Guardians of the Galaxy

(Wrote my thoughts on GUARDIANS OF THE GALAXY on Facebook just now, I'll post it here too, with slight revisions)

The Kirishima Thing (桐島部活やめるってよ)

Once in a while, when I have witnessed something brilliant, I need to post it on this blog just to help myself remember.

THE KIRISHIMA THING (桐島部活やめるってよ) is a film that I've been curious about for a rather long time. Last year, my professor, Ando-sensei, told me that this was one of his favourite Japanese films of the year. It ended up winning both the Best Director and Best Film awards at the Japan Academy Awards.

After missing its screening at last September's Japanese Film Festival (a festival for Japanese films had been held annually in Malaysia for the past decade), I finally got to watch the film yesterday.

反堕胎短片 (a list of anti-abortion short films to cheer myself up...?)

(This post will be in Chinese. Many friends of mine in the industry had been making anti-abortion short films in the last few weeks for a competition, I'm sharing some of their works, but there are no English subtitles. Though I think some films below CAN be watched without subtitles...)

最近， 好多电影圈里的朋友们都参与了这个以“选择； 生命”为主题的华语微电影比赛， 主要都是拍一些反堕胎的短片。

以下的，都是他们的作品！

Lost a friend on MH17

Yesterday, a Malaysian Airlines plane crashed in Ukraine. It was shot by a missile.

298 people were killed.

Just now, I found out that I someone I know was actually on the plane.

Her full name was Shubashini Jeyaratnam, but I knew her only as Shuba (Shuba Jaya was her stage name). She was on the plane with her husband Paul and her baby daughter Kaela.

My memories of World Cup matches

The World Cup finals ended two days ago, and I finally got a good night's sleep. I can finally say goodbye to the days when I have to wake up at 4am with dad to catch a match, and go back to my normal routine (... of sleeping at 4am instead)

After a nice World Cup-less night of sleep, I woke up and read some articles on Grantland (it's one of my favourite daily reads these days). Ever since my mom discontinued subscription to The Star newspapers earlier this year, the internet became my replacement for "things to read while having breakfast", after all, it's hard to kick off a routine that I had for more than twenty years.

What caught my eye today was Brian Phillips' article, Full Time: Fading Images of the World Cup, which has one of the most beautiful paragraphs ever about sports-watching.

Watching sports is, among other things, a special way of experiencing time. Sport is like music or fiction or film in that, for a predetermined duration, it asks you to give it control over your emotions, to feel what it makes you feel. Unlike (most) forms of art, though, a game has no foreordained plan or plot or intention. The rules of a game impose a certain kind of order, but it’s different from the order of an artwork. A movie knows where it wants to take you; no one can say in advance where a game will go. All of its beauty, ugliness, boredom, and excitement, all of its rage and sadness emerge spontaneously out of the players’ competing desires to win. For however long the clock runs, your feelings are at the mercy of chance. This happens and then this happens and then this happens. You’re experiencing, in a contained and intensified way, something like the everyday movement of life.

Post by Edmund Yeo.

I guess this is one of the main reasons I have been following the NBA for more than two decades, the relationship with time is apparent, watching players arrive, grow and then retire, being replaced by other younger players, it's a cycle that is both beautiful and horrifying, just like life. As a child, these NBA players are larger-than-life Greek gods, performing superheroic feats in a battle for eternal glory, as I grow older, I started noticing that the players are becoming younger and younger, and players I have watched in my teens are gone, one by one, some disappearing, some becoming coaches, I recognize some names, either from memories of watching them in rare telecasts during weekends, or through the NBA Live games that I used to play on the Playstation.

Rediscovering productions photos from CHICKEN RICE MYSTERY, my first ever short film in 2008

In the last few months when I worked on my debut feature RIVER OF EXPLODING DURIANS, I couldn't help but remember my own experiences of six years ago, when I was shooting my first ever short film, CHICKEN RICE MYSTERY, in 2008.

It's been six years, and I've done countless projects since then. But the fresh feeling of working with a professional cast and crew for the very first time continues to linger in my mind. Nothing makes me feel more excited than a film shoot, and it's a good thing that nothing has changed in these six years.

Post by Edmund Yeo.

Yangsze Choo's THE GHOST BRIDE

Last July, my friend Lydia sent me an article about a US-based Malaysian author Yangsze Choo, whose debut novel THE GHOST BRIDE had just been released.


The author was a family friend from Lydia's childhood.

In the book, its protagonist Li Lan receives a proposal of marriage from the wealthy family of Lim Tian Ching, a young man who died of fever a few months earlier.

My Instagram photos from RIVER OF EXPLODING DURIANS

Over the past half a year since I was location scouting for my film RIVER OF EXPLODING DURIANS, or during its production, I had taken quite a lot of photos. Some were uploaded immediately, some I uploaded only recently.

Doghouse 73 Pictures - James Lee's attempt to bring Malaysian independent cinema to all

A few days ago, filmmaker and pal James Lee won an award for Best Content at the DiGi WWWOW Awards with his brainchild, Doghouse 73 Pictures.

This is quite a big deal because the WWWOW Awards is the Malaysian equivalent of the Webbies, and it is recognising James' efforts in the last year and a half to bring Malaysian independent cinema to the internet for everyone.

Post by James Lee.

James, as some of you might know, is one of the pioneers of local independent films, having made his own self-financed films in the early 2000s when digital filmmaking technology started becoming attainable for the public. What he did then would lead to the attention of international film festivals, and a movement that was then known as the "Malaysian New Wave" with other filmmakers like Tan Chui Mui, Liew Seng Tat, Yasmin Ahmad, Ho Yuhang and my regular collaborator Woo Ming Jin. Regardless of what people in the country would think, James' place in the history of Malaysian Cinema is more or less assured.

Me vs Malaysian Moviegoers

#172940788 / gettyimages.com

I go to the movies almost every week, and had dealt with my share of unruly moviegoers in the cinema. I had a particularly annoying experience yesterday when I went to THE ROVER (the Australian film by David Michod that stars Guy Pearce and Robert Pattinson), but more on that later.

I decided to compile the tweets or FB statuses I have posted this year which I bitch about people lacked cinema manners.

Finishing up RIVER OF EXPLODING DURIANS

Ever since I finished the principal photography for RIVER OF EXPLODING DURIANS in early March, I have been spending my time editing and then tinkering with it. It's actually a habit of mine, that I'm never satisfied with the editing of my works until it has finally premiered somewhere, and I know that I can't touch it anymore.

I spent the whole first week of June doing the reshoots for Ming Jin's SECOND LIFE OF THIEVES, then I shot an extra sequence for RIVER OF EXPLODING DURIANS with almost the same skeletal crew.

The new sequence involved the lead actress Daphne, and a child actress Zoe, who was supposed to play the child version of the protagonist.

培才华小的杰出校友？ Notable alumni in Puay Chai primary school？

去年十月， 我母校培才华小欢庆建校90周年， 出版了纪念特刊。 很荣幸被列为培才杰出校友校友之一。 感恩。

以下是特刊给我的特写：

Finishing up SECOND LIFE OF THIEVES

Immediately after I returned from Tokyo, I headed off to do the reshoots for Woo Ming Jin's SECOND LIFE OF THIEVES (which I co-wrote, produced and edited).

A farewell to my second home in Tokyo, a revisiting of memories.

I have finally returned to Malaysia today after taking a 10-week sabbatical in Tokyo (needed to recuperate from the RIVER OF EXPLODING DURIANS shoot, while enjoying the cherry blossoms season).

During the last few weeks, I have been cleaning up my room in Tokyo, the same dorm room that I've been staying at since 2008. Even though I finished my doctorate last March, I had yet to officially check out from this room because I had so many things in it. This time, I was supposed to put an end to this chapter of my life.

In 2008 to 2010, my wall was covered with film flyers that I collected from cinemas and film festivals, and also photos of nice celebrities. Since I was going to live such a solitary life, I figured that having some happy-looking faces around me would lighten up the atmosphere.

My Thomas Cup Finals 2014 commentary

So, the Thomas Cup Finals had just ended. Malaysia made the finals after a 12-year-drought, but lost, which continues a 22-year-drought. No big deal, when more than two thirds of my life had been filled with disappointment, the pain just becomes a sort of numbness. Am I right? Right?

WATCH: James Lee's new short film ALL FOR LOVE 为了爱 starring Daphne Low

Oh goody, Malaysian independent film pioneer James Lee (and producer of my last short film FLOATING SUN) has just uploaded his new short film ALL FOR LOVE.

Here's the mysterious synopsis:

A girl sends her old SLR camera to a reclusive camera repair master. In the course of getting the camera fixed, the girl develops a special relationship with the master.

Of course, you have to watch the 12-minute short film yourself to know the nature of this special relationship.

The beautiful visuals of THE CRANES ARE FLYING and I AM CUBA

Last week, when the Cannes Film Festival was about to begin, many film sites that I've been following started publishing their lists of best Palme d'Or winners. I figured it would be a good time to catch up with some of them, especially the older ones.

In Praise of Shiina Ringo's Music Videos

Last month, after getting hold of her two albums UKINA 浮き名 and MITSUGETSU-SHO 蜜月抄 (both albums were released to commemorate her 15th anniversary in the music industry), I became addicted to the songs of Shiina Ringo 椎名林檎 again.

Edward Yang

(I posted this on Facebook in December 9, 2014. I'm going to expand upon it.)

Post by Edmund Yeo.

Last December, it started out as a Hou Hsiao-Hsien marathon. The original intention was to watch films directed by Hou Hsiao-Hsien, but I ended up watching the film which featured his one and only starring role. Edward Yang's TAIPEI STORY (Hou was also the producer).

And because of this, I finally completed every single Edward Yang film in his oeuvre. Unintentionally. Because I didn't want it to end so early.

One of my favourite directors ever. And, in my opinion, one of the greatest. His works had influenced me a lot. I wrote more about my own experiences with the works of Edward Yang in June 29, 2012, marking the 5th anniversary of his death. That was before I watched MAHJONG and the first two films of this career, THAT DAY ON THE BEACH and TAIPEI STORY (I watched both in 2013, on Youtube, because both films are notoriously difficult to find).

The first Edward Yang film I saw was YI YI, that was 2007, shortly after his death. I was mesmerized by his brilliance. YI YI would become my main influence when it came to editing Ming Jin's films telemovie DAYS OF THE TURQUOISE SKY (2007), because its ending, where the protagonist summarized his thoughts on CATCHER IN THE RYE, was a homage to YI YI's ending.

Found some long-lost photos from a 2005 trip in China!

Selfie, 2005

My time in Tokyo is coming to an end.

After my graduation last March, I was supposed to leave the Wakeijuku Dormitory that I had been staying since 2008. (Haruki Murakami used to stay here too!) After all, the place was meant only for students.

Clean up and clear my room. Then return to Malaysia.

But that turned out to be too difficult. Many things were left in the room before I left.

I promised them that I would come back "in a few months" to clean everything up. I came back almost a year later. The folks in the dorm were kind enough to leave my room vacant for this whole period of time.

So, right now, I am trying to put an absolute end to a chapter of my life, even though it really should have ended last year.

Spent the last few days clearing things up, throwing a lot of old stuff which, as expected, left me a little nostalgic.

I used keep many of my data in blank DVDs, I decided to get rid of this whole pile of them by transferring most of the data into a new hard disk I bought.

I was surprised that many of the data dated from 2004 to 2006, during my time in Perth. My music and movie collection. Those were the times when those films I had were in .mpg or .rmvb formats. Very low resolution. It was amusing.

My music collection surprised me a little, when it dawned upon me that I have been listening to such bands like Ego-Wrappin', Deerhoof, Arcade Fire for nearly a decade.

A few hours ago, I went through a data disc and found only photos in it. They were actually photos taken during a family trip in China around December 2005. This blog has already existed then, in fact, some of my earliest Youtube videos posted in this blog were videos of this particular trip. There were even a few heavily photoshopped photos here and here.

But why did I choose only those few photos to upload? What about the rest?

For nearly 9 years, I thought I've lost these photos!

Looking at them now, even though my photography skills then weren't as good, and I was using only a cheap Canon Powershot camera, I don't think they were that bad at all!

More and more, this blog has become a place to help me remember things. Therefore I decided to upload all those remaining photos on Facebook, and also put them here.

Finished Charles Yu's THIRD CLASS SUPERHERO in a day. Loved it.

I bought this book at least 2-3 years ago. (Probably closer to 3 than 2, I am not sure) It was an accident, I was ordering a graphic novel on Amazon, this book was recommended to me, I figured it was another graphic novel (by an Asian American artist? okay!), so I bought it too.

The next day, when the books arrived, I was surprised that Charles Yu's THIRD CLASS SUPERHERO turned out to be a collection of short stories, and not a graphic novel ("whaaat? no pictures?" I whined to myself, becoming a parody of people I despised)

Because I had so many other books to read then, I put it aside. Years passed. It was then left in a box at the corner of a room in Tokyo that I left vacant for ten months. I found it again only a few days ago, in the almost-forgotten box with my almost-forgotten stuff that I left here.

Having spent the entire week working on the music of RIVER OF EXPLODING DURIANS with my composer, I finally got to rest. Yesterday evening I was supposed to go to Ogikubo. A train ride there would take 16 minutes, return trip would be 32 minutes. So I took the book along with me and spent the whole time reading. In that amount of time, I managed to finish 2-3 of the 11 short stories in the book. I was intrigued.

After a night and a day, I finally finished the book. There are some stories that stood out to me:

WATCH: GIRL IN THE WATER short film by Jeppe Ronde and Woo Ming Jin that I produced

Hm, the short film's been online since early last year but I've never posted about it. Speaks a lot about how low-profile I am, yeah?

Anyway, this is GIRL IN THE WATER, a 2011 short film co-directed by Ming Jin and Danish director Jeppe Ronde as part of a collaborative project set up by CPH: DOX (that's the Copenhagen International Documentary Festival), I was one of the producers and editors.

GIRL IN THE WATER stars the Thai actress Sajee Apiwong and chronicles the plight of a young Thai woman who got washed upon the shores of Malaysia.

The passing trains of Hou Hsiao Hsien's Café Lumière

A few days ago I decided to catch The Amazing Spider-man 2 in Shinjuku. The only available ticket was the 10pm show at night, I bought it and went to Akihabara for a walk.

Wandering aimlessly, I found myself at an area that I've never been to before.

李安对话张艺谋 Dialogue Between Ang Lee and Zhang Yimou

听了两位大导演的话， 有很大的感触和启发。

的确， 很多时候， 也觉得自己不是在导电影， 而是电影在导我。

Obama in Malaysia

U.S. President Barack Obama's visit to Malaysia last weekend was quite a big deal to many in the country because it was the first time in 48 years when the president of United States came to visit us small Malaysians. (last one was Lyndon B. Johnson) That's why I have to post this for remembrance.

A few days before that, he was in Tokyo.

I didn't know about it until I was in Ginza, where the entire place was swarmed with police, roads were blocked, and lots of news team around.

WATCH: James Lee's 2007 TV film BERNAFAS DALAM LUMPUR

A few days ago, Malaysian independent film pioneer James Lee (and also producer of my last short film FLOATING SUN :D ) uploaded his entire 2007 TV movie BERNAFAS DALAM LUMPUR (English title: BREATHING IN MUD) online.

I remember catching this on TV the day it was aired seven years ago. The film starred numerous actors whom I have collaborated with a few months earlier in the TV films I produced, KURUS (English title: DAYS OF THE TURQUOISE SKY): Nam Ron, Mislina Mustaffa, Mohammad Hariry, Azman Hassan etc.

It tells the story of a man, Meor (Hariry) long thought to be dead, returning to his wife (Mislina), who has now remarried his best friend Din (Nam Ron).

Yes, like KURUS, this was a TV movie commissioned by NTV7. If this is online, I wonder whether it's possible for me to upload KURUS in its entirety as well?

Here's the film:

Finishing Roberto Bolano's THE SAVAGE DETECTIVES in Bali

I discovered Roberto Bolano during my 2007 trip in Chile. That was my first ever trip to a film festival as an invited filmmaker (went there as producer for ELEPHANT AND THE SEA, which was in competition), and also a prelude of the many solo travelings that I would do after that.

My routine in these (film festival) trips has remained mostly the same. When I'm not attending the film festival, I would be taking solitary walks around recommended places, snapping photos, and then taking a break somewhere for food or coffee, in which I would take out a book to read. Otherwise, I would just head into a nearby bookstore to look through the books.

On the day that I was about to leave Santiago, I decided that I had a few hours to kill, so I went to the shopping mall next to my hotel and hung out at the bookshop. A few days earlier, someone had recommended Bolano's works to me, so I was curious to read them. There was a bookshelf full of his works, and I decided to check out his short story collection LAST EVENINGS ON EARTH, because it sounded like a science fiction novel (it really sounded like A. A. Attanasio's underrated sci-fi epic novel THE LAST LEGENDS OF EARTH, right?)

Of course, when I went through the short stories, I realized there was nothing remotely science fictionish about them at all. They were all stories narrated by struggling writers living at the margins. I think I only got through a 2-3 stories before I had to rush to the airport, but he left an impression.

In the few years since then, I have bought 2666 at a bookshop in Roppongi, which I have yet to read because I wanted to read THE SAVAGE DETECTIVES first.

I started THE SAVAGE DETECTIVES early last year. I went through the first section (book is divided into 3 sections) very swiftly. It's narrated by a 17-year-old aspiring poet named Juan Garcia Madero and chronicles his encounters with a group of poets who call themselves the "Visceral Realists", and also his string of love affairs.

The second section (which is two thirds of the novel's entire length) is a sudden shift in style and is the centerpiece of the novel. Spanning twenty years with dozens of narrators, it is a series of interviews with people (around the world) who had contact with the two leaders of the Visceral Realists, Arturo Belano and Ulises Lima. The book becomes as much about the two as it is about the narrators, and also the time and place around them.

Due to the density of the novel, and also because the novel I read before this was Gao Xingjian's SOUL MOUNTAIN, I was too mentally exhausted. So I took a break from it after reaching the 200 page-mark. That was around May 2013.

Kecak Dance in Uluwatu, Bali

The night before I left Bali, I managed to watch the famous Kecak Dance in Uluwatu. It was an experience unlike any other.

Bali was indeed beautiful

During my 10 days in Bali (I was there because I rented my camera out for an Indonesian-Japanese co-production film shoot), I managed to see some beautiful sights.

Cherry Blossoms in Tokyo 2014

Over the years I have taken quite a few photos of cherry blossoms in Tokyo.

The beauty of the sakura season is that everything is so fleeting, we just have to make the best of it. I guess that's the difference between a place like Japan and Malaysia. Malaysia is a tropical country where everything remains in perpetuity, summer lasts for 365 days, 7 days a week, 24 hours a day, giving off an illusion of eternity, whilst Japan, with the cycle of seasons, and especially the short lovely sakura seasons, is constantly reminding me of impermanence, illustrating the passage of time.

Kumi Odori 組踊, Shikina-en 識名園 and Okinawa

When I was 14, I wanted to visit Okinawa because I fell in love with an Okinawa girl.

Unfortunately, said Okinawa girl was a member of Japanese pop group called SPEED (... where all four members were from Okinawa).

Looooong after my teens ended, I finally had the chance to fulfil my dreams when I was invited to the Okinawa International Film Festival last month to be one of the speakers at the Asia Content Gathering Symposium (other speakers include my pal Lim Kah Wai the Osaka-based Malaysian filmmaker, the Okinawan filmmaker Soichi Takayama and Cambodia Film Commission CEO Cedric Eloy).

Rest in peace, Gabriel Garcia Marquez

I was in Bali the past 10 days for a film shoot that I wasn't exactly involved in. (Basically, I was renting out my Blackmagic Cinema Camera for an Indonesian-Japanese film shoot, and had to stay around to ensure that no one was going to break my camera... of course, a free trip to Bali, which I've never gone before, was too tempting an offer to turn down)

While I was seemingly trapped in a time warp (like all film shoots tend to feel, despite my lack of involvement in this one), many things had happened in this world, mostly tragedies. One of my favourite wrestlers from my childhood, THE ULTIMATE WARRIOR, passed away on the day that I was flying off to Bali.

Since then, there was the South Korean ferry disaster in April 16, followed a day later, on April 17, by the deaths of Malaysian opposition politician Karpal Singh and literary giant Gabriel Garcia Marquez.

Now that I am back in Malaysia for a day before I return to Tokyo tomorrow, I feel nothing but melancholy for the recent losses.

Making sense of the Malaysian Chinese experience

Recent circumstances, especially constant questions from my comrades from China, had caused me to evaluate my place as a Malaysian Chinese.

REUNION 我們都是這樣長大的 (1986), a Taiwanese film that haunted my memories since I was 12

When I was 12, I caught a film on TV.

The film follows the lives of a group of elementary school students and their teacher. I was initially interested because the children were my age, and the teacher in the film was dedicated, like the teacher I was having then, Teacher Thor (that's her family name, yeah, but we all call her "Tu Lao Shi", which means Teacher Thor in Chinese).

But I was slightly surprised when there were a few time skips in the film. The children suddenly became teenagers, and there was a class reunion with their teacher (that led to tragedy).

They then became adults, and had another reunion, this time for a wedding. I remember that one of the main boys was in love with the bride.

I didn't exactly finish the film, but a few of these scenes remained vivid until this very day (the teacher's fiancee sacrificing himself to save a drowning student during one of the class reunions, and also the aforementioned wedding). Perhaps the film was mesmerizing to me because it seemed to suggest what things are like in this journey of life, when I were to move to my teens, and then my adulthood.

When I returned to school the next day, I was surprised that my teacher, Tu Lao Shi, was talking excitedly about the film too, along with a few classmates of mine.

Yet I never knew what the film title was. It was possibly my very first exposure to a Taiwanese film.

RIVER OF EXPLODING DURIANS postproduction adventures

No, the process of postproduction, so far, had not been an adventure.

But it's been a week since I came back to Tokyo, just so I could work on this film with utmost concentration, and solitude.

Turning 30

So, I turned 30 yesterday. A while ago, I looked at it with slight trepidation, I don't think I was prepared to say goodbye to my twenties just like that.

The final days of the RIVER OF EXPLODING DURIANS shoot (Cameron Highlands, protesters etc.)

Today's the last day of my twenties. I'm just doing what I like best, going through the post-production of my film, RIVER OF EXPLODING DURIANS.

So, while I have to wait patiently for the tedious process of syncing the audio and video before I start editing, I'm just going to revisit the final days of the shoot.

Shooting RIVER OF EXPLODING DURIANS at the 140-year-old annual Johor Parade of the Gods

On February 20th, my RIVER OF EXPLODING DURIANS team and I headed off to Johor to shoot our ending. The reason why we were willing to endure a 4+ hour trip was because we wanted to catch the annual Johor "Parade of the Gods", a Chingay Parade that has been going for more than 140 years.

More photos from phase 2 of the RIVER OF EXPLODING DURIANS shoot

Due to the episodic nature of the film, THE RIVER OF EXPLODING DURIANS film shoot is divided into three phases, with a rotating cast and crew.

Phase 1 happened in early January.

Phase 2 happened from February 5 to 14.

My team members had some pretty cool collection of photos from Phase 2.

School scenes from the RIVER OF EXPLODING DURIANS film shoot

After 9 intense days, the second phase of RIVER OF EXPLODING DURIANS film shoot is finally over.

In my earlier post, I lashed out at my former high school Catholic High School for reneging on a deal to let me shoot within their premises... just a day before the shoot.

In the end, thankfully, we found a new school to shoot the film. But I remain disappointed with Catholic High's unprofessionalism.

Anyway, I will never forget this.

Other than that, these are the photos taken during the two days that I was shooting the school scenes.

WATCH: James Lee's new short THE GIRL FROM TOMORROW, starring Joseph Germani and Koe Yeet

Open letters to Catholic High School PJ

Last night. I wrote an open letter to Catholic High School.

This happened because, a few weeks after agreeing to let me shoot RIVER OF EXPLODING DURIANS within their premises, they suddenly reneged on their promise.

A day before the shoot.

When everything's already finalized.

When a Taiwanese actress had already flown here, to good old Malaysia, to do my film, within a limited schedule.

When a large group of actors have been scheduled to act in my school scenes.

When a large amount of money and time had been committed to the shoot.

Good old Catholic High School of Petaling Jaya, which I attended from 1997 to 2001, NONCHALANTLY went back on a deal that almost jeopardized the entire production and flushed all my money into the drain.

The reason given?

A carnival day that they conveniently did NOT tell us about until a day before the shoot. Very convenient.

RIVER OF EXPLODING DURIANS Film Shoot: Day 5

After taking a one-month break, I finally returned to phase two of my RIVER OF EXPLODING DURIANS shoot. (to the uninitiated, this is my debut feature)

Because of the break, we decided to start it with a simpler shooting day to ease me, the cast and crew, back to the film.

Floating Sun @ Rotterdam International Film Festival 2014

The Rotterdam International Film Festival has just ended today with the announcement of its 3 Tiger Award winners, they are:

Location scouting at the beautiful Cameron Highlands

I was continuing the location scouting last week for my film RIVER OF EXPLODING DURIANS, which I'm continuing to shoot in early February after taking nearly a month break. (exciting!)

So, I headed off to Cameron Highlands, which, unbelievably, I've never visited before all my life!

Photos from a very brief Taipei trip (Jan 6-11, 2014)

I was in Taipei from the 6th to the 11th of January. It's been a week since then, but only now I'm digging through my 7D's CF card to see what photos have I taken. Actually it wasn't a lot, just a few from the famous SPOT - Taipei Film House that I went to with dad and sister on my first day there. (it's also where I discovered the local band LIGHT ENGINE, which I recommended in a previous post)

And even more RIVER OF EXPLODING DURIANS production stills...

It's been three days since I got back from Taipei.

I've returned to work immediately. Firstly by finishing the editing of Ming Jin's SECOND LIFE OF THIEVES (which underwent some reshoots during my time in Taiwan), I needed to do that so I can focus on RIVER OF EXPLODING DURIANS. (not much of a multi-tasker, me)

As you know, my film had gone through an intense 4-day shoot from the 2nd to the 5th of January, the second phase of the shoot is on February. (the film has an episodic structure) So I'm going through preparations for the upcoming shoot, finalizing the cast and location, fine-tuning the script etc.

Meanwhile, my friend Joe, an aspiring filmmaker who came to the shoot to help out and served as an invaluable production assistant, had posted even more production stills of RIVER OF EXPLODING DURIANS.

This time, I'm sharing only photos that have myself in it because I'm narcissistic.

Light Engine 光引擎

I was at the SPOT - Taipei Film House (a must-visit in Taipei for all film lovers) two days ago, when a song playing in the shop caught my attention.

More photos from the first 4 days of RIVER OF EXPLODING DURIANS shoot

I'm now in Taipei, trying to recuperate after spending four intense days of filming RIVER OF EXPLODING DURIANS (my feature debut).

Kong the cinematographer, Boon the production designer and Ming Jin the producer have started posting more photos from the RIVER OF EXPLODING DURIANS shoot.

RIVER OF EXPLODING DURIANS Film Shoot: Days 2 to 4

After four intense days, I have finally completed the first leg of the RIVER OF EXPLODING DURIANS film shoot last night.

Unlike my earlier shoots, the constant development of smartphones and social media has made it possible for everyone in my team to take photos of the production, chronicling things that I myself wasn't able to see.

So once again I'm compiling Facebook posts from my producer, cast members and crew members from the last 3 days.

RIVER OF EXPLODING DURIANS Film Shoot: Day 1

January 2nd, 2014.

I started shooting my debut feature film RIVER OF EXPLODING DURIANS. It's a surreal feeling, what seemed improbable just a few weeks ago became probable.

So excited that I immediately took a selfie of myself before the shoot started.

How I started 2014... a production meeting for my debut feature, RIVER OF EXPLODING DURIANS

January 1, 2014. Woke up, and headed straight to the mamak stall near my house for a production meeting.

It was for my film, RIVER OF EXPLODING DURIANS.

My 20 Biggest Moments in 2013. Based on Facebook

Facebook had listed out my 20 biggest moments of 2013. I'm glad I have a social media site to do this for me based on the amount of likes I got on my Facebook status updates.

My 10 favourite Anita Mui film roles

The Cantopop superstar Anita Mui passed away from cancer exactly ten years ago.

I remember what I did ten years ago when I heard of the news. It was morning, my family and I were heading off to Singapore for vacation. Her death cast a pall upon my heart, that day, on the road to Singapore, the songs of Anita Mui constantly played on radio.

While I grew up listening to her songs (Bad Girl, with the memorable "Why, why, tell me why" lyrics, was a childhood favourite) and had even attended one of her concerts in Singapore, I knew Anita Mui more as an actress who starred in many great Hong Kong film classics.

It's been a decade since her passing. I will sift through my own memories and list out ten of my favourite Anita Mui films (or film roles), from earliest to latest.

My Hou Hsiao-Hsien marathon

I'm ashamed to admit that prior to the beginning of this month, I have only seen two Hou Hsiao-Hsien films, and both are his latter day works: MILLENNIUM MAMBO (2001) and CAFE LUMIERE (2003).

Every time I watch MILLENNIUM MAMBO's opening, my heart flutters.


In order to rectify my lack of knowledge regarding Hou Hsiao-Hsien's body of work (and also for filmmaking reasons), I decided to go on a Hou Hsiao-Hsien marathon of sorts. I have heard that his best works are the ones from the 80s to 90s, those were times when he was more interested in making films related to Taiwan's history.

An essay I wrote at the age of 10 made me seem like a closet psychopath

A friend back in primary school managed to dig out a book of collected student essays. Turned out that my autobiographical piece was in it.

Lav Diaz's 6-hour film, CENTURY OF BIRTHING (2011)

For the past few years, I have always wanted to catch a film by the Filipino director Lav Diaz. Most of his films are longer than four hours (his longest being close to 10 hours), yet he is prolific to make at least a film a year. How is that even possible???

Finished the principal photography on Woo Ming Jin's SECOND LIFE OF THIEVES

After 14 gruelling days, we're finally done with Ming Jin's SECOND LIFE OF THIEVES shoot. For me, the strange about film shoots is that they always seem longer than they really are. It's not because they are miserable so time seems to flow very slowly, it's just that so many things happen in one day that when everything is over, you realize you've gone through a range of emotions that you usually would go through in a longer span of time.

More misadventures on the set of Woo Ming Jin's new film SECOND LIFE OF THIEVES

Here's a photo by our Art Director Gabby, which showed actress Emily practising her slapping moves on Ming Jin and I. Epic. That was the 7th of November.

Post by Edmund Yeo.

Woo Ming Jin's SECOND LIFE OF THIEVES begins principal photography

SECOND LIFE OF THIEVES is Woo Ming Jin's latest feature film that I'm producing, co-writing and (probably) editing. We have been shooting the film since Nov 4.

This marks Ming Jin's first independently-financed project since 2010's THE TIGER FACTORY (between this period of time, he also did commercial fares like the found-footage horror SERU, this year's hit zombie film KL ZOMBI and the upcoming MAMAK CUPCAKE)

An epic film that spans more than 30 years, SECOND LIFE OF THIEVES is about a village head trying to investigate a series of mysterious deaths in his village while dealing with his catatonic daughter, and remnants of feelings from a passionate affair during his youth.

WATCH: James Lee's 2000 debut feature film SNIPERS

Malaysian independent cinema pioneer James Lee has uploaded another one of his feature films onto Youtube.

Documentaries I saw at the Xi'An International Folk Video Festival 2013

On the October 25th to 29th, I was serving as a jury member at the Xi'An International Folk Video Festival 2013.

Adventures in the Biennale College at Venice (Part 2)

It's been a week since I got back from the Biennale College in Venice.

Now I'm back in the airport, preparing to fly off to Xi'An, China.

But before that, I want to remember my last two days in Venice.

Adventures in the Biennale College at Venice

The Biennale College is a new initiative started last year by the Venice Film Festival to help support new directors around the world who are trying to do their first or second feature film.

This year, I was one of the twelve directors selected by the Biennale College to develop my feature film project.

We Have Lost Even This Twilight: Remembering my trip to Pablo Neruda's houses in 2007

Last night, a friend posted on Facebook a Chinese translation of Pablo Neruda's CLENCHED SOUL (which was retitled as "We have lost even this twilight", just like the original Spanish title).

我們甚至失去了黃昏
詩／聶魯達　譯／李宗榮

我們甚至失去了黃昏的顏色。
當藍色的夜墜落在世界時，
沒人看見我們手牽著手。

從我的窗戶中我已經看見
在遙遠的山頂上落日的祭典。

有時候一片太陽
在我的雙掌間如硬幣燃燒。

在你熟知的我的哀傷中
我憶及了你，靈魂肅斂。

彼時，你在哪裡呢？
那裡還有些什麼人？
說些什麼？
為什麼當我哀傷且感覺到你遠離時，
全部的愛會突如其然的來臨呢？

暮色中如常發生的，
書本掉落了下來，
我的披肩像受傷的小狗踡躺在腳邊。

總是如此，
朝暮色抹去雕像的方向
你總是藉黃昏隱沒。

Clenched Soul

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.

I have seen from my window
the fiesta of sunset in the distant mountain tops.

Sometimes a piece of sun
burned like a coin in my hand.

I remembered you with my soul clenched
in that sadness of mine that you know.

Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?

The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.

Always, always you recede through the evenings
toward the twilight erasing statues.

Seeing the poem, I cannot help but remember my pilgrimage to his three houses, La Chascona, La Sebastiana and Isla Negra, in Chile back in 2007. Has it been six years already? It felt like another life. I was in Chile for the Santiago Film Festival (SANFIC), it was the first ever film festival I attended either as a producer or a director. I went there for Ming Jin's THE ELEPHANT AND THE SEA, and stayed in Chile two days after the festival ended so that I could visit all of the houses.

The idea of attending a friend's wedding had always been...

The idea of attending a friend's wedding had always been a scary one. They remind him of the passing of time, or his inability to find love.

Yet this was an invitation that he was unable to turn down.

Honen-in Temple and Junichiro Tanizaki

I'm at Kansai Airport while I'm writing this, waiting to fly away.

Yesterday, I visited the famed Ginkakuji Temple and took a stroll through the Philosopher's Path. I wasn't sure what to expect from this solitary journey, except to be alone with my thoughts as I absorb the sights, the sounds, the scent of this historic place.

There were some temples and shrines along the way, I decided to pick one randomly to visit.

A stroll through Ginkakuji Temple and the Philosopher's Path

By the time this is posted on the blog, I am a few hours away from flying back to Malaysia.

On Saturday, I got sidetracked by cheerleaders and cosplayers at Heian Temple, and then by a great art exhibition at the National Museum of Modern Art, Kyoto, when I was on my way to Ginkaku-ji 銀閣寺, the Temple of Silver Pavilion. By the time I reached Ginkaku-ji in the evening, I was already closed.

Therefore, Sunday, my final day in Kyoto, I decided to rectify this regret of mine by heading straight to Ginkaku-ji right after lunch.

To experience the place for myself.

So I entered Ginkakuji (which is officially known as Jisho-ji 慈照寺).

GLORIA & LEON, a video installation by Miwa Yanagi

The original plan yesterday was to visit Ginkakuji and walk the Philosopher's Path, but my plans were foiled by a sudden afternoon rain.

So I took shelter at the National Museum of Modern Arts, Kyoto, and also bought a ticket to check out their "Reading Cinema, Finding Words: Art after Marcel Broodthaers" exhibition.

This is how the exhibition was described on the Museum website:

Cheerleaders and Cosplayers at Heian Shrine, Kyoto

I've been in Kyoto the past few days because I was invited to screen my short films and give a talk at Kyoto University on the 6th of September.


The following day, I decided to explore Kyoto. (my last visit in Kyoto was December 31, 2008, and chronicled on this epic video, that's a lifetime ago) My first thought was to go to the Philosopher's Path and the legendary Ginkaku-ji for a leisurely stroll. My last visit there was in 1999-2000, my memories of that place were entirely hazy.

After lunch, I hopped onto a bus, heading towards my intended destination.

However, when I passed by Heian Shrine 平安神宮, a few things caught my eye:

WATCH: Video of the 3 DOORS OF HORRORS world premiere

I mentioned that 3 DOORS OF HORRORS (which features my new short film FLOATING SUN) has been uploaded on Youtube last Saturday. But prior to that, we actually had two great physical screenings of the omnibus film.

WATCH: 3 DOORS OF HORRORS 鬼節:三重門, a 45-minute horror omnibus film (featuring my new short film FLOATING SUN)

3 DOORS OF HORRORS 鬼節:三重門, which my new short film FLOATING SUN is a part of, was uploaded on Youtube a week ago.

Directing 101 with Edmund Yeo

Another four more days and everyone will get to watch 3 DOORS OF HORRORS on Youtube, the omnibus film that my new short film FLOATING SUN is part of.

FLOATING SUN features a floating corpse, and it wasn't easy to tell my actress how to not just act as a floating corpse, but to become one.

Luckily, produce James Lee had managed to snap a few important shots of my efforts in directing these challenging scenes, and he had posted this on Facebook, which cracked me up.

Introducing Ng Ken Kin and Leroy Low (the other two directors of the "3 Doors of Horrors" omnibus)

I first met Ng Ken Kin and Leroy Low, the other two directors of "3 DOORS OF HORRORS" in March, when James Lee gathered us all for a meeting about the omnibus project. Each of us has vastly different backgrounds, Ken Kin is a veteran in the film and TV industry who had done quite a lot of short films and TV programs. Leroy is a young music video director who had done a few music videos with some of the most popular Chinese pop stars in the country during the last two years.

"3 Doors of Horrors" (omnibus with my latest short film) on The Hollywood Reporter

August 17th, exactly a week from now, my new short film FLOATING SUN, which is part of the "3 DOORS OF HORRORS" omnibus horror will be launched online.

It's great to see this being covered by The Hollywood Reporter yesterday.

Jia Zhangke's PLATFORM, Fatih Akin's EDGE OF HEAVEN... and Cucurrucucu Paloma

The preparation of a new screenplay is filled with challenges, and tiny little joys.

The past two days, in order to get into the right mood to write a new story, I was watching films that are relevant to what I intend to do.

Two days ago, I finally caught Jia Zhangke's monumental PLATFORM (2000). I was overwhelmed by its ambition and scope, its execution and style reminded me of the earlier works of Theo Angelopoulos (THE TRAVELLING PLAYERS and ALEXANDER THE GREAT came to mind, I think Angelopoulos shifted styles after VOYAGE OF CYTHERA as his stories became more intimate and more focused on one protagonist).

I realized I have never seen that many of Jia Zhangke's works. A few of his short films, and maybe just his later film, THE WORLD (2004). But I still keep this 2010 photo of myself with his muse (now his wife) Zhao Tao because of the Jia Zhangke photobomb.


Now that I look at it, the year 2000 was an amazing year for Chinese cinema. Wong Kar Wai's IN THE MOOD FOR LOVE, Edward Yang's YI YI, Jia Zhangke's PLATFORM, Ang Lee's CROUCHING TIGER HIDDEN DRAGON etc. Regardless of what you think of these films, they have all left a mark in history, influencing filmmakers and the film business in ways beyond description.

Pondering the Importance of Being Prolific

Now that I am utterly sure that no one reads this blog anymore, I think I can try to revert it back to what it was when I started this 9 years ago.

A journal for my own thoughts.

Autumn Di Hatiku ended today.

Today marks the beginning of August, and also the end of the web series "Autumn Di Hatiku" (watch it here) which I co-produced, co-wrote and co-directed.

Reception had been more than I imagined. The media coverage was amazing. The stars of the Autumn Di Hatiku were almost ubiquitous, appearing in newspapers, magazines, TV shows etc.

When it comes to the film and TV business, creativity is one thing (and the fact that we were given full creative freedom by Tonton for this show was a rarity that fills me with gratitude), being backed by a team that trusted us entirely and did so much when it came to promoting the show, the whole experience was quite joyous.


To mark the final day of Autumn Di Hatiku, Tonton and Gua organized a "chat with the fans" session with Autumn Di Hatiku stars JS Kim (the titular Autumn) and Anas Ridzuan (the morally ambiguous Kai) this afternoon.

The full list of Golden Wau Awards nominations

Having a new set of awards to reward Malaysian Chinese cinematic achievements is a nice idea, especially considering the increase of Malaysian Chinese films in the country during the past few years.

So we now have the Golden Wau Awards, which is kinda like the Golden Horse Awards in Taiwan, or the Hong Kong Film Awards in Hong Kong, except, this one is in Malaysia.

WATCH THIS: Trailer of 3 DOORS OF HORROR (a horror omnibus that I'm part of!)

FLOATING SUN took only two days to shoot, and perhaps a few days to edit.

But the process of trying to perfect it had been rather exhausting. The colour grading, the audio mixing, the music, they were tricky, because I am working on a genre that I wasn't exactly familiar with.

The entire month of July has passed by without me noticing.

The film is finally done.


In case you don't know, FLOATING SUN is part of a horror omnibus produced by James Lee called 3 DOORS OF HORROR. The other two directors participating in this are Ng Ken Kin and Leroy Low.

Yesterday, James finally posted the trailer of 3 DOORS OF HORROR, and it looks pretty great!

The Media Coverage of AUTUMN DI HATIKU

In my last post, I mentioned about the web series that I co-directed and wrote, AUTUMN DI HATIKU.


14 episodes had came out, so the series has already reached its halfway mark.

What truly amazed me in the past few weeks was the media coverage of this series.

Introducing "Autumn Di Hatiku", a web series I wrote and directed

This is the story of how I got this beautiful Autumn Di Hatiku pillow.

When cast members constantly live-tweets your film shoot...

On the 28 and 29th of June, I was shooting my new short film, FLOATING SUN, which is part of the HUNGRY GHOST FESTIVAL: 3 DOORS OF HORROR omnibus project produced by James Lee.


The other two directors, Ng Ken Kin and Leroy Low had long finished their segments, so it was up to me to ensure that I wouldn't screw up.

Once again, my cinematographer was Lesly Leon Lee, who shot my first two short films CHICKEN RICE MYSTERY (2008) and LOVE SUICIDES (2009), and later, my one-minute Prada short film "NOW". Because of this, I couldn't help but find myself comparing the current film shoot with those from 5 years ago.

One of the biggest differences nowadays is the advent of social media and smart phone technology. Cast and crew members can now easily live-tweet/ live-blog/ live-facebook/ live-whatever the entire process of the shoot. Of course, being generally open to such things, I agreed to let everyone post up videos or photos of the shoot as long as I look flattering, and as long as they don't spoil the story.

FLOATING SUN, which is loosely based on a Kanai Mieko story, stars Emily Lim 林佩琦, Daphne Low 刘倩妏, Candy Lee 李佳洁 (whom I last worked with in last year's short film DOUBLE which I produced), Steve Yap 叶良财, Candy Ice 林冰冰 and Azman Hassan (who had appeared in almost every single important Malaysian independent film out there).

It revolves around a drowned corpse.

Ranking the Pixar Movies

It's most likely that the next movie I'm catching is MONSTERS UNIVERSITY, the prequel to the wonderful MONSTERS INC.

Last night, after reading The Playlist's "From Worst To Best: Ranking The Pixar Movies", I decided to come up with my own list as well.

More photos from my "Floating Sun" location scouting

I got myself a Blackmagic Cinema Camera recently for two TV shoots. (one of them is BUDDYZ Season 2, which is currently airing on Astro Ria every Wednesdays and Fridays at 8:55pm, each 5-minute episode is available on Youtube a few hours after it's on TV, here's episode 3)

One of the most convenient things about the camera is that I could just re-use my old camera lenses from my Canon 7D, even got myself a new Tokina 11-16mm 2.8 lens to help with wide shots. This morning, while doing some location scouting for my new short film Floating Sun, I managed to put the lens to good use.

Location scouting for my new short film "Floating Sun"

As I prepare to shoot my new short film "FLOATING SUN" at the end of June, I traveled early this morning for a round of location scouting with James Lee the producer, TK the production manager and Lesly the cinematographer.

Armed with my new phone, the Huawei Mate (technically, with its 6-inch screen, it's really a "phablet" and not a phone), I traversed into a place which was absolutely wonderful (and photogenic) for my film, taking some photos.

Excerpt from my new short film, SPRINGTIME NOSTALGIA 残香

A new short film of mine, SPRINGTIME NOSTALGIA, is premiering at next week's Shanghai International Film Festival, followed by a screening at the Taipei International Film Festival in early July as part of an "in focus" program for actress/producer Kiki Sugino.

This Ikebana-themed short that was commissioned by Kao last year

The kind folks of Taipei International Film Festival posted a one-minute excerpt of the short film on Youtube which featured the three main cast members, Kiki Sugino (who did EXHALATION with me back in 2010), Qyoko Kudo (who did KINGYO with me back in 2009) and Eriko Ono (who was probably a baby when I collaborated with the aforementioned two actresses in my previous works).

Mieko Kanai 金井美恵子

You might not have heard of the Japanese writer Mieko Kanai (金井美恵子), but she wrote the short story "The Moon" that inspired my short film "LAST FRAGMENTS OF WINTER".

I stumbled upon her works by accident. It was September 2010. My uncle (father's younger brother) passed away suddenly, my parents, who were in Tokyo with me for my graduation ceremony, had to fly back to Malaysia immediately.

I was left alone in the hotel that my parents were supposed to stay for a few more days. Overwhelmed by solitude, I went to my favourite Aoyama Book Center in Roppongi, hoping to distract my mind with literature.

Going through the shelf, "THE WORD BOOK" by Mieko Kanai, a collection of her short stories, caught my eye. Maybe it was the cover. THE WORD BOOK came out in the 70s, but it only just got translated into English that year.


I flipped through the book, went through some stories, and found myself captivated by the imagery of her dream-like tales. I didn't buy the book immediately, but her words lingered. (I bought the book a few days later on Amazon)

This is the opening paragraph of "The Moon":

Q and A session for WOMAN ON FIRE LOOKS FOR WATER at CineMalaysia

On the 30th of May, the screening of Woo Ming Jin's WOMAN ON FIRE LOOKS FOR WATER was held right after the screening of my short films at CineMalaysia Film Festival (a film festival for Malaysian films held in Tokyo).

Q & A session for my short films screening at CineMalaysia Film Festival

I have just spent three nights in Tokyo to attend the CineMalaysia Film Festival シネ・マレーシア, a great film festival organized in Tokyo to show Malaysian films. This was its inaugural edition. The film festival ran from the 24th to the 31st of May. I was around for the last two days.

James Lee uploaded his entire 2009 feature film, CALL IF YOU NEED ME 黑夜行路 on Youtube

These days, the Malaysian director and independent film pioneer James Lee had been uploading his works on his Youtube channel Doghouse73pictures. Both short films and feature films, from his earliest to his latest.

Last month, in April, he uploaded his 2005 breakthrough film THE BEAUTIFUL WASHING MACHINE (one of the seminal films of the Malaysian New Wave) in its entirety.

Today, in conjunction with its screening at the CineMalaysia in Tokyo (a new film festival that is showing only Malaysian films), James has uploaded his 2009 gangster film CALL IF YOU NEED ME 黑夜行路 online for us all to see.

Set photos from the Buddyz 2 TV shoot

(On the set of Buddyz 2, with the iconic kombi van and some yellow umbrellas. The guy in yellow and seated in the background is actor Shaheizy Sam, reading the script)

Last year, I made a passing mention that I was involved in a TV shoot for a series of 5-minute episodes called Buddyz. The series started airing last June.