Edmund Yeo

The past few days went by in an even quicker blur. Day became night, night became day, sometimes I didn't sleep, sometimes a nap is treated as a sleep, I have lost all sense of time. I went back to Malaysia for 3 nights to:

This was shot on the 6th of March (my birthday!), during the 4th day of THE TIGER FACTORY shoot. Pang the Sound Guy had to play a minor role, so it was up to the director Woo Ming Jin himself to carry the boom mic. Making films in Malaysia, you kinda have to do everything. (another 2 hours before I head off to Narita Airport)

Pearlly Chua and Lai Fooi Mun in THE TIGER FACTORY Ever since the news announcement of THE TIGER FACTORY's Directors' Fortnight selection in the Cannes Film Festival (once again, I would like to point out that the film is a Malaysian - Japanese co-production, which wasn't mentioned in the initial press release, nor written on the official website!!) I haven't been getting any proper sleep. Last night I slept (more like fell asleep before the computer) at 12am and woke up at 3am. Then after that I just started replying to many emails from some publicists and distribution companies who had interest in our film, and then had email exchanges with Prof Ando the executive producer, who was also awake.

Dear all, The past two days had been a blur. Woo Ming Jin's THE TIGER FACTORY, which I produced and co-wrote, had been selected for The Directors' Fortnight section in next month's Cannes Film Festival.

I mentioned in my previous post that the Thai-language short film that I wrote and produced, LADYBIRD'S TEARS, will be having its world premiere at the 23rd Singapore International Film Festival tomorrow (19th of April, 2010). Aside from that, both the shorts that I wrote and directed, LOVE SUICIDES and KINGYO will also be part of their Asian Shorts program. It's quite an honour to have 3 shorts that I was involved in being presented at the film festival.

Back in January, I mentioned that I was reworking somebody else's film . The film will end up being called 'LADYBIRD'S TEARS', directed by my Thai friend, Kong Pahurak, and starring Zhu Dan (who can be seen in my upcoming short THE WHITE FLOWER, which Kong acted in as well). In the previous post, I mentioned that LADYBIRD'S TEARS were assembled from footages of Kong's unfinished experimental short film STARDUST MEMORIES. I saw some potential in what he did, and decided that it would be a bit of a pity to leave the film in the can. The pictures you see here are actual screenshots of the film.

The rain 2 days ago removed most of the cherry blossoms from sight. How fleeting they were, and how hard it is to not feel a tinge of melancholy to know that I won't see them for another year.

Time for me to upload the rest of the photos I took while I was in Bratislava (check out the earlier Bratislava blog posts and photos here ). I was waiting to do this only when I was able to edit together the video I took on that particular day.

Well, dad had came for a visit since Friday. The following photo was taken on his first day here, in Shibuya.

21st of February. It was the 8th day of Chinese New Year, 2010. Some Chinese families of the Hokkien dialect group have a special praying ceremony when it's midnight, during the beginning of the 9th day. (Not mine though.) Here's from Wikipedia about the 9th day of Chinese New Year.

I'm sharing some of the first few photos I took after I got my Canon EOS 7D on the 21st of February.

I'm going to elaborate upon the previous post .

Well, it's the time of the year again for the blossoming of cherry blossoms (sakura) in Tokyo. I've managed to retrieve my old Panasonic LX-3 after sending it off for repairs prior to my trip to Bratislava, so I managed to snap a couple of photos with it last night when I was at Toho Studios. Nowadays I actually carry two cameras around, my LX-3 (it's more inconspicuous) and my Canon 7D... which I use only when I want to take photos that can only be taken with a DSLR. So for now I'll just share the photos that I took with the Panasonic LX-3. The entire story of why I was in Toho Studios will come later.