The beautiful visuals of THE CRANES ARE FLYING and I AM CUBA

Last week, when the Cannes Film Festival was about to begin, many film sites that I've been following started publishing their lists of best Palme d'Or winners. I figured it would be a good time to catch up with some of them, especially the older ones.

In Praise of Shiina Ringo's Music Videos

Last month, after getting hold of her two albums UKINA 浮き名 and MITSUGETSU-SHO 蜜月抄 (both albums were released to commemorate her 15th anniversary in the music industry), I became addicted to the songs of Shiina Ringo 椎名林檎 again.

Edward Yang

(I posted this on Facebook in December 9, 2014. I'm going to expand upon it.)

Post by Edmund Yeo.

Last December, it started out as a Hou Hsiao-Hsien marathon. The original intention was to watch films directed by Hou Hsiao-Hsien, but I ended up watching the film which featured his one and only starring role. Edward Yang's TAIPEI STORY (Hou was also the producer).

And because of this, I finally completed every single Edward Yang film in his oeuvre. Unintentionally. Because I didn't want it to end so early.

One of my favourite directors ever. And, in my opinion, one of the greatest. His works had influenced me a lot. I wrote more about my own experiences with the works of Edward Yang in June 29, 2012, marking the 5th anniversary of his death. That was before I watched MAHJONG and the first two films of this career, THAT DAY ON THE BEACH and TAIPEI STORY (I watched both in 2013, on Youtube, because both films are notoriously difficult to find).

The first Edward Yang film I saw was YI YI, that was 2007, shortly after his death. I was mesmerized by his brilliance. YI YI would become my main influence when it came to editing Ming Jin's films telemovie DAYS OF THE TURQUOISE SKY (2007), because its ending, where the protagonist summarized his thoughts on CATCHER IN THE RYE, was a homage to YI YI's ending.

Found some long-lost photos from a 2005 trip in China!

Selfie, 2005

My time in Tokyo is coming to an end.

After my graduation last March, I was supposed to leave the Wakeijuku Dormitory that I had been staying since 2008. (Haruki Murakami used to stay here too!) After all, the place was meant only for students.

Clean up and clear my room. Then return to Malaysia.

But that turned out to be too difficult. Many things were left in the room before I left.

I promised them that I would come back "in a few months" to clean everything up. I came back almost a year later. The folks in the dorm were kind enough to leave my room vacant for this whole period of time.

So, right now, I am trying to put an absolute end to a chapter of my life, even though it really should have ended last year.

Spent the last few days clearing things up, throwing a lot of old stuff which, as expected, left me a little nostalgic.

I used keep many of my data in blank DVDs, I decided to get rid of this whole pile of them by transferring most of the data into a new hard disk I bought.

I was surprised that many of the data dated from 2004 to 2006, during my time in Perth. My music and movie collection. Those were the times when those films I had were in .mpg or .rmvb formats. Very low resolution. It was amusing.

My music collection surprised me a little, when it dawned upon me that I have been listening to such bands like Ego-Wrappin', Deerhoof, Arcade Fire for nearly a decade.

A few hours ago, I went through a data disc and found only photos in it. They were actually photos taken during a family trip in China around December 2005. This blog has already existed then, in fact, some of my earliest Youtube videos posted in this blog were videos of this particular trip. There were even a few heavily photoshopped photos here and here.

But why did I choose only those few photos to upload? What about the rest?

For nearly 9 years, I thought I've lost these photos!

Looking at them now, even though my photography skills then weren't as good, and I was using only a cheap Canon Powershot camera, I don't think they were that bad at all!

More and more, this blog has become a place to help me remember things. Therefore I decided to upload all those remaining photos on Facebook, and also put them here.

Finished Charles Yu's THIRD CLASS SUPERHERO in a day. Loved it.

I bought this book at least 2-3 years ago. (Probably closer to 3 than 2, I am not sure) It was an accident, I was ordering a graphic novel on Amazon, this book was recommended to me, I figured it was another graphic novel (by an Asian American artist? okay!), so I bought it too.

The next day, when the books arrived, I was surprised that Charles Yu's THIRD CLASS SUPERHERO turned out to be a collection of short stories, and not a graphic novel ("whaaat? no pictures?" I whined to myself, becoming a parody of people I despised)

Because I had so many other books to read then, I put it aside. Years passed. It was then left in a box at the corner of a room in Tokyo that I left vacant for ten months. I found it again only a few days ago, in the almost-forgotten box with my almost-forgotten stuff that I left here.

Having spent the entire week working on the music of RIVER OF EXPLODING DURIANS with my composer, I finally got to rest. Yesterday evening I was supposed to go to Ogikubo. A train ride there would take 16 minutes, return trip would be 32 minutes. So I took the book along with me and spent the whole time reading. In that amount of time, I managed to finish 2-3 of the 11 short stories in the book. I was intrigued.

After a night and a day, I finally finished the book. There are some stories that stood out to me:

WATCH: GIRL IN THE WATER short film by Jeppe Ronde and Woo Ming Jin that I produced

Hm, the short film's been online since early last year but I've never posted about it. Speaks a lot about how low-profile I am, yeah?

Anyway, this is GIRL IN THE WATER, a 2011 short film co-directed by Ming Jin and Danish director Jeppe Ronde as part of a collaborative project set up by CPH: DOX (that's the Copenhagen International Documentary Festival), I was one of the producers and editors.

GIRL IN THE WATER stars the Thai actress Sajee Apiwong and chronicles the plight of a young Thai woman who got washed upon the shores of Malaysia.

The passing trains of Hou Hsiao Hsien's Café Lumière

A few days ago I decided to catch The Amazing Spider-man 2 in Shinjuku. The only available ticket was the 10pm show at night, I bought it and went to Akihabara for a walk.

Wandering aimlessly, I found myself at an area that I've never been to before.

李安对话张艺谋 Dialogue Between Ang Lee and Zhang Yimou

听了两位大导演的话， 有很大的感触和启发。

的确， 很多时候， 也觉得自己不是在导电影， 而是电影在导我。

Obama in Malaysia

U.S. President Barack Obama's visit to Malaysia last weekend was quite a big deal to many in the country because it was the first time in 48 years when the president of United States came to visit us small Malaysians. (last one was Lyndon B. Johnson) That's why I have to post this for remembrance.

A few days before that, he was in Tokyo.

I didn't know about it until I was in Ginza, where the entire place was swarmed with police, roads were blocked, and lots of news team around.

WATCH: James Lee's 2007 TV film BERNAFAS DALAM LUMPUR

A few days ago, Malaysian independent film pioneer James Lee (and also producer of my last short film FLOATING SUN :D ) uploaded his entire 2007 TV movie BERNAFAS DALAM LUMPUR (English title: BREATHING IN MUD) online.

I remember catching this on TV the day it was aired seven years ago. The film starred numerous actors whom I have collaborated with a few months earlier in the TV films I produced, KURUS (English title: DAYS OF THE TURQUOISE SKY): Nam Ron, Mislina Mustaffa, Mohammad Hariry, Azman Hassan etc.

It tells the story of a man, Meor (Hariry) long thought to be dead, returning to his wife (Mislina), who has now remarried his best friend Din (Nam Ron).

Yes, like KURUS, this was a TV movie commissioned by NTV7. If this is online, I wonder whether it's possible for me to upload KURUS in its entirety as well?

Here's the film:

Finishing Roberto Bolano's THE SAVAGE DETECTIVES in Bali

I discovered Roberto Bolano during my 2007 trip in Chile. That was my first ever trip to a film festival as an invited filmmaker (went there as producer for ELEPHANT AND THE SEA, which was in competition), and also a prelude of the many solo travelings that I would do after that.

My routine in these (film festival) trips has remained mostly the same. When I'm not attending the film festival, I would be taking solitary walks around recommended places, snapping photos, and then taking a break somewhere for food or coffee, in which I would take out a book to read. Otherwise, I would just head into a nearby bookstore to look through the books.

On the day that I was about to leave Santiago, I decided that I had a few hours to kill, so I went to the shopping mall next to my hotel and hung out at the bookshop. A few days earlier, someone had recommended Bolano's works to me, so I was curious to read them. There was a bookshelf full of his works, and I decided to check out his short story collection LAST EVENINGS ON EARTH, because it sounded like a science fiction novel (it really sounded like A. A. Attanasio's underrated sci-fi epic novel THE LAST LEGENDS OF EARTH, right?)

Of course, when I went through the short stories, I realized there was nothing remotely science fictionish about them at all. They were all stories narrated by struggling writers living at the margins. I think I only got through a 2-3 stories before I had to rush to the airport, but he left an impression.

In the few years since then, I have bought 2666 at a bookshop in Roppongi, which I have yet to read because I wanted to read THE SAVAGE DETECTIVES first.

I started THE SAVAGE DETECTIVES early last year. I went through the first section (book is divided into 3 sections) very swiftly. It's narrated by a 17-year-old aspiring poet named Juan Garcia Madero and chronicles his encounters with a group of poets who call themselves the "Visceral Realists", and also his string of love affairs.

The second section (which is two thirds of the novel's entire length) is a sudden shift in style and is the centerpiece of the novel. Spanning twenty years with dozens of narrators, it is a series of interviews with people (around the world) who had contact with the two leaders of the Visceral Realists, Arturo Belano and Ulises Lima. The book becomes as much about the two as it is about the narrators, and also the time and place around them.

Due to the density of the novel, and also because the novel I read before this was Gao Xingjian's SOUL MOUNTAIN, I was too mentally exhausted. So I took a break from it after reaching the 200 page-mark. That was around May 2013.

Kecak Dance in Uluwatu, Bali

The night before I left Bali, I managed to watch the famous Kecak Dance in Uluwatu. It was an experience unlike any other.

Bali was indeed beautiful

During my 10 days in Bali (I was there because I rented my camera out for an Indonesian-Japanese co-production film shoot), I managed to see some beautiful sights.

Cherry Blossoms in Tokyo 2014

Over the years I have taken quite a few photos of cherry blossoms in Tokyo.

The beauty of the sakura season is that everything is so fleeting, we just have to make the best of it. I guess that's the difference between a place like Japan and Malaysia. Malaysia is a tropical country where everything remains in perpetuity, summer lasts for 365 days, 7 days a week, 24 hours a day, giving off an illusion of eternity, whilst Japan, with the cycle of seasons, and especially the short lovely sakura seasons, is constantly reminding me of impermanence, illustrating the passage of time.

Kumi Odori 組踊, Shikina-en 識名園 and Okinawa

When I was 14, I wanted to visit Okinawa because I fell in love with an Okinawa girl.

Unfortunately, said Okinawa girl was a member of Japanese pop group called SPEED (... where all four members were from Okinawa).

Looooong after my teens ended, I finally had the chance to fulfil my dreams when I was invited to the Okinawa International Film Festival last month to be one of the speakers at the Asia Content Gathering Symposium (other speakers include my pal Lim Kah Wai the Osaka-based Malaysian filmmaker, the Okinawan filmmaker Soichi Takayama and Cambodia Film Commission CEO Cedric Eloy).

Rest in peace, Gabriel Garcia Marquez

I was in Bali the past 10 days for a film shoot that I wasn't exactly involved in. (Basically, I was renting out my Blackmagic Cinema Camera for an Indonesian-Japanese film shoot, and had to stay around to ensure that no one was going to break my camera... of course, a free trip to Bali, which I've never gone before, was too tempting an offer to turn down)

While I was seemingly trapped in a time warp (like all film shoots tend to feel, despite my lack of involvement in this one), many things had happened in this world, mostly tragedies. One of my favourite wrestlers from my childhood, THE ULTIMATE WARRIOR, passed away on the day that I was flying off to Bali.

Since then, there was the South Korean ferry disaster in April 16, followed a day later, on April 17, by the deaths of Malaysian opposition politician Karpal Singh and literary giant Gabriel Garcia Marquez.

Now that I am back in Malaysia for a day before I return to Tokyo tomorrow, I feel nothing but melancholy for the recent losses.

Making sense of the Malaysian Chinese experience

Recent circumstances, especially constant questions from my comrades from China, had caused me to evaluate my place as a Malaysian Chinese.

REUNION 我們都是這樣長大的 (1986), a Taiwanese film that haunted my memories since I was 12

When I was 12, I caught a film on TV.

The film follows the lives of a group of elementary school students and their teacher. I was initially interested because the children were my age, and the teacher in the film was dedicated, like the teacher I was having then, Teacher Thor (that's her family name, yeah, but we all call her "Tu Lao Shi", which means Teacher Thor in Chinese).

But I was slightly surprised when there were a few time skips in the film. The children suddenly became teenagers, and there was a class reunion with their teacher (that led to tragedy).

They then became adults, and had another reunion, this time for a wedding. I remember that one of the main boys was in love with the bride.

I didn't exactly finish the film, but a few of these scenes remained vivid until this very day (the teacher's fiancee sacrificing himself to save a drowning student during one of the class reunions, and also the aforementioned wedding). Perhaps the film was mesmerizing to me because it seemed to suggest what things are like in this journey of life, when I were to move to my teens, and then my adulthood.

When I returned to school the next day, I was surprised that my teacher, Tu Lao Shi, was talking excitedly about the film too, along with a few classmates of mine.

Yet I never knew what the film title was. It was possibly my very first exposure to a Taiwanese film.

RIVER OF EXPLODING DURIANS postproduction adventures

No, the process of postproduction, so far, had not been an adventure.

But it's been a week since I came back to Tokyo, just so I could work on this film with utmost concentration, and solitude.

Turning 30

So, I turned 30 yesterday. A while ago, I looked at it with slight trepidation, I don't think I was prepared to say goodbye to my twenties just like that.

The final days of the RIVER OF EXPLODING DURIANS shoot (Cameron Highlands, protesters etc.)

Today's the last day of my twenties. I'm just doing what I like best, going through the post-production of my film, RIVER OF EXPLODING DURIANS.

So, while I have to wait patiently for the tedious process of syncing the audio and video before I start editing, I'm just going to revisit the final days of the shoot.

Shooting RIVER OF EXPLODING DURIANS at the 140-year-old annual Johor Parade of the Gods

On February 20th, my RIVER OF EXPLODING DURIANS team and I headed off to Johor to shoot our ending. The reason why we were willing to endure a 4+ hour trip was because we wanted to catch the annual Johor "Parade of the Gods", a Chingay Parade that has been going for more than 140 years.

More photos from phase 2 of the RIVER OF EXPLODING DURIANS shoot

Due to the episodic nature of the film, THE RIVER OF EXPLODING DURIANS film shoot is divided into three phases, with a rotating cast and crew.

Phase 1 happened in early January.

Phase 2 happened from February 5 to 14.

My team members had some pretty cool collection of photos from Phase 2.

School scenes from the RIVER OF EXPLODING DURIANS film shoot

After 9 intense days, the second phase of RIVER OF EXPLODING DURIANS film shoot is finally over.

In my earlier post, I lashed out at my former high school Catholic High School for reneging on a deal to let me shoot within their premises... just a day before the shoot.

In the end, thankfully, we found a new school to shoot the film. But I remain disappointed with Catholic High's unprofessionalism.

Anyway, I will never forget this.

Other than that, these are the photos taken during the two days that I was shooting the school scenes.

WATCH: James Lee's new short THE GIRL FROM TOMORROW, starring Joseph Germani and Koe Yeet

Open letters to Catholic High School PJ

Last night. I wrote an open letter to Catholic High School.

This happened because, a few weeks after agreeing to let me shoot RIVER OF EXPLODING DURIANS within their premises, they suddenly reneged on their promise.

A day before the shoot.

When everything's already finalized.

When a Taiwanese actress had already flown here, to good old Malaysia, to do my film, within a limited schedule.

When a large group of actors have been scheduled to act in my school scenes.

When a large amount of money and time had been committed to the shoot.

Good old Catholic High School of Petaling Jaya, which I attended from 1997 to 2001, NONCHALANTLY went back on a deal that almost jeopardized the entire production and flushed all my money into the drain.

The reason given?

A carnival day that they conveniently did NOT tell us about until a day before the shoot. Very convenient.

RIVER OF EXPLODING DURIANS Film Shoot: Day 5

After taking a one-month break, I finally returned to phase two of my RIVER OF EXPLODING DURIANS shoot. (to the uninitiated, this is my debut feature)

Because of the break, we decided to start it with a simpler shooting day to ease me, the cast and crew, back to the film.

Floating Sun @ Rotterdam International Film Festival 2014

The Rotterdam International Film Festival has just ended today with the announcement of its 3 Tiger Award winners, they are:

Location scouting at the beautiful Cameron Highlands

I was continuing the location scouting last week for my film RIVER OF EXPLODING DURIANS, which I'm continuing to shoot in early February after taking nearly a month break. (exciting!)

So, I headed off to Cameron Highlands, which, unbelievably, I've never visited before all my life!

Photos from a very brief Taipei trip (Jan 6-11, 2014)

I was in Taipei from the 6th to the 11th of January. It's been a week since then, but only now I'm digging through my 7D's CF card to see what photos have I taken. Actually it wasn't a lot, just a few from the famous SPOT - Taipei Film House that I went to with dad and sister on my first day there. (it's also where I discovered the local band LIGHT ENGINE, which I recommended in a previous post)

And even more RIVER OF EXPLODING DURIANS production stills...

It's been three days since I got back from Taipei.

I've returned to work immediately. Firstly by finishing the editing of Ming Jin's SECOND LIFE OF THIEVES (which underwent some reshoots during my time in Taiwan), I needed to do that so I can focus on RIVER OF EXPLODING DURIANS. (not much of a multi-tasker, me)

As you know, my film had gone through an intense 4-day shoot from the 2nd to the 5th of January, the second phase of the shoot is on February. (the film has an episodic structure) So I'm going through preparations for the upcoming shoot, finalizing the cast and location, fine-tuning the script etc.

Meanwhile, my friend Joe, an aspiring filmmaker who came to the shoot to help out and served as an invaluable production assistant, had posted even more production stills of RIVER OF EXPLODING DURIANS.

This time, I'm sharing only photos that have myself in it because I'm narcissistic.

Light Engine 光引擎

I was at the SPOT - Taipei Film House (a must-visit in Taipei for all film lovers) two days ago, when a song playing in the shop caught my attention.

More photos from the first 4 days of RIVER OF EXPLODING DURIANS shoot

I'm now in Taipei, trying to recuperate after spending four intense days of filming RIVER OF EXPLODING DURIANS (my feature debut).

Kong the cinematographer, Boon the production designer and Ming Jin the producer have started posting more photos from the RIVER OF EXPLODING DURIANS shoot.

RIVER OF EXPLODING DURIANS Film Shoot: Days 2 to 4

After four intense days, I have finally completed the first leg of the RIVER OF EXPLODING DURIANS film shoot last night.

Unlike my earlier shoots, the constant development of smartphones and social media has made it possible for everyone in my team to take photos of the production, chronicling things that I myself wasn't able to see.

So once again I'm compiling Facebook posts from my producer, cast members and crew members from the last 3 days.

RIVER OF EXPLODING DURIANS Film Shoot: Day 1

January 2nd, 2014.

I started shooting my debut feature film RIVER OF EXPLODING DURIANS. It's a surreal feeling, what seemed improbable just a few weeks ago became probable.

So excited that I immediately took a selfie of myself before the shoot started.

How I started 2014... a production meeting for my debut feature, RIVER OF EXPLODING DURIANS

January 1, 2014. Woke up, and headed straight to the mamak stall near my house for a production meeting.

It was for my film, RIVER OF EXPLODING DURIANS.