Progress Report of Swifty's Untitled Sci-Fi Project
The problems with the previous version of my postapocalyptic satirical sci-fi epic are rather apparent. It's too complex and confusing to be put in a 10-15 minute SHORT FILM, combining satire (poking fun of people’s overreliance on the internet by showing those homeless bums) with sincerity (romance between Edward and Maya) is not a good choice, one has to be chosen over the other.(Read the idea here. And read my pitch here.)
And to have so many themes in a short film is dangerous as well... the themes I had in consideration were:
• Technology becoming an extension of humankind.
• Humanity’s overdependence on technology (and the internet).
• Machine vs. humanity
• The line that separates humanity from machine is blurred.
• Human interaction ruined by technology
• Technology substituting human emotions
On the 6th of March, 1984, in Singapore, I was born. That was two decades and two years ago. How do I feel? No different from when I turned twenty one, which was no different from when I turned eighteen, still the most eligible bachelor in Malaysia. Perhaps there will be a time when I throw huge and garish parties for my birthday, inviting politicians, celebrities and members of the media to celebrate with me, but that day hasn't arrived, and I remain merely a low-profile film student who keeps his birthday to himself. No parties were thrown, so I will not cover the entire entry with photos of people you barely care about in a party you don't even wish of being there.



I am rather ignorant to the details of Johnny Cash (and June Carter)'s history, and I don't remember ever listening to any of his songs before (well, I might heard some when my dad was playing it, but I don't think dad was that into Johnny Cash either), thus I can only evaluate the biopic based on whether it could hold the attention of any viewer who does not know anything about its subject. After all, I'm not anal when it comes to judging the factual accuracy of biopics (I can never understand why some people like condemning biopics that much just because they aren't accurate enough, yeah, I'm looking at those who complained about 'A Beautiful Mind' not examining John Nash's homosexual tendencies), it's more about whether it 'works' for me as a film.