB one.

With the new camera, I headed off to Shinjuku Wald 9 again for the Fuyajo (Sleepless City) Cinema Festival, preparing for another sleepless night, and hopefully to catch some other films, and also visit my friends from my uni lab, who had offered to look after the cup noodles booth (free cup noodles were given to everyone who came for the festival).

When I arrived, they were watching the football match between Japan and Uzbekistan of the World Cup qualifiers. Japan had already scored, so they were happy.

Kingyo's test screening at Fuyajo Cinema Festival in Shinjuku Wald 9

The work-in-progress version of Kingyo finally had its test screening at the Fuyajo Cinema Festival in Wald 9 last night (or technically, this morning, since it was screened at 12am)

A couple of the cast and crew came.

I was happy to see main actress Luchino Fujisaki again. We just ran into each other at the elevator.

Here's a photo of her with Maiko the Producer and I.





(Luchino also had a brief blog entry about her thoughts just before the screening. It's in Japanese though)

We then took a group photo, this time with Lia the Artist/ Asst Director/ Production Designer's much nicer camera.

R. I. P. David Carradine and Shih Kien (Shek Kin)

It's a little sad that I learned of both deaths within minutes of each other. David Carradine was found hanging in his hotel room at Bangkok (article here, either it was suicide or a sex game gone wrong). He was 72.

Piano virtuoso in Bic Camera Yurakucho

I was taking a walk around Bic Camera Yurakucho, checking out cameras and stuff when something in the distance caught my eye. I saw an old man sitting before one of the electronic pianos, pounding the keyboard relentlessly, and some shop assistants were looking at him.

Really tiny car

I was on my way to catch Star Trek in Shinjuku two days ago when I saw an unbelievably tiny car passing by.

Immediately I took out my cellphone to snap a photo. (I wasn't the only one)





On the other hand, Star Trek's pretty entertaining. Don't think the ending matched up with the intense intro though.

Write-up of KINGYO on Twitch

Machine Girl of TWITCH had a very nice write-up of KINGYO.

Waseda High School parade

I took these photos back on the 23rd, more than a week ago. I was on my way back to the lab when I saw a parade of school clubs from the nearby Waseda High School (which is separated to Junior and Senior high, I assume the ones I saw were from Junior High)

Not something you'll see everyday, so I whipped out my phone and started snapping.

Review of KINGYO at Toronto J-Film Pow-Wow

Marc Saint-Cyr (you can check out his blog here) had posted a review of KINGYO on Toronto J-Film Pow-Wow. (one of my favourite blogs on J-films! I gave them a nearly-completed version of the film for the 1st anniversary celebration party they held last week)

Here's an excerpt.

What especially makes "Kingyo" a success is how its experimentation never reduces it to a chilly or pretentious aesthetic exercise, but instead remains constantly in service to its characters and their emotional states. Often, the professor and the young woman will inhabit the same space, yet they are nonetheless isolated through the split screen. There is also the scene on a bridge overlooking Akihabara, with special attention given to the two characters’ hands resting close to each other on a railing. Through such moments in the film, Yeo clearly focuses on the distance that can grow between two people, be it in the case of the man and his wife or him and his mistress.

Read the full review.

Remember, if you live in Tokyo, you can catch a test screening of Kingyo at Shinjuku Wald 9 next Friday.

Additional photos from the Sagamiko haikyo adventure

Just to expand upon my previous post about my ruins-exploring adventure at Sagamiko, here are some additional photos.

Exploring the ruins in Sagamiko

Ruins of buildings and abandoned places, known as 廃墟　haikyo in Japanese, are ripe for exploration and photography among enthusiasts. There are many blogs and websites dedicated to them, books published as well. Tokyo Times, for example, has a lot of wonderful photos of these tragic, lonely places.

Early this morning, Niklas, me and a mysterious lady friend embarked upon our own ruins-exploring adventure, which, come to think of it, is almost like treasure-hunting in a console role-playing game, but without the treasure, or leveling up. We headed off to Sagamiko, a town at the Kanagawa Prefecture, the train ride lasts an hour from our place.

New short film, AFTERNOON RIVER, follow-up to KINGYO

So yes, I have completed KINGYO last week, and gearing up for its screening at the FUYAJO CINEMA FESTIVAL in Shinjuku Wald 9 on the 5th of June.

Time to rest? Barely. After taking a breather for a couple of days, I began work on my latest short film, AFTERNOON RIVER.

Where are they now? The cast of SUMMER VACATION 1999

Last Friday when I was sitting in a class taught by the Director of Photography, Kenji Takama (the second DEATH NOTE film, WELCOME BACK, MR MCDONALD), he showed us a couple of his earlier films. One of them was a 1988 film called SUMMER VACATION 1999 (1999年の夏休み), directed by Shusuke Kaneko (the two DEATH NOTE films, AZUMI 2) The film is an adaptation of a shounen-ai (boy love) manga called Tōma no Shinzō トーマの心臓 (Heart of Thomas, or Thomas' Heart) by Moto Hagio.

Here's the synopsis from IMDB.

The Saddest T-Shirt In The World

I was hanging out at the Nakano Broadway shopping center when I saw this T-shirt.

My short film, KINGYO, screening at Fuyajo Cinema Festival (Shinjuku Wald 9) on 5th of June

Amane Kudo in KINGYO

An unfinished cut of my 25-minute Japanese short film, KINGYO, will be screened at the Shinjuku Wald 9 for the Fuyajo Cinema Festival (click to their site for more info) on the 5th of June. Fuyajo (不夜城, translated as 'city without night') is an all-night event that runs from 10pm to 6am the next day. It's running on the 5th of June, and then the 6th of June.

Kingyo is completed. Goodbye, Toho Studios

The Maid (Luchino Fujisaki) in Kingyo

And so it's finally done. After an occasionally tedious post-production process that lasted for five weeks, I have completed my first attempt at a Japanese-language short film, KINGYO.

Sanja Matsuri 2009 at Asakusa

After hanging about at the Rei Ayanami-invaded Akihabara, I made my move to Asakusa. In truth, Asakusa was my primary destination, Akihabara was just a detour for me to buy my FireWire.

My friend Niklas had told me that a Matsuri (festival) was going on, so I wanted to take a look at it. I arrived at Asakusa at 3pm and already I could hear faint sounds of drums from above. The station was crowded with people moving to the exit, and as I tried to wade through the chaotic sea of humanity, initial curiosity giving way to excitement, I finally made my way out of the underground station and saw the parade.

I will now copy and paste Wikipedia's explanation of Sanja Matsuri.

Rei Ayanami invades Akihabara

I went to Akihabara earlier this afternoon to buy myself a firewire cable. As I walked out of the station, I saw a large crowd gathering nearby.

It was because of the Rei Ayanami cosplayer.